Oh hey I didn't see this before! I do it as a last step, between fixing and photoflo, this way I can see what I'm doing. Approximately 1 tablespoon of baking soda (or washing soda, both work well) per cup of water. Exactness isn't super necessary in the soda mix, you just want to make sure the solution is still thin but is alkaline and has enough particulates in the water to be abrasive.
Nicole Elaine Baker MFA in Visual Studies, 2019 Pacific Northwest College of Art Hallie Ford School of Graduate Studies *www.magiklantern.com <http://www.magiklantern.com>* On Fri, Mar 22, 2019 at 4:48 PM Ben Balcom <[email protected]> wrote: > Sorry to co-opt this thread, but Nicole at what stage do you remove the > remjet? As a last step? Or pre-bath? Any recs for baking-soda to water > ratio? Thanks! > > On Thu, Mar 21, 2019 at 3:53 PM Nicole Baker <[email protected]> wrote: > >> The removing the remjet (the backing you speak of) has been greatly >> exaggerated in terms of how hard it is. I use a warm baking soda bath and a >> quick wipe down with a damp microfiber cloth. Not a speck remains. >> Theres some great tutorials on YouTube to employ a variety of removal >> methods, if anyone is interested. >> >> On Thu, Mar 21, 2019, 9:07 AM trevor adams <[email protected]> wrote: >> >>> Mr. Antos is correct, sir. It's less than half the going rate of >>> reversal. Also, this particular stock doesn't have the backing which makes >>> hand-processing arduous (as it's been explained to me). And ignorance is >>> about the most cultivated quality in my work! >>> Trevor Adams >>> sinemodafatestare.com >>> >>> Sent from Outlook <http://aka.ms/weboutlook> >>> >>> ------------------------------ >>> *From:* FrameWorks <[email protected]> on behalf >>> of Julian Antos <[email protected]> >>> *Sent:* Thursday, March 21, 2019 12:14 AM >>> *To:* Experimental Film Discussion List >>> *Subject:* Re: [Frameworks] tips for shooting on print stock? >>> >>> I think the appeal is that it’s much cheaper! >>> >>> On Wed, Mar 20, 2019 at 7:11 PM Francisco Torres <[email protected]> >>> wrote: >>> >>> pardon my ignorance but I have never understood the use of print stock >>> as camera original. Would using reversal accomplish similar results? >>> >>> 2019-03-20 12:20 GMT-04:00, MONO NO AWARE <[email protected]>: >>> > https://vimeo.com/290301242 >>> > >>> > Results from our workshop. A few water marks, but for their first >>> time in >>> > the lab processing, to be cross processing and have these results its >>> > pretty good, could have used a darker orange filter, but it was >>> overcast >>> > and we couldn't forfeit the light. >>> > >>> > >>> > ◅ >>> > *MONO NO AWARE* >>> > 501c3 Cinema Arts Non-Profit Organization est. 2007 >>> > | Film Stock | Equipment | Lab Facilities | Workshops | >>> > a: 33 Flatbush Avenue, Brooklyn New York >>> > < >>> https://www.google.com/maps/dir//33+Flatbush+Ave,+Brooklyn,+NY+11217/@40.6877184,-73.9819882,17z/data=!4m17!1m7!3m6!1s0x89c25bb25464b153:0x663d26fd9a518085!2s33+Flatbush+Ave,+Brooklyn,+NY+11217!3b1!8m2!3d40.6877184!4d-73.9797995!4m8!1m0!1m5!1m1!1s0x89c25bb25464b153:0x663d26fd9a518085!2m2!1d-73.9797995!2d40.6877184!3e2 >>> > >>> > e: mononoawarefilm.com c: +1 2674561143 <%2B1%20267%20456-1143> >>> in:gram >>> > <https://www.instagram.com/mononoawarefilm/> >>> > <%2B1%20267%20456-1143> >>> > press: New York Times >>> > < >>> https://www.nytimes.com/2017/07/11/nyregion/a-brooklyn-film-school-where-the-digital-revolution-didnt-happen.html >>> >, >>> > ViceTV >>> > < >>> https://video.vice.com/en_us/video/the-brooklyn-film-organization-bringing-analog-back-to-the-masses/584f0f243d8095724ccdaf1e >>> >, >>> > The Brooklyn Rail >>> > <https://brooklynrail.org/2018/11/film/Mixed-Use-MONO-NO-AWARE> >>> > >>> > >>> > On Wed, Mar 20, 2019 at 12:13 PM Anna Kipervaser >>> > <[email protected]> >>> > wrote: >>> > >>> >> I am often shooting on 3383; I use an 85 filter (orange to compensate >>> for >>> >> lack of orange base in the stock and to get near true color) and rate >>> >> 3383 >>> >> at 3. Then I process in Tetenal E6 in a lomo reel/tank. Recipe below. >>> >> >>> >> FD: 100 degrees F, 2:45min >>> >> H2O: 5min, warm, not warmer than 100 degrees F >>> >> CD: 100 degrees F, 6min >>> >> H2O: 5min, warm, not warmer than 100 degrees F >>> >> BLIX: 100 degrees F, 6min >>> >> H2O: 10min, cool. >>> >> Stabilizer out of tank: 30sec >>> >> Shake reel >>> >> Hang film to dry >>> >> >>> >> Also, Mono No Aware has had successful results with C41. >>> >> >>> >> Always, >>> >> Anna >>> >> >>> >> >>> >> >>> >> --- >>> >> anna kipervaser >>> >> 847.571.6943 >>> >> >>> >> annakipervaser.com >>> >> yellowfilmlab.com >>> >> onlookfilms.com >>> >> >>> >> >>> >> >>> >> >>> >> On Tue, Mar 19, 2019 at 9:03 AM < >>> [email protected]> >>> >> wrote: >>> >> >>> >>> Send FrameWorks mailing list submissions to >>> >>> [email protected] >>> >>> >>> >>> To subscribe or unsubscribe via the World Wide Web, visit >>> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> or, via email, send a message with subject or body 'help' to >>> >>> [email protected] >>> >>> >>> >>> You can reach the person managing the list at >>> >>> [email protected] >>> >>> >>> >>> When replying, please edit your Subject line so it is more specific >>> >>> than "Re: Contents of FrameWorks digest..." >>> >>> Today's Topics: >>> >>> >>> >>> 1. Re: Barbara Hammer, RIP (Dominic Angerame) >>> >>> 2. tips for shooting on print stock? (trevor adams) >>> >>> 3. Re: tips for shooting on print stock? (Scott Dorsey) >>> >>> 4. Re: tips for shooting on print stock? (Nicole Baker) >>> >>> >>> >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> >>> From: Dominic Angerame <[email protected]> >>> >>> To: Experimental Film Discussion List < >>> [email protected]> >>> >>> Cc: >>> >>> Bcc: >>> >>> Date: Mon, 18 Mar 2019 09:23:19 -0400 >>> >>> Subject: Re: [Frameworks] Barbara Hammer, RIP >>> >>> I am so sorry to hear this. I worked with Barbara for many years >>> while >>> >>> at >>> >>> Canyon Cinema and always admired her courage, strength and >>> commitment to >>> >>> avant- cinema and women filmmakers around the world. >>> >>> >>> >>> Her dynamic energy is certainly a loss to the community. >>> >>> >>> >>> Dominic Angerame >>> >>> >>> >>> Sent from my iPhone >>> >>> >>> >>> On Mar 17, 2019, at 10:54 PM, Ruth Hayes <[email protected]> >>> wrote: >>> >>> >>> >>> Hi all, >>> >>> >>> >>> I just want to acknowledge Barbara Hammer’s passing, her influence >>> on so >>> >>> many experimental filmmakers, including myself, and her courage, >>> >>> playfulness and indomitable spirit. >>> >>> >>> >>> Peace, >>> >>> >>> >>> Ruth Hayes >>> >>> >>> >>> http://www.randommotion.com >>> >>> >>> >>> blogs.evergreen.edu/hayesr >>> >>> >>> >>> _______________________________________________ >>> >>> FrameWorks mailing list >>> >>> [email protected] >>> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> >>> >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> >>> From: trevor adams <[email protected]> >>> >>> To: Experimental Film Discussion List < >>> [email protected]> >>> >>> Cc: >>> >>> Bcc: >>> >>> Date: Mon, 18 Mar 2019 16:20:12 +0000 >>> >>> Subject: [Frameworks] tips for shooting on print stock? >>> >>> Hiya one'n all, >>> >>> >>> >>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>> >>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >>> I'm >>> >>> not sure if i should even take light readings? Anything would be >>> >>> helpful... >>> >>> Thanks, >>> >>> Trevor Adams >>> >>> >>> >>> Sent from Outlook <http://aka.ms/weboutlook> >>> >>> >>> >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> >>> From: Scott Dorsey <[email protected]> >>> >>> To: [email protected] >>> >>> Cc: >>> >>> Bcc: >>> >>> Date: Mon, 18 Mar 2019 14:25:49 -0400 >>> >>> Subject: Re: [Frameworks] tips for shooting on print stock? >>> >>> 5 seems optimistic. Shoot a test. >>> >>> --scott >>> >>> >>> >>> >>> >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> >>> From: Nicole Baker <[email protected]> >>> >>> To: Experimental Film Discussion List < >>> [email protected]> >>> >>> Cc: >>> >>> Bcc: >>> >>> Date: Mon, 18 Mar 2019 15:12:57 -0700 >>> >>> Subject: Re: [Frameworks] tips for shooting on print stock? >>> >>> I haven't tried print stock, but have played with film I made myself >>> >>> (handmade emulsion applied to clear leader) and that is also rated >>> at a >>> >>> 5 >>> >>> (if that). I would still absolutely take light readings, especially >>> if >>> >>> you're pointing at the light source, you might be surprised how much >>> >>> light >>> >>> it throws off. Maybe try spot metering instead of ambient. I find >>> that >>> >>> helps me "see" the scene the way the film might. >>> >>> Post your results! I'd love to see them. >>> >>> >>> >>> Nicole Elaine Baker >>> >>> MFA in Visual Studies, 2019 >>> >>> Pacific Northwest College of Art >>> >>> Hallie Ford School of Graduate Studies >>> >>> *www.magiklantern.com <http://www.magiklantern.com>* >>> >>> >>> >>> >>> >>> >>> >>> >>> >>> On Mon, Mar 18, 2019 at 9:20 AM trevor adams <[email protected]> >>> >>> wrote: >>> >>> >>> >>>> Hiya one'n all, >>> >>>> >>> >>>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>> >>>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >>> >>>> I'm >>> >>>> not sure if i should even take light readings? Anything would be >>> >>>> helpful... >>> >>>> Thanks, >>> >>>> Trevor Adams >>> >>>> >>> >>>> Sent from Outlook <http://aka.ms/weboutlook> >>> >>>> _______________________________________________ >>> >>>> FrameWorks mailing list >>> >>>> [email protected] >>> >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>>> >>> >>> _______________________________________________ >>> >>> FrameWorks mailing list >>> >>> [email protected] >>> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >> _______________________________________________ >>> >> FrameWorks mailing list >>> >> [email protected] >>> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >>> > >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> -- >>> Julian Antos >>> Chicago Film Society >>> www.chicagofilmsociety.org <http://www.northwestchicagofilmsociety.org/> >>> 773 827 8991 <(773)%20827-8991> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > -- > Ben Balcom > benbalcom.com > microlightscinema.com > [email protected] > 414-902-0236 > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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