pardon my ignorance but I have never understood the use of print stock as camera original. Would using reversal accomplish similar results?
2019-03-20 12:20 GMT-04:00, MONO NO AWARE <[email protected]>: > https://vimeo.com/290301242 > > Results from our workshop. A few water marks, but for their first time in > the lab processing, to be cross processing and have these results its > pretty good, could have used a darker orange filter, but it was overcast > and we couldn't forfeit the light. > > > ◅ > *MONO NO AWARE* > 501c3 Cinema Arts Non-Profit Organization est. 2007 > | Film Stock | Equipment | Lab Facilities | Workshops | > a: 33 Flatbush Avenue, Brooklyn New York > <https://www.google.com/maps/dir//33+Flatbush+Ave,+Brooklyn,+NY+11217/@40.6877184,-73.9819882,17z/data=!4m17!1m7!3m6!1s0x89c25bb25464b153:0x663d26fd9a518085!2s33+Flatbush+Ave,+Brooklyn,+NY+11217!3b1!8m2!3d40.6877184!4d-73.9797995!4m8!1m0!1m5!1m1!1s0x89c25bb25464b153:0x663d26fd9a518085!2m2!1d-73.9797995!2d40.6877184!3e2> > e: mononoawarefilm.com c: +1 2674561143 <%2B1%20267%20456-1143> in:gram > <https://www.instagram.com/mononoawarefilm/> > <%2B1%20267%20456-1143> > press: New York Times > <https://www.nytimes.com/2017/07/11/nyregion/a-brooklyn-film-school-where-the-digital-revolution-didnt-happen.html>, > ViceTV > <https://video.vice.com/en_us/video/the-brooklyn-film-organization-bringing-analog-back-to-the-masses/584f0f243d8095724ccdaf1e>, > The Brooklyn Rail > <https://brooklynrail.org/2018/11/film/Mixed-Use-MONO-NO-AWARE> > > > On Wed, Mar 20, 2019 at 12:13 PM Anna Kipervaser > <[email protected]> > wrote: > >> I am often shooting on 3383; I use an 85 filter (orange to compensate for >> lack of orange base in the stock and to get near true color) and rate >> 3383 >> at 3. Then I process in Tetenal E6 in a lomo reel/tank. Recipe below. >> >> FD: 100 degrees F, 2:45min >> H2O: 5min, warm, not warmer than 100 degrees F >> CD: 100 degrees F, 6min >> H2O: 5min, warm, not warmer than 100 degrees F >> BLIX: 100 degrees F, 6min >> H2O: 10min, cool. >> Stabilizer out of tank: 30sec >> Shake reel >> Hang film to dry >> >> Also, Mono No Aware has had successful results with C41. >> >> Always, >> Anna >> >> >> >> --- >> anna kipervaser >> 847.571.6943 >> >> annakipervaser.com >> yellowfilmlab.com >> onlookfilms.com >> >> >> >> >> On Tue, Mar 19, 2019 at 9:03 AM <[email protected]> >> wrote: >> >>> Send FrameWorks mailing list submissions to >>> [email protected] >>> >>> To subscribe or unsubscribe via the World Wide Web, visit >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> or, via email, send a message with subject or body 'help' to >>> [email protected] >>> >>> You can reach the person managing the list at >>> [email protected] >>> >>> When replying, please edit your Subject line so it is more specific >>> than "Re: Contents of FrameWorks digest..." >>> Today's Topics: >>> >>> 1. Re: Barbara Hammer, RIP (Dominic Angerame) >>> 2. tips for shooting on print stock? (trevor adams) >>> 3. Re: tips for shooting on print stock? (Scott Dorsey) >>> 4. Re: tips for shooting on print stock? (Nicole Baker) >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Dominic Angerame <[email protected]> >>> To: Experimental Film Discussion List <[email protected]> >>> Cc: >>> Bcc: >>> Date: Mon, 18 Mar 2019 09:23:19 -0400 >>> Subject: Re: [Frameworks] Barbara Hammer, RIP >>> I am so sorry to hear this. I worked with Barbara for many years while >>> at >>> Canyon Cinema and always admired her courage, strength and commitment to >>> avant- cinema and women filmmakers around the world. >>> >>> Her dynamic energy is certainly a loss to the community. >>> >>> Dominic Angerame >>> >>> Sent from my iPhone >>> >>> On Mar 17, 2019, at 10:54 PM, Ruth Hayes <[email protected]> wrote: >>> >>> Hi all, >>> >>> I just want to acknowledge Barbara Hammer’s passing, her influence on so >>> many experimental filmmakers, including myself, and her courage, >>> playfulness and indomitable spirit. >>> >>> Peace, >>> >>> Ruth Hayes >>> >>> http://www.randommotion.com >>> >>> blogs.evergreen.edu/hayesr >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: trevor adams <[email protected]> >>> To: Experimental Film Discussion List <[email protected]> >>> Cc: >>> Bcc: >>> Date: Mon, 18 Mar 2019 16:20:12 +0000 >>> Subject: [Frameworks] tips for shooting on print stock? >>> Hiya one'n all, >>> >>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, I'm >>> not sure if i should even take light readings? Anything would be >>> helpful... >>> Thanks, >>> Trevor Adams >>> >>> Sent from Outlook <http://aka.ms/weboutlook> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Scott Dorsey <[email protected]> >>> To: [email protected] >>> Cc: >>> Bcc: >>> Date: Mon, 18 Mar 2019 14:25:49 -0400 >>> Subject: Re: [Frameworks] tips for shooting on print stock? >>> 5 seems optimistic. Shoot a test. >>> --scott >>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Nicole Baker <[email protected]> >>> To: Experimental Film Discussion List <[email protected]> >>> Cc: >>> Bcc: >>> Date: Mon, 18 Mar 2019 15:12:57 -0700 >>> Subject: Re: [Frameworks] tips for shooting on print stock? >>> I haven't tried print stock, but have played with film I made myself >>> (handmade emulsion applied to clear leader) and that is also rated at a >>> 5 >>> (if that). I would still absolutely take light readings, especially if >>> you're pointing at the light source, you might be surprised how much >>> light >>> it throws off. Maybe try spot metering instead of ambient. I find that >>> helps me "see" the scene the way the film might. >>> Post your results! I'd love to see them. >>> >>> Nicole Elaine Baker >>> MFA in Visual Studies, 2019 >>> Pacific Northwest College of Art >>> Hallie Ford School of Graduate Studies >>> *www.magiklantern.com <http://www.magiklantern.com>* >>> >>> >>> >>> >>> On Mon, Mar 18, 2019 at 9:20 AM trevor adams <[email protected]> >>> wrote: >>> >>>> Hiya one'n all, >>>> >>>> I'm seeking any advice/ tips for shooting on 3383 color vision print >>>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >>>> I'm >>>> not sure if i should even take light readings? Anything would be >>>> helpful... >>>> Thanks, >>>> Trevor Adams >>>> >>>> Sent from Outlook <http://aka.ms/weboutlook> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
