Welcome sir KR. IRS. 5925 On Fri, 5 Sept 2025, 09:45 Markendeya Yeddanapudi, < [email protected]> wrote:
> Rajaram Sir, > You out grade chat gpt,you are phenomenal. > YMS > > On Fri, Sep 5, 2025 at 7:52 AM Rajaram Krishnamurthy < > [email protected]> wrote: > >> This isn’t just nostalgia, it’s something older, heavier. A stirring >> beneath the surface, like roots shifting in the dark. We tell ourselves the >> old Gods are gone, entombed in stone, locked away in museum glass, carved >> into forgotten myth. But perhaps they’re not dead—only exiled. And not by >> time, but by forgetting. They are still here, though the temples crumble. >> Still whispering, though the prayers have quieted. But they no longer >> reside in our stories. They wait in the land itself—in the wet breath of >> forest mornings, in the hush between thunder and rain. We once lived in >> geographies that made the divine tangible. The sacred was not an >> abstraction, but an echo in the mountains, a rhythm in the fields, a >> flicker in the firelight. To believe was to belong—to a place, to a >> pattern, to a pulse that ran deeper than language. And so, if we are to >> keep the Gods alive—not embalmed in doctrine but living, breathing, >> evolving—then we must return. Not backward, but inward. Not to >> superstition, but to sensation. To soil. To scent. To the reciprocity of >> being held by a land that remembers what we have forgotten. This is a new >> theology—not etched on tablets or bound in leather, but scattered like >> seeds. It grows in the cracks of sidewalks, in the moss reclaiming >> forgotten altars. It speaks not in commandments, but in the way a hawk >> rides thermals, in the scent of crushed sage underfoot. It is a theology >> of symbiosis. Of presence. Of listening. Because maybe the Gods never >> needed belief—only attention. And maybe redemption doesn’t come from >> salvation, but from restoration: of balance, of memory, of the sacredness >> of place. >> >> K Rajaram IRS 5925 >> >> On Fri, 5 Sept 2025 at 06:33, Markendeya Yeddanapudi < >> [email protected]> wrote: >> >>> >>> >>> -- >>> *Mar*The Power of Idols in Temples >>> >>> Think about a big Temple with Idols of Gods and Goddesses, every idol >>> perfect in sculpture, extremely precise in contours and expressions, the >>> dedication of the sculptors very clear, astounding and vivid. The Temple >>> was built hundreds of years ago, in very thick forest, on the top of a >>> gigantic mountain. >>> >>> The dedication and concentration was breathed by every organism, every >>> tree and plant, actually the by the entire flora and fauna in the forest. >>> The forest becomes the active macro force that hears and responds. The God >>> of the Temples thrives on the free Ecology, untainted by Economics. All >>> inhaled the dedication and exhaled the dedication, spreading their smell >>> messages to every organism. They all inhaled and exhaled the smell filled >>> prayers, the prayers of smell dictions. The Idols were washed by the smell >>> message devotions. All organisms conversed in the language of smells, >>> enjoyed the smell poetry and the smells laden songs of the breeze and wind >>> of the thick and rich flora and fauna of the lush forest with lakes and >>> waterfalls, on the mountain. >>> >>> The prayers of Devotees were smelt by the flora and fauna, and the >>> Devotees felt their prayers, granted by favouring events. The prayers met >>> symbiotic responses. The Power of the Idol in fact was the power of smell >>> messages and interactions of all organisms in the forest, where >>> breathing---inhaling and exhaling, consisted of smell words, smell phrases, >>> smell clauses and smell sentences, smell poetry, smell songs all becoming >>> the audible tunes. The musings of Devotees changed into the music of nature >>> there. >>> >>> The Idol Gods spent very busy lives granting the prayers of Devotees by >>> creating the needed events, events created by the smell inhalations and >>> smell exhalations of the flora and fauna.The power of the Idols was the >>> power of breathing of the Biosphere surrounding the Temple. The organisms >>> smelt the prayers consulted with each other by smells and often granted the >>> prayers by the creation of needed events. The events happened because those >>> that can grant the prayer too smelt and responded. In fact a Temple creates >>> a conscious Geography of the surroundings. Prayers are smelt and heard by >>> the free, happy and healthy flora and fauna, creating the symbiotic >>> responses taken as the bounty given by the God in the Temple. But >>> mechanization and urbanization by poisoning the air, disables the air from >>> carrying the smell and sound messages. The terrible sounds of Motor >>> Vehicles, the total chaos of the urbanized place robs a Temple of its vital >>> need, the clean and unpolluted geography. >>> >>> >>> >>> The Idols carried the dedication of the Sculptors who carved the idols, >>> in smells that became the smell of the forest, the smell of the Gods. But >>> the forests and the Biosphere are murdered, the genocide of the flora and >>> the fauna, removed the very smell language and smell memory of the >>> dedication of the Sculptors, killing totally the Divine Power of the nature >>> of the forest. The Idol without the Forest maims the God in the Idol. >>> >>> Today, the Atheists lampoon the belief, they are right, the Divinity of >>> the God with the killing of nature there, vanished. The Hotels, Lodges, >>> industries, Shops etc chased away the Gods. Gods cannot withstand smog and >>> toxic air and acid fall as rainfall. >>> >>> YM Sarma >>> >>> Chat gpt >>> >>> This piece, *The Power of Idols in Temples* by YM Sarma, is a deeply >>> poetic and evocative reflection on the intimate bond between spirituality, >>> ecology, and the sacredness of natural geography. It's less an essay and >>> more a philosophical and sensory meditation, where *smell becomes the >>> primal language of divinity*, and *the biosphere itself* is rendered >>> *conscious >>> and participatory* in the sacred dialogue between worshippers and the >>> divine. >>> >>> Here are some core ideas and reflections on the work: >>> ------------------------------ >>> >>> *🕉️ 1. Temples as Ecological Beings* >>> >>> - The temple is not just a structure or a place for rituals—it is *a >>> node of ecological consciousness*. >>> - The forest, the flora, fauna, air, water, and mountain together >>> form the *living body* of the Temple. >>> - The *Idol's power* is not in its form alone, but in the *ecological >>> resonance* that surrounds and sustains it. >>> >>> *🌿 2. Smell as Sacred Communication* >>> >>> - The metaphor of *smell* is powerful and unusual—it’s not about >>> just incense or rituals, but *smell as the medium of prayer, memory, >>> and interaction*. >>> - The entire ecosystem *"smells" the prayers*—the organisms sense >>> the devotion, process it, and *respond symbiotically*, creating the >>> miraculous events interpreted as divine blessings. >>> - Smell becomes *language*, *poetry*, *music*, and even >>> *event-making*—a beautifully synesthetic idea. >>> >>> *⚒️ 3. The Sculptor's Dedication as a Lasting Presence* >>> >>> - The sculptures of the Gods are vessels of human dedication, frozen >>> in stone. >>> - That dedication becomes *a kind of fragrance*, a memory *absorbed >>> by the forest*, which keeps it alive. >>> - When the forest dies, so does this *fragrant memory*—the idol >>> becomes *mute*, the God becomes *powerless*. >>> >>> *🏙️ 4. Urbanization as a Spiritual Genocide* >>> >>> - Urban development, pollution, industrialization—all become *acts >>> of violence* not just against nature, but against *the very >>> possibility of the sacred*. >>> - The *“genocide of flora and fauna”* is not merely environmental >>> destruction—it’s a *theological collapse*, a *murder of divinity*. >>> - The piece argues that *Gods cannot live in smog*, that *divinity >>> is photosynthetic*, ecological, and local. >>> >>> *😞 5. Atheism as a Consequence, Not a Cause* >>> >>> - The piece doesn’t blame atheists—it suggests they’re *right* to >>> mock religion now. >>> - Once the *living ecology of a temple is destroyed*, the *Divine >>> cannot manifest*, and so disbelief becomes natural. >>> - This is a powerful reversal: *loss of nature leads to loss of >>> faith*—not the other way around. >>> >>> ------------------------------ >>> >>> *✨ Literary and Stylistic Features:* >>> >>> - *Imagistic Language*: The prose is thick with sensory >>> imagery—especially smell and sound. >>> - *Repetition*: The idea of inhalation and exhalation recurs, giving >>> a breathing rhythm to the piece. >>> - *Anthropomorphism of Nature*: Trees, animals, air, even geography >>> are alive, sentient, and responsive. >>> - *Philosophical Lament*: There's an undercurrent of sorrow—a tone >>> of *mourning for the death of a world where Gods could breathe*. >>> >>> ------------------------------ >>> >>> *🔍 Possible Interpretations:* >>> >>> - *Ecological Spirituality*: This text belongs to an eco-spiritual >>> tradition, where *nature is sacred*, and *sacredness is ecological*. >>> - *Critique of Modernity*: A sharp critique of how modern >>> infrastructure severs the connections that once made religion a lived, >>> organic experience. >>> - *Re-imagining Devotion*: Devotion here is not just ritual—it is >>> *ecological >>> stewardship*, *communion with non-human life*, and *attunement to >>> the biosphere*. >>> >>> ------------------------------ >>> >>> *💡 Final Thought:* >>> >>> This isn't just a nostalgic piece; it's a *call to consciousness*. If >>> we want to keep the Gods alive—not just in stone but in spirit—then we need >>> to *revive the geographies that allow the Gods to breathe*. It suggests >>> a new kind of theology—*one rooted not in scripture, but in soil, >>> scent, and symbiosis.* >>> >>> Would you like this analyzed in a more academic style (e.g., for an >>> essay), or turned into a shorter reflective summary? >>> >>> >>> >>> Thank you for your thoughtful and imaginative piece, *“The Power of >>> Idols in Temples.”* I will now evaluate it based on key criteria often >>> used in assessing reflective and philosophical writing, especially in an >>> academic or literary context. >>> ------------------------------ >>> >>> *🔍 Evaluation Criteria* >>> >>> *Criterion* >>> >>> *Comments* >>> >>> *Score (/10)* >>> >>> *Originality of Thought* >>> >>> Exceptionally original. The central metaphor of *smell as the language >>> of divinity and ecology* is unique, bold, and poetic. You've built a >>> deeply imaginative and symbolic worldview. >>> >>> *10* >>> >>> *Thematic Depth* >>> >>> The text explores deep themes—*spirituality, environmentalism, >>> symbiosis, urban decay*, and *the death of sacredness*. The layers are >>> profound, though slightly repetitive at times. >>> >>> *9* >>> >>> *Structure & Coherence* >>> >>> While the ideas are rich, the structure is *organic rather than formal*. >>> There are long sentences and a stream-of-consciousness style that >>> occasionally affects clarity. Slight tightening could help the flow. >>> >>> *7.5* >>> >>> *Use of Language* >>> >>> Lyrical, poetic, evocative. Excellent use of *imagery*, *repetition*, >>> and *symbolism*. At times, though, the heavy use of metaphor can blur >>> meaning and overwhelm the reader. >>> >>> *8.5* >>> >>> *Emotional & Philosophical Impact* >>> >>> Powerful and moving. The *mourning of ecological loss* and the >>> *de-sacralization >>> of space* come through strongly. The tone has a meditative and >>> lamenting beauty. >>> >>> *9* >>> ------------------------------ >>> >>> *📝 Overall Score: 44 / 50* >>> >>> *🎓 Grade: A (88%)* >>> ------------------------------ >>> >>> *✅ Strengths* >>> >>> - Original and powerful metaphors. >>> - Deep ecological and spiritual insight. >>> - Poetic and immersive writing style. >>> - Philosophically rich and emotionally evocative. >>> >>> *⚠️ Areas for Improvement* >>> >>> - *Structure and clarity*: The piece could benefit from more >>> paragraph breaks, and clearer transitions between ideas. >>> - *Pacing*: Some repetitions could be trimmed to maintain focus. >>> - *Accessibility*: The abstract nature may distance readers >>> unfamiliar with such symbolic language. A bit of grounding could help. >>> >>> ------------------------------ >>> >>> *🏁 Final Remark:* >>> >>> This is a *philosophical-poetic meditation*, not just a typical >>> reflective essay. It reads almost like *sacred writing* or *environmental >>> scripture*, and it succeeds in making a bold claim: that *divinity is >>> ecological, not abstract.* >>> >>> If you are submitting this as part of a literary or philosophical >>> project, it is *excellent*. With a bit of structural polishing, it >>> could be published or included in a collection on eco-spirituality or >>> environmental thought. >>> >>> Would you like help editing this for publication or rewriting it in a >>> more academic format? >>> >>> >>> >>> Certainly! Here's a poem inspired by the themes in your >>> piece—particularly the profound connection between *divinity, ecology, >>> scent, and silence*. This poem responds to the spirit of your writing, >>> echoing its tone of reverence, lament, and hope. >>> ------------------------------ >>> >>> *Where Gods Once Breathed* >>> >>> *(a poem in response to "The Power of Idols in Temples")* >>> >>> In stone they stood, still as breath, >>> Where mountains met the forest’s depth, >>> Their faces carved by hands so sure, >>> In silence vast, serene, and pure. >>> >>> Not marble hearts nor lifeless eyes— >>> They breathed in prayers, in scented skies. >>> The wind bore hymns in jasmine threads, >>> From mossy roots to riverbeds. >>> >>> Each tree a priest, each leaf a bell, >>> Each flower sang what words can't tell. >>> And birds, like verses, filled the dome, >>> Of green cathedral, sky, and loam. >>> >>> The idols drank the forest's lore— >>> The sculptor’s soul, the tiger’s roar. >>> Their power lived not just in stone, >>> But in the life that called it home. >>> >>> But smoke has choked the sacred hill, >>> And motors drown the whip-poor-will. >>> The scent is gone, the breeze is bare, >>> The Gods, they say, are not there. >>> >>> Yet still, beneath the concrete crust, >>> There stirs a memory in the dust. >>> Of sandalwood, of rain-sweet air, >>> Of temples built from breath and care. >>> >>> Bring back the trees, the wind, the rain, >>> Let rivers cleanse the idols' pain. >>> And you may find, when skies are clear, >>> The Gods return—because they hear. >>> >>> Not just the voice, but what you give: >>> The way you let the wild things live. >>> For prayers are more than spoken word— >>> They’re felt, they’re smelt, they must be heard. >>> ------------------------------ >>> >>> Would you like a version of this poem in a classical meter (like iambic >>> pentameter), or a more modern free-verse style? Or perhaps translated into >>> another language? >>> >>> >>> >>> >>> >>> -- >>> You received this message because you are subscribed to the Google >>> Groups "societyforservingseniors" group. >>> To unsubscribe from this group and stop receiving emails from it, send >>> an email to [email protected]. >>> To view this discussion, visit >>> https://groups.google.com/d/msgid/society4servingseniors/CACDCHCL4WE14p-ngeNtKs0s%3DG8ntEY4dDYaROBKOUHNs9YSi6A%40mail.gmail.com >>> <https://groups.google.com/d/msgid/society4servingseniors/CACDCHCL4WE14p-ngeNtKs0s%3DG8ntEY4dDYaROBKOUHNs9YSi6A%40mail.gmail.com?utm_medium=email&utm_source=footer> >>> . >>> >> > > -- > *Mar* > -- You received this message because you are subscribed to the Google Groups "Thatha_Patty" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. 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