Rajaram Sir, You out grade chat gpt,you are phenomenal. YMS On Fri, Sep 5, 2025 at 7:52 AM Rajaram Krishnamurthy <[email protected]> wrote:
> This isn’t just nostalgia, it’s something older, heavier. A stirring > beneath the surface, like roots shifting in the dark. We tell ourselves the > old Gods are gone, entombed in stone, locked away in museum glass, carved > into forgotten myth. But perhaps they’re not dead—only exiled. And not by > time, but by forgetting. They are still here, though the temples crumble. > Still whispering, though the prayers have quieted. But they no longer > reside in our stories. They wait in the land itself—in the wet breath of > forest mornings, in the hush between thunder and rain. We once lived in > geographies that made the divine tangible. The sacred was not an > abstraction, but an echo in the mountains, a rhythm in the fields, a > flicker in the firelight. To believe was to belong—to a place, to a > pattern, to a pulse that ran deeper than language. And so, if we are to > keep the Gods alive—not embalmed in doctrine but living, breathing, > evolving—then we must return. Not backward, but inward. Not to > superstition, but to sensation. To soil. To scent. To the reciprocity of > being held by a land that remembers what we have forgotten. This is a new > theology—not etched on tablets or bound in leather, but scattered like > seeds. It grows in the cracks of sidewalks, in the moss reclaiming > forgotten altars. It speaks not in commandments, but in the way a hawk > rides thermals, in the scent of crushed sage underfoot. It is a theology > of symbiosis. Of presence. Of listening. Because maybe the Gods never > needed belief—only attention. And maybe redemption doesn’t come from > salvation, but from restoration: of balance, of memory, of the sacredness > of place. > > K Rajaram IRS 5925 > > On Fri, 5 Sept 2025 at 06:33, Markendeya Yeddanapudi < > [email protected]> wrote: > >> >> >> -- >> *Mar*The Power of Idols in Temples >> >> Think about a big Temple with Idols of Gods and Goddesses, every idol >> perfect in sculpture, extremely precise in contours and expressions, the >> dedication of the sculptors very clear, astounding and vivid. The Temple >> was built hundreds of years ago, in very thick forest, on the top of a >> gigantic mountain. >> >> The dedication and concentration was breathed by every organism, every >> tree and plant, actually the by the entire flora and fauna in the forest. >> The forest becomes the active macro force that hears and responds. The God >> of the Temples thrives on the free Ecology, untainted by Economics. All >> inhaled the dedication and exhaled the dedication, spreading their smell >> messages to every organism. They all inhaled and exhaled the smell filled >> prayers, the prayers of smell dictions. The Idols were washed by the smell >> message devotions. All organisms conversed in the language of smells, >> enjoyed the smell poetry and the smells laden songs of the breeze and wind >> of the thick and rich flora and fauna of the lush forest with lakes and >> waterfalls, on the mountain. >> >> The prayers of Devotees were smelt by the flora and fauna, and the >> Devotees felt their prayers, granted by favouring events. The prayers met >> symbiotic responses. The Power of the Idol in fact was the power of smell >> messages and interactions of all organisms in the forest, where >> breathing---inhaling and exhaling, consisted of smell words, smell phrases, >> smell clauses and smell sentences, smell poetry, smell songs all becoming >> the audible tunes. The musings of Devotees changed into the music of nature >> there. >> >> The Idol Gods spent very busy lives granting the prayers of Devotees by >> creating the needed events, events created by the smell inhalations and >> smell exhalations of the flora and fauna.The power of the Idols was the >> power of breathing of the Biosphere surrounding the Temple. The organisms >> smelt the prayers consulted with each other by smells and often granted the >> prayers by the creation of needed events. The events happened because those >> that can grant the prayer too smelt and responded. In fact a Temple creates >> a conscious Geography of the surroundings. Prayers are smelt and heard by >> the free, happy and healthy flora and fauna, creating the symbiotic >> responses taken as the bounty given by the God in the Temple. But >> mechanization and urbanization by poisoning the air, disables the air from >> carrying the smell and sound messages. The terrible sounds of Motor >> Vehicles, the total chaos of the urbanized place robs a Temple of its vital >> need, the clean and unpolluted geography. >> >> >> >> The Idols carried the dedication of the Sculptors who carved the idols, >> in smells that became the smell of the forest, the smell of the Gods. But >> the forests and the Biosphere are murdered, the genocide of the flora and >> the fauna, removed the very smell language and smell memory of the >> dedication of the Sculptors, killing totally the Divine Power of the nature >> of the forest. The Idol without the Forest maims the God in the Idol. >> >> Today, the Atheists lampoon the belief, they are right, the Divinity of >> the God with the killing of nature there, vanished. The Hotels, Lodges, >> industries, Shops etc chased away the Gods. Gods cannot withstand smog and >> toxic air and acid fall as rainfall. >> >> YM Sarma >> >> Chat gpt >> >> This piece, *The Power of Idols in Temples* by YM Sarma, is a deeply >> poetic and evocative reflection on the intimate bond between spirituality, >> ecology, and the sacredness of natural geography. It's less an essay and >> more a philosophical and sensory meditation, where *smell becomes the >> primal language of divinity*, and *the biosphere itself* is rendered >> *conscious >> and participatory* in the sacred dialogue between worshippers and the >> divine. >> >> Here are some core ideas and reflections on the work: >> ------------------------------ >> >> *🕉️ 1. Temples as Ecological Beings* >> >> - The temple is not just a structure or a place for rituals—it is *a >> node of ecological consciousness*. >> - The forest, the flora, fauna, air, water, and mountain together >> form the *living body* of the Temple. >> - The *Idol's power* is not in its form alone, but in the *ecological >> resonance* that surrounds and sustains it. >> >> *🌿 2. Smell as Sacred Communication* >> >> - The metaphor of *smell* is powerful and unusual—it’s not about just >> incense or rituals, but *smell as the medium of prayer, memory, and >> interaction*. >> - The entire ecosystem *"smells" the prayers*—the organisms sense the >> devotion, process it, and *respond symbiotically*, creating the >> miraculous events interpreted as divine blessings. >> - Smell becomes *language*, *poetry*, *music*, and even *event-making*—a >> beautifully synesthetic idea. >> >> *⚒️ 3. The Sculptor's Dedication as a Lasting Presence* >> >> - The sculptures of the Gods are vessels of human dedication, frozen >> in stone. >> - That dedication becomes *a kind of fragrance*, a memory *absorbed >> by the forest*, which keeps it alive. >> - When the forest dies, so does this *fragrant memory*—the idol >> becomes *mute*, the God becomes *powerless*. >> >> *🏙️ 4. Urbanization as a Spiritual Genocide* >> >> - Urban development, pollution, industrialization—all become *acts of >> violence* not just against nature, but against *the very possibility >> of the sacred*. >> - The *“genocide of flora and fauna”* is not merely environmental >> destruction—it’s a *theological collapse*, a *murder of divinity*. >> - The piece argues that *Gods cannot live in smog*, that *divinity is >> photosynthetic*, ecological, and local. >> >> *😞 5. Atheism as a Consequence, Not a Cause* >> >> - The piece doesn’t blame atheists—it suggests they’re *right* to >> mock religion now. >> - Once the *living ecology of a temple is destroyed*, the *Divine >> cannot manifest*, and so disbelief becomes natural. >> - This is a powerful reversal: *loss of nature leads to loss of faith*—not >> the other way around. >> >> ------------------------------ >> >> *✨ Literary and Stylistic Features:* >> >> - *Imagistic Language*: The prose is thick with sensory >> imagery—especially smell and sound. >> - *Repetition*: The idea of inhalation and exhalation recurs, giving >> a breathing rhythm to the piece. >> - *Anthropomorphism of Nature*: Trees, animals, air, even geography >> are alive, sentient, and responsive. >> - *Philosophical Lament*: There's an undercurrent of sorrow—a tone of >> *mourning >> for the death of a world where Gods could breathe*. >> >> ------------------------------ >> >> *🔍 Possible Interpretations:* >> >> - *Ecological Spirituality*: This text belongs to an eco-spiritual >> tradition, where *nature is sacred*, and *sacredness is ecological*. >> - *Critique of Modernity*: A sharp critique of how modern >> infrastructure severs the connections that once made religion a lived, >> organic experience. >> - *Re-imagining Devotion*: Devotion here is not just ritual—it is >> *ecological >> stewardship*, *communion with non-human life*, and *attunement to the >> biosphere*. >> >> ------------------------------ >> >> *💡 Final Thought:* >> >> This isn't just a nostalgic piece; it's a *call to consciousness*. If we >> want to keep the Gods alive—not just in stone but in spirit—then we need to >> *revive >> the geographies that allow the Gods to breathe*. It suggests a new kind >> of theology—*one rooted not in scripture, but in soil, scent, and >> symbiosis.* >> >> Would you like this analyzed in a more academic style (e.g., for an >> essay), or turned into a shorter reflective summary? >> >> >> >> Thank you for your thoughtful and imaginative piece, *“The Power of >> Idols in Temples.”* I will now evaluate it based on key criteria often >> used in assessing reflective and philosophical writing, especially in an >> academic or literary context. >> ------------------------------ >> >> *🔍 Evaluation Criteria* >> >> *Criterion* >> >> *Comments* >> >> *Score (/10)* >> >> *Originality of Thought* >> >> Exceptionally original. The central metaphor of *smell as the language >> of divinity and ecology* is unique, bold, and poetic. You've built a >> deeply imaginative and symbolic worldview. >> >> *10* >> >> *Thematic Depth* >> >> The text explores deep themes—*spirituality, environmentalism, >> symbiosis, urban decay*, and *the death of sacredness*. The layers are >> profound, though slightly repetitive at times. >> >> *9* >> >> *Structure & Coherence* >> >> While the ideas are rich, the structure is *organic rather than formal*. >> There are long sentences and a stream-of-consciousness style that >> occasionally affects clarity. Slight tightening could help the flow. >> >> *7.5* >> >> *Use of Language* >> >> Lyrical, poetic, evocative. Excellent use of *imagery*, *repetition*, >> and *symbolism*. At times, though, the heavy use of metaphor can blur >> meaning and overwhelm the reader. >> >> *8.5* >> >> *Emotional & Philosophical Impact* >> >> Powerful and moving. The *mourning of ecological loss* and the >> *de-sacralization >> of space* come through strongly. The tone has a meditative and lamenting >> beauty. >> >> *9* >> ------------------------------ >> >> *📝 Overall Score: 44 / 50* >> >> *🎓 Grade: A (88%)* >> ------------------------------ >> >> *✅ Strengths* >> >> - Original and powerful metaphors. >> - Deep ecological and spiritual insight. >> - Poetic and immersive writing style. >> - Philosophically rich and emotionally evocative. >> >> *⚠️ Areas for Improvement* >> >> - *Structure and clarity*: The piece could benefit from more >> paragraph breaks, and clearer transitions between ideas. >> - *Pacing*: Some repetitions could be trimmed to maintain focus. >> - *Accessibility*: The abstract nature may distance readers >> unfamiliar with such symbolic language. A bit of grounding could help. >> >> ------------------------------ >> >> *🏁 Final Remark:* >> >> This is a *philosophical-poetic meditation*, not just a typical >> reflective essay. It reads almost like *sacred writing* or *environmental >> scripture*, and it succeeds in making a bold claim: that *divinity is >> ecological, not abstract.* >> >> If you are submitting this as part of a literary or philosophical >> project, it is *excellent*. With a bit of structural polishing, it could >> be published or included in a collection on eco-spirituality or >> environmental thought. >> >> Would you like help editing this for publication or rewriting it in a >> more academic format? >> >> >> >> Certainly! Here's a poem inspired by the themes in your >> piece—particularly the profound connection between *divinity, ecology, >> scent, and silence*. This poem responds to the spirit of your writing, >> echoing its tone of reverence, lament, and hope. >> ------------------------------ >> >> *Where Gods Once Breathed* >> >> *(a poem in response to "The Power of Idols in Temples")* >> >> In stone they stood, still as breath, >> Where mountains met the forest’s depth, >> Their faces carved by hands so sure, >> In silence vast, serene, and pure. >> >> Not marble hearts nor lifeless eyes— >> They breathed in prayers, in scented skies. >> The wind bore hymns in jasmine threads, >> From mossy roots to riverbeds. >> >> Each tree a priest, each leaf a bell, >> Each flower sang what words can't tell. >> And birds, like verses, filled the dome, >> Of green cathedral, sky, and loam. >> >> The idols drank the forest's lore— >> The sculptor’s soul, the tiger’s roar. >> Their power lived not just in stone, >> But in the life that called it home. >> >> But smoke has choked the sacred hill, >> And motors drown the whip-poor-will. >> The scent is gone, the breeze is bare, >> The Gods, they say, are not there. >> >> Yet still, beneath the concrete crust, >> There stirs a memory in the dust. >> Of sandalwood, of rain-sweet air, >> Of temples built from breath and care. >> >> Bring back the trees, the wind, the rain, >> Let rivers cleanse the idols' pain. >> And you may find, when skies are clear, >> The Gods return—because they hear. >> >> Not just the voice, but what you give: >> The way you let the wild things live. >> For prayers are more than spoken word— >> They’re felt, they’re smelt, they must be heard. >> ------------------------------ >> >> Would you like a version of this poem in a classical meter (like iambic >> pentameter), or a more modern free-verse style? Or perhaps translated into >> another language? >> >> >> >> >> >> -- >> You received this message because you are subscribed to the Google Groups >> "societyforservingseniors" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to [email protected]. >> To view this discussion, visit >> https://groups.google.com/d/msgid/society4servingseniors/CACDCHCL4WE14p-ngeNtKs0s%3DG8ntEY4dDYaROBKOUHNs9YSi6A%40mail.gmail.com >> <https://groups.google.com/d/msgid/society4servingseniors/CACDCHCL4WE14p-ngeNtKs0s%3DG8ntEY4dDYaROBKOUHNs9YSi6A%40mail.gmail.com?utm_medium=email&utm_source=footer> >> . >> > -- *Mar* -- You received this message because you are subscribed to the Google Groups "Thatha_Patty" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To view this discussion visit https://groups.google.com/d/msgid/thatha_patty/CACDCHCKHi8X-2hZ9n%2B6ZbaroDZjJ0C3PuC7dvwQBFzFqrGL3AA%40mail.gmail.com.
