Derby Chang wrote:
> Godfrey DiGiorgi wrote:
>   
>> Frankly, Derby, I don't care if you don't like her work very much.  
>> Nor do I care that others are of similar opinion. As I said before,  
>> her work isn't that high in my sights either. But I do admire her use  
>> of lighting and concept, attention to detail. And I thought "A  
>> Photographer's Life" was much better than her commercial work, even  
>> if she herself said that she doesn't really do much of this kind of  
>> photography ... that's *my* opinion.
>>
>> Whether the results are 'soulless' to you is a matter of personal  
>> opinion, which I respect but is no disparagement of the person.
>>
>> What I dislike is the way people on this list, not being partial to a  
>> particular photographer's work, seem to want to attack the person,  
>> not just express that they dislike the art. To me, that is simply  
>> wrong and uncalled for.
>>
>> G
>>   
>>
>>     
>
> OK
>
>
>   

Actually on reflection, I apologise for being so terse.

Let me expand. For art that moves and engages me, it has to be more than 
just a command of technique. It needs to cut through the noise of 
imagery that bombards us every day. So in one sense I root for the 
underdog...the amateur who points a P&S to capture just the perfect 
moment of emotion that can never be captured again. The harried ACMP 
hack who manages to capture a moment in history that is both layered 
aesthetically, moves worlds politically, and 50 years from now, when the 
advertising agencies are but dust, still resonate emotionally has my 
applause. The winners of WPP do that for me pretty consistently. Annie 
Leibovitz (with the honorable exception I have already noted) does not. 
I don't think sober criticism of a photographer's style (and commercial 
baggage) constitutes an ad hominem attack.

Respectfully yours,

D


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