Much better. The shadows look quite natural in the original. It could use some 
mild tint adjustment, but this version is quite good as it stands.
Paul


> Thanks, David, Shel, and Bruce, for your comments,
> 
> The picture was shot as a jpeg, cropped, and slightly adjusted, in  
> Irfanview (which is probably why Shel prefers that program to view it).
> 
> Being a tight-fisted Scot, I have been resisting buying PS CS (I have  
> Elements 2), but I suppose I am just going to have to bite the bullet and  
> do so if I am going to get the best out of my pictures.  And also shoot  
> RAW.
> 
> This is how the picture came out of the camera (cropped and resized only):
> 
> http://www.johnpforbes.pwp.blueyonder.co.uk/htm/_IGP0688basic.jpg
> 
> If anybody feels like playing with it a little (and telling me what you  
> did), please feel free.
> 
> John
> 
> 
> 
> On Fri, 1 Apr 2005 06:41:03 -0500, Paul Stenquist  
> <[EMAIL PROTECTED]> wrote:
> 
> > Beautiful woman. I find the pose interesting. It's not what one would  
> > call a "natural" pose, but it is evocative and glamorous. More typical  
> > of fashion photography than portraiture. My only nit is that it appears  
> > to be oversaturated. The shadow areas have become very red and are too  
> > sharply defined from the rest of the image. I would go back to the RAW  
> > and do a new conversion with less saturation, less contrast and less  
> > shadow intensity. I might also minus the red a wee bit. If it was shot  
> > as a jpeg, you could work it in curves a bit while reducing the  
> > saturation. But I find the composition very nice. Overall, a striking  
> > image.
> > On Mar 31, 2005, at 9:55 PM, Bruce Dayton wrote:
> >
> >> Ok, someone probably needs to come right out and say it -
> >> "Where is the URL?"
> >>
> >>
> >> -- Best regards,
> >> Bruce
> >>
> >>
> >> Thursday, March 31, 2005, 2:25:16 PM, you wrote:
> >>
> >> JF> This was taken in natural daylight, wide-open with the FA 1:2.8  
> >> 100mm
> >> JF> macro and *ist D at 1/40.  ISO 400.
> >>
> >> JF> Comments welcome.
> >>
> >> JF> John
> >>
> >>
> >>
> >> JF> --
> >> JF> Using Opera's revolutionary e-mail client: http://www.opera.com/m2/
> >>
> >>
> >>
> >
> >
> >
> >
> >
> 
> 
> 
> -- 
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