Re: High saturation films

[Mat Maessen]

I've shot a decent amount with the Kodak Supra films, and they tend to 
be fairly warm as far as tones go. Not as high a saturation as you would 
get out of, say, Velvia, or one of the other high-saturation slide 
films, but decently saturated enough to put some life into a cloudy-day 
picture.

For full sun I tend to prefer Fuji Superia Reala, as it's lower in 
contrast, and still has fairly saturated colors. Look for my picture in 
the "cliche" PUG gallery from a few months back for an example of Reala 
in full sun. I can point at some examples of Supra 100 and 400 as well, 
though I'm not sure I can dig up a decent cloudy-day example.

Shot my first roll of Supra 200 over the weekend, in partly-cloudy 
conditions, and I'll be interested to see how it comes out when I get it 
developed.

-Mat

I'm looking for some high saturation print film to take with me to New
England. I'll probably bring some Fuji Superia, but I want some film
with warmer tones to bring out the colors of the trees. Have any of you
used Agfacolor Vista or Optima II, or Kodak Supra? 
Thanks,
Amita