Thank you for your patience, everyone. It occurred to me that architecture is another part of screen imagery in need of theory. By that I mean the elaboration space for the screen.
It isn't really Deleuze who serves experimental animation. Deleuse is too complicated. What is needed, I suggest, is the development of an alternative that we might want to identify with Edmund Husserl. For Husserl geometry initiates an important investigation. Suppose you are completing a problem involving a triangle. You don't need to hunt down a lot of them from around your place. You don't need to bring to mind a lot of them from memories of seeing triangles. You intuit the triangle and its features. The film, Inception, will screen in 70 mm at the Music Box Theater here in Chicago between today and the 27th. Ariadne is a young architect being trained to design spaces that function as dreamscapes. This would be an occasion to consider what exactly perception consists in. Think of Ariadne as someone who has graduated from a film program prior to becoming Dom's most promising student. Bernie
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