Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot
of even 10 seconds would be double the average. The shot length possible
on a clockwork Bolex of about 20 seconds is common throughout the field you
are researching so are they normal or long? Does experimental cinema
materialogically deal with longer takes, so is there 'long' for exp'
cinema and long for 'narrative' cinema? The two being different. Does a
still frame copied thousands of times on a printer constitute a 'take'?
Does animation count as 'take based', ie Rhythmus 21 is a continuous flow
that is unified in the end as a take?
Sorry for all the questions.....
I guess check out 'Motion(less) Pictures: The Cinema of Stasis (Film and
Culture Series)' by Justin Remes amongst probably loads of other good
books.
||||||||||||||||||||||||||||||||||||||
NACHLEBEN FILM LAB AND ARCHIVE
http://www.nachleben.org.uk
CUBE CINEMA. BRISTOL
http://www.cubecinema.com/
||||||||||||||||||||||||||||||||||||||
On Thu, 8 Mar 2018, Sebastian Wiedemann wrote:
[7dd061b1eb7afcde9b6c43cda741479e5ff7e486.png?u=95490]
Dear Frameworkers,
I'm beginning a research about the presence of long takes and still
images/photography as expressive resources in the production of experimental
films.
If anyone has in mind films that work with these procedures and can share with
me some titles, I will appreciate a lot.
Best,
Sebastian
--
Sebastian Wiedemann
http://swiedemann.tumblr.com/
http://wavesproject.tumblr.com/
http://hambrecine.com/
[icon-signature.png] Sent with Mailtrack
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks
