Almost every Lav Diaz movie

-------- Message original --------
Objet : Re: [Frameworks] Long takes and still images/ photography in 
experimental films
De : Albert Alcoz
À : Experimental Film Discussion List
Cc :


John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18 fps.
https://lux.org.uk/writing/new-dvd-landscape-films-1977-1982-john-woodman

What about I Do Not Know What It Is I Am Like and Hatsu-Yume by Bill Viola?

Béla Tarr usually filmed long takes for works like Sátántangó, for example.

Andy Warhol is the first artist that comes to mind concerning long takes, 
though.

Concerning still images there are several filmmakers in Japan around the late 
seventies and eighties that could be useful:
Spacey by Takashi Ito, Engram by Matsumoto Toshio.

Here are some links to some videos: 
http://www.visionaryfilm.net/2013/05/japanese-experimental-films-cinema.html

On Fri, Mar 9, 2018 at 1:55 AM, Gene Youngblood 
<[email protected]<mailto:[email protected]>> wrote:
Warhol and Michael Snow

Gene & Jane Youngblood
(505) 395-6370<tel:(505)%20395-6370> home


On March 8, 2018 at 4:55:15 PM, jimmyschaus1 . 
([email protected]<mailto:[email protected]>) wrote:

Singling out long takes in a forum dedicated to experimental film is shooting 
fish in a barrel!  So I'll dive in with the more idiosyncratic part of the 
inquiry, photography/still images.  Two wonderful things I've seen recently 
entirely comprised of still photographic images "moving", and directly engage a 
sense of bemusement in finding the line between stasis and motion, are Abbas 
Kiarostami's 24 Frames and Jon Jost's Mountains as Mountains, which you can 
watch here<https://vimeo.com/210105853>.

shamelessly, my video Rocking Horses <https://vimeo.com/187689950>  
(password=rocking, clever I know)

stasis classics: Chris Marker's La Jetee and Raul Ruiz's Dogs Dialog.

Apitchatpong Weerasathakul is a master of long takes, and in Uncle Boonme... 
you get two-for-one, as, if I recall, there's a lovely sequence of still 
photographs of Thai soldiers around the halfway mark.

Pedro Costa's films are filled with long takes, and the opening of Horse Money 
is an incredible procession of Jacob Riis depression-era photos.

Tsai Ming-Liang, and if you're really looking for parts that emphasize 
stillness and the weight of time, there's a 20 minute uninterrupted shot 
towards the end of Stray Dogs that's really something else.


And yeah, James Benning, Sharon Lockhart, and some Ben Russell on the more 
experimental/non-narrative side of things.



On Thu, Mar 8, 2018 at 4:51 PM, Adam Hyman 
<[email protected]<mailto:[email protected]>> wrote:
Virtually every James Benning film.

From: FrameWorks 
<[email protected]<mailto:[email protected]>>
 on behalf of Sebastian Wiedemann 
<[email protected]<mailto:[email protected]>>
Reply-To: "Experimental Film Discussion List 
<[email protected]<mailto:[email protected]>>" 
<[email protected]<mailto:[email protected]>>
Date: Thursday, March 8, 2018 at 12:48 PM
To: "Experimental Film Discussion List 
<[email protected]<mailto:[email protected]>>" 
<[email protected]<mailto:[email protected]>>
Subject: [Frameworks] Long takes and still images/ photography in experimental 
films


Dear Frameworkers,
I'm beginning a research about the presence of long takes and still 
images/photography as expressive resources in the production of experimental 
films.
If anyone has in mind films that work with these procedures and can share with 
me some titles, I will appreciate a lot.
Best,
Sebastian

--
Sebastian Wiedemann
http://swiedemann.tumblr.com/
http://wavesproject.tumblr.com/
http://hambrecine.com/




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