This discussion went on for several years in Germany (and, to a limited
extent, in typography circles beyond). Virtually all imaginable
alternatives were discussed, incl., but not limited to, ligatures of
capital letters (SS or SZ), S or Z reversed, S or Z with diacritical
marks. All were ultimately rejected for a number of reasons, not the
least of which was that such a radical redesign would represent a break
with at least 130 years of precedent (which can be observed at virtually
every German cemetery).

David is right, of course: an ß that is simply enlarged to match the
dimensions of capital letters looks just wrong. That does not mean,
however, that it is impossible to design a proper capital letter that is
beautiful, fits in well among its capital brethren, AND respects over a
century of history. Furthermore, not all ẞ glyphs have to look exactly
alike. Font designers have come up with quite a variety of shapes
fitting the characteristics of their typefaces, while remaining easily
recognizable.

Bauhaus University in Jena recently commissioned a capital ẞ for its CD 
typeface, Linotype Syntax. **BAUHAUS** University! 
http://www.typografie.info/typowiki/index.php?title=Das_Bauhaus_setzt_auf_das_Versaleszett
Who thinks that THAT ẞ is preposterous?

More examples (many beautiful, some perhaps less so, but few or none
that really stick out like the proverbial thumb) can be seen at
http://www.typografie.info/typowiki/index.php?title=Versal-Eszett
#Liste_von_Schriften_mit_Versal-Eszett

-- 
Expansion: 'ẞ' LATIN CAPTIAL LETTER SHARP S (U+1E9E)
https://bugs.launchpad.net/bugs/650498
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