Never write as assertively. I had given the history of the earth. Kerala
snake worship is in history with lots of researched books. Gopala wrote,"It
is an absolutely  wrong statement. I am sorry to state tantric worship has
nothing to do with snake worship  or fear of snakes."  Mr Gopala must prove
by history supporting his words; mere assertions are not useful but make
the opposer an aviveki.
KR IRS  9725

On Wed, 9 Jul 2025 at 19:25, 'gopala krishnan' via Thatha_Patty <
[email protected]> wrote:

> Dear friends,
> Normally I avoid commenting on responses or forwards of Mr. Rajaram, since
> it will start with arguing that he is 100% correct and comment adverse even
> o my truthful statements.
>
> Here the forward of Mr. Rajaram end's with- THUS, TANTRIC WORSHIP IN
> KERALA ENHANCED THE WORSHIP OF THE SNAKES IN TEMPLES, AGGRAVATIC THE FEAR
> OF PEOPLE.
>
> It is an an absolutely  wrong statement. I am sorry to state tantric
> worship has nothing to do with snake worship  or fear of snakes.
>
> A number of temples are there  in Tamilnadu and Karnataka  more
> specifically for snake worship. In fact in Tamilnadu public kill snakes on
> seeing, but in Kerala they are driven away to forests.
>
> I am sure my response is the start of an argument and later abusing by the
> former IRS officer, starting to call me with *Bogus ITS.* In  this world
> no person can  put Mr. Rajaram in good path of having harmony with members
> because  he never read responses fully and respond, but re-act.
> Gopalakrishnan
>
>
> On Wednesday 9 July, 2025 at 01:04:59 pm IST, Rajaram Krishnamurthy <
> [email protected]> wrote:
>
>
> SNAKE CULT IN INDIA:
>
>  A LITERARY HISTORY Nayan Jyoti Pathak Research Scholar Assam University,
> Silchar (Abstract) Animism is a wholesome feature of the ancient religions
> around the world. In most of  the worlds religion snake has played an
> important part in shaping the belief and perspective of humans towards the
> animal. Snake being a feared creature has always been an object of
> curiosity to the human mind. But to its fearful aspect most of the world
> religions have also payed snake a respectable position throughout the
> world. In this paper attempt will be made to study and understand how snake
> as a creature has transcended its animalism in human society and rose to
> the position of demi-god like position in the context of India.  The word
> snake has originated from the word snaca of English which cognate with the
> Middle Low German word Snake. In Sanskrit, the reptile was known Naaga.
> In Indian mythology we find a vibgyour of divine deities. The land of
> India is so culturally rich that here we can find many wonderful stories,
> philosophies.
>
>         The origin of snake worship in India, by its characteristics was
> of non-Aryan origin but later on it was Aryanised and the cult of snake had
> a socio-religious and cultural impact on the people of India. Snake worship
> is well known to Indian religious practices. The origin of snake worship in
> India can be traced back to the Indus Valley civilization as far the
> archaeological evidence say us. The Indus snake seal depicts a seated
> figure being worshipped by two devotees which can be interpreted from their
> posture, who were hooded by tow snakes . The image of the seal provides
> some ideas about snakes that those were treated as some sort of sub
> guardian deity. The early form of snake worship was non-Aryan. The early
> mention of snakes in Brahmanical literature is found in Rig Veda in the
> ‘Indra-Vritra’ myth, the protagonist of the myth Indra, the ruler of the
> Devas was depicted as the destroyer of Vritra, who is designated as
> AhiSarpa (snake).
>
>         Another mention of Arbuda who was also designated as a snake and a
> foe of the Devas. Such mention leads to the interpretation that the
> description was a representation of the clash between the Aryans and the
> aboriginals, who were somehow connected to some form of snake worship. In
> the later Vedic, the snake worship as a cult found its place in Yajur Veda.
> According to the ‘Encyclopedia of Religion and Ethics,’ “snake worship in a
> fully developed form does not appear in the Rig Veda, but it is found as an
> element of religion in Yajur Veda” The Atharva Veda contains charms against
> snakes, rites and other ritualistic stuffs and also the description of
> snake worshipping tribe such as Kiratas. A total of twenty-seven shlokas
> has described snakes in various names such as Kasarnila, Ratharvi, Aghasva,
> Tiraschiraii, Dasonsi, Ghrtachi etc. According to many scholars who opine
> that snake cult was basically a non-Aryan mode of worship. And later the
> cult was assimilated into the Aryan fold. The BrahmavaivartaPuran and Devi
> Bhagavatam describe the origin of Sarpa-deviManasa, after a lot of
> struggles who was considered as the predominating deity of snakes. The
> inclusion of Devi Manasa into the Aryan fold was a representation of the
> aryanisation process of the non-Aryan deities.
>
>           Manasa has an influential impact on the BrahminialLieratures.
> Manasa’s description in the epics of India mentions her as the sister of
> snake king Vasuki. She appeared in the Mahabharata prior to the great snake
> killing sacrifice of JanmajeyaIn the Epic phase snake race have secured
> their mythical origin with Sage Kashyapa as father and Kadru as mother. The
> term Naga is found in brahminical literature like the Mahabharata has
> suggested that Nagas were snake worshipping race who had opposed the early
> Aryans. This can be proved by the description of the Nagas in earthly
> realm, who were showed in the Mahabharata in an ‘attitude. In many stories
> of Brahminical Literature, snakes were symbolised as evil and some type of
> ‘destined to suffer. Some examples are that of Takashaka Nag, Kaliya Nag
> etc. Origin of Snake Worship in World and Indian Literatures The depiction
> and narration of Snake has been quite a popular practice in World mythology
> and Art. Almost every mythological literature and ancient epics have
> depicted snakes being involved with the concepts of beginning, good and
> evil, fertility, semi-divine beings.
>
>      Undoubtedly the cult of the snake has been one of the oldest cults to
> exist and survive till date. Ancient Civilizations like the Mesopotamian,
> Egyptian or the Sumerian holds snake in a very reverend position. People in
> ancient Mesopotamian civilization considered snake’s skin shedding ability
> as a sign of immorality. Similarly other ancient civilizations have also
> positioned snake in a very high position. The attributes for which snake is
> worshipped is their ability to shed skin, its killing ability. Hence the
> similarity of these basic factors for worship is common among other snake
> deities of the world civilizations.  Ancient Egyptians believed in
> polytheistic religious beliefs. Among the ancient scripts and inscription
> ancient Egypt has also contributed a lot in archaeological sources. One
> striking feature of ancient Egyptian religion is that it is more of a
> polytheistic religion. With many deities and gods the core philosophy of
> ancient Egyptian belief system is, ‘to raise godly qualities in thy life
> and afterwards resurrect into a new life. The belief system is somewhat
> common with the eastern or Asian belief system. For example in Hinduism,
> there is striking similarity with Egyptian belief system. Hindus believe
> that after death the soul has to pass the judgment of Yama the god of death
> before they can achieve heavenly abode.  As we know that in India snakes
> have been rewarded though not god-like but somewhat of a semi-god deity.
> These deities are commonly known as Nagas.
>
>           These snake deities of India are often associated with the
> Indian version of netherworld, Patala. In Egyptian mythology like the other
> cultures of the world we find many snake entities or deities. These deities
> can be both benevolent and wrathful.  In Egyptian mythology we find the
> mention of Apep. Described as a snake the creature shares similar features
> like the Vedic Vrtra. Apep is mainly foe with the sun-god Ra. Much like the
> Vrtra Apep also disrupts the cosmic affais. And in order to stop him
> sun-god Ra slays him and release the world from the darkness. Tittles like
> serpent of the dark have been given to Apep. Though Apepis is considered
> invincible. The immortal snake emerges again and the battle with the
> sun-god continues. The battle can also be seen as a representation of the
> victory of light over darkness. Which might be a way of explaining for the
> ancient Egyptians the reason behind each occurring of day and night.
>
>          Apart from the demonic deity Apep, snakes have been positioned
> also in aver high position. Wadjet is an ancient snake deity of Egyptian
> mythology. The goddess was considered as the protector of the Lower Egypt.
> The distinguish feature from which a paroah can be distinguished was by
> wearing a uraeus over their head. Uraeus is a small decocaration that is
> often seen on the head of a pharaoh. The uraeus is depicted by the placing
> a image of cobra encircling over the pharoah’s crown.  The ancient
> Mesopotamian and the Sumerian civilization had a very rich history of snake
> worship. in the belief of ancient Mesopotamian snake was considered as an
> immortal creature. Civilizations of Mesopotamia and Sumeria has have
> considered snakes as immortal or at least considered snake as an
> representation of immortality because of its ability to shed it’s worn out
> skin and emerge as a new one. The epic of Gilgamesh states that on a quest
> for attaining immortality Gilgamesh founds a herb, possessing power to
> resurrect the dead, but later on the herb was stolen by a snake. Preventing
> the King to have his hand on the nectar. Similar stories of having snake
> connection with nectar has also been found in the Brahminical and Buddhist
> Literature also. The stealing of Soma by Garuda relates some kind of
> connection between the naga and shows their kinder towards nectar. Naga or
> snake people have also been mentioned in the Buddhist texts. A Buddhist
> tale mentions a similar incident where Buddha was offered a bowl of payas
> or sweet rice by Supriya, a naga maiden. And later the bowl was acquired by
> Indra. Some scholars points out that the bowl from which Buddha had
> partaken food was considered a great kind of holy object.
>
>           By the literary, pictorial and archaeological evidence about
> Indian Culture we know that snakes were an integral part of Indian beliefs
> and faith. In the present day we find the depiction of snakes in art and
> decoration. Many states have their own version of snake-deity. In Assam and
> Bengal a snake-goddess Manasa is worshipped and festivals relating to the
> goddess are celebrated. But the earliest archaeological evidences about the
> snake cult in India can be traced back to the days of Indus Civilization.
> Snakes were painted and depicted earliest in the seals and pottery of Indus
> Valley Civilization. Though we find various kinds of animals depicted in
> the Harappan Art the depiction of snake is very few compared to the number.
>
>               In Indian religious practice snake or to be more specific
> the cobra and the python have been worshipped throughout the ages. It is
> not uncommon to any observer the display of snake in art and architecture
> of India. The Stupa of Bharut is one such e example of the statement.
> Besides, numerous other temples were constructed entirely dedicated to the
> worship of snake deities. In India, the snake deities are generally known
> as Naga. Naga is a Sanskrit word which generally denotes a mythical
> serpentine creature often associated with enormous power and position.
> Shortly speaking the earliest literature like the Vedas provide a hint that
> the antagonism between the devas and the Dasyus, wherein dasyus were
> associated with snake in their physical explanation in the Vedas. The
> struggle between the parties was understood in many ways. In the primary
> understanding, we can imagine a picture of two clans containing different
> beliefs system In the later development of the literatures, specifically in
> the post-rig vedic era the Nagas achieved a position of a semi-divine
> being. Puranas have described them as possessor of wealth. In the Puranas,
> Nagas were aa kind of being similar to Yakshas, Gandharvas and Kinnaras.
> They possess wealth in great abundance and live in magnificent cities. In
> the first and the fifth canto of the Srimad Bhagavatam, we find mention of
> the Naga cities. The translation and the shlokas have been mentioned below
>
>            As Bhogavatī, the capital of Nāgaloka, is protected by the
> Nāgas, so was Dvārakā protected by the descendants of Vṛṣṇi — Bhoja, Madhu,
> Daśārha, Arha, Kukura, Andhaka, etc. — who were as strong as Lord Kṛṣṇa.
> S.B 1.11.11  Beneath Rasātala is another planetary system, known as Pātāla
> or Nāgaloka, where there are many demoniac serpents, the masters of
> Nāgaloka, such as Śaṅkha, Kulika, Mahāśaṅkha, Śveta,Dhanañjaya,
> Dhṛtarāṣṭra, Śaṅkhacūḍa, Kambala, Aśvatara and Devadatta. The chief among
> them is Vāsuki. They are all extremely angry, and they have many, many
> hoods — some snakes five hoods, some seven, some ten, others a hundred and
> others a thousand. These hoods are bedecked with valuable gems, and the
> light emanating from the gems illuminates the entire planetary system of
> bila-svarga.     S.b 5.24.31 Nagas are the beings of Netherlands.
> According to Puranas such as Padma Purana, Vishnu Purana and Bhagavad
> Purana, the creation as a whole is divided into seven parts. Whereas Nagas
> rule of the lowest part known as Patala. We know from the Purana’s
> reference the city they lived in is known as Bhogavati. Their cities has
> been described as second heaven. It has been mentioned in the shlokas that
> powerful Naga kings rule over the Patala.    Among the literatures of the
> ancient religions, Vedas has undoubtedly been the earliest. Apart from the
> vedic description of the snake the Grihyasutras mention various kind of
> worship procedures  to appease the snake and same was for its reverence.
> Scholars have assumed that the snake was worship by en around the world
> just to avoid the wrath of the creature.
>
>         Snake Worship is an old sort of religious activity in India,
> dating back thousands of years. Within Hinduism, there is a contradiction
> between the terms "Sarpa" and "Naga," and each of these words has a
> distinct meaning. This discrepancy can be seen in the previous chapters
> that we studied. Individuals with a single hood are referred to as Sarpis,
> while Nagas are those who have several hoods (i.e. the many hooded).
> Serpents are also referred to as Nagas in certain cultures. According to
> another explanation, the terms "Serpent or Naga" had their origins in
> mythological forms, with the term "Snake" being used to refer to common
> reptilian species. However, Buddhism has adopted these terms as synonyms,
> and also provides a description of their hoods, stating that the Nagarajas
> (male Naga) all have three or more hoods, and the Nagins (female Naga) all
> have a single hood. Generally speaking, the word Naga is used to allude to
> either "Snake God" or "Serpent God" in both faiths. The Sanskrit term Naga
> may refer to either a "Snake" or a "Elephant," and it is believed to have
> been derived from the word Naga, which can refer to both a "Mountain" and a
> "Tree" in English. The Brahminical god Naga has served as a significant
> source of inspiration for writers and artists working in Indian literature
> and art. For example, we can see from the literary depiction that the early
> literature of Hinduism characterized snakes as unfriendly and dark
> creatures, which is consistent with the modern interpretation.
>
>           The tale of the Vrtra, which describes him as an adversary of
> natural sustainability due to his encasement in water, certainly depicts
> him as such. Nagas, on the other hand, were revered in Hinduism's later
> works for their ability to kill and were so respected. As a result, a
> significant amount of the Later Vedas is devoted to the use of mantras and
> charms to fend off evil and placate the snake. Various additional
> antidote-type mantras were also created throughout the development of the
> later vedic books.
>
>         THUS SNAKE WORSHIP ASSUMED IMPORTANCE AS NAGA WORSHIP IN SOUTH
> India especially in Kerala.
>
>        Religions 2019 , 10 , 454 3 of 26 also shift into a “beautiful
> ‘ladylike’ form” (ibid.)—although she is still a snake 6 Sarah Caldwell, on
> the other hand, cites a Keralese informant according to whom “the snake
> that we worship is not the ordinary snake that we see, such as the viper,
> cobra, etc. The real snake is di ff erent. It is invisible We cannot see
> those snakes in the sarppakavu (sacred serpent grove). They are gods with
> great powers” ( Caldwell 1999 , p. 144) Devi shows this ambiguity of being
> a cobra goddess on many levels. For one, she changes her form throughout
> the movie, from serpent to young woman and back. Not only is it impossible
> to define one of these forms as her original self, her animal form, albeit
> conceived as such, is not defined in a biological sense. Rather, its
> meaning is attributed by Hindu religion or, more precisely, folk religion
> from Andhra Pradesh, as represented in a feature film. Apart from the
> opening scene, which shows the Naga goddess and her sisters entering the
> human realm from some kind of space ship, the movie stays close to
> religious beliefs and practices from across South Asia. Throughout these
> traditions, milk is a supreme symbol of love and devotion ( bhakti ), and
> therefore, it is the best gift to o ff er a goddess. Even the South Indian
> “cobra-mothers” ( nagamma ) seemingly love to drink milk, symbolizing
> maternity, purity and nourishment per se ( Lange 2019 a ), and embodying
> the tender relationship between worshippers and the worshipped ( Lange 2019
> b ). Throughout South Asia, depicted and living serpents are given o ff
> erings, often milk, to placate them, to lure them to one’s side—and, of
> course, to prevent them from killing humans Nevertheless, the symbolic
> relationship between snakes and milk, prominent all over the world and
> throughout history (cf Ermacora 2017 ), stands in contradiction to
> biological and biomedical conditions: “the construction of a snake’s mouth
> (sharp teeth, inflexible lips) together with the absence of a diaphragm,
> makes it impossible for a snake to suck in the same manner as young mammals
> do. In addition, a snake’s digestive system does not permit the digestion
> of lactose: reptiles, of course, lack the lactase enzyme” (ibid., pp. 61
> f.) Worshipping cobras can thus be deadly for them, as seen in statements
> by animal activists 7 and in the pertinent literature. In a 2012 Times of
> India article, the author uses Nag Pañcami , a Pan-Indian Naga festival, to
> create awareness about what “really” benefits snakes, instead of simply
> making o ff erings to them in a cruel manner: “The reptiles are abused.
> Their fangs are removed, and they are starved so that they consume milk o
> ff ered to them by the devotees. This kind of torture proves fatal for the
> snakes.”
>
>                . MANASA. The snake-goddess Manasa is now universally 
> identified
> with Jaratkaru, the sister of the Naga king Vasuki. The story of Jaratkaru
> is well-known. It occurs thrice in the first book of the Mahabharata-first,
> in chapters 13 th-16 th; then again in chapters 38 th-40 th; finally, in
> chapters 46 th 48 th.
>
>       Kadru and Vinata were the two wives of the Patriarch Kasyapa. From
> Kadru were born the snakes. Vinata gave birth to Aruna, the charioteer of
> the Sun-god, and Garuda, the vehicle of Visnu. Incensed at an act of
> disobedience of her. sons, Kadru once cursed them with destruction by fire
> at the snake-killing sacrifice of King Janmejaya. The snakes subsequently
> met in conference to devise means of escaping from the consequences of this
> awful curse. Elapatra, a Naga chief, declared that he had come to know
> through a vision that the Saint Astika, born of their sister Jaratkaru,
> married to a Brahmin husband of the same name, would save them from this
> threatened destruction. Vasuki, the Naga-chief, was thereupon requested to
> bring up this sister carefully and to keep a sharp look-out for the arrival
> of the Brahmin Jaratkaru. Jaratkaru belonged to a clan of nomad (yayavara)
> Brahmins, who never had a settled home, but roamed from one holy place to
> another. Begetting an offspring is religiously incumbent on all
> householders, but this Brahmin Jaratkaru had never given his attention to
> marriage and settled life. A vision of his forefathers losing their places
> in heaven for his childlessness, at last induced this globe-trotter to
> think of marriage. But he would, he resolved, marry only under certain
> conditions. The girl must be of the same name as himself; she must be
> offered to him unsolicited; he shall not be required to maintain her, and,
> finally, he would be at liberty to forsake her on her first offence.
>
>         The agents of Vasuki who were watching for the appearance of
> Jaratkaru and this turn of his mind, now informed Vasuki who forthwith
> arrived and offered Jaratkaru his sister. When the saint was satisfied that
> the girl was of the same name and when the bride's party accepted all his
> conditions, the marriage took place and all went well for some time. The
> sister of the Naga king came to be with child, but now an accident
> happened. One day the patient wife gave offence to the touchy saint by
> calling him off from an untimely sleep. The sage was in great rage and
> prepared to leave his wife for good. He assured the disconsolate wife that
> a great sage would be born to her and went away. But the purpose of the
> Nagas had been served. The Sage Astika was born to Jaratkaru and he
> subsequently saved the Nagas from extermination in the Snake-sacrifice of
> Janmejaya, by begging of the king the cessation of the sacrifice. This, in
> brief, is the story as narrated in the Mahabharata.
>
>         The Nagas, as is well-known, were a powerful race of primitive
> people, probably of Mongolian origin, who inhabited large tracts of India,
> when the Aryans entered India and began to spread. The story of the
> snake-sacrifice probably keeps alive the memory of a determined effort on
> the part of the conquering Aryans to oust the Nagas from the plains of
> Northern India. Outlying regions like Manipur and Kasmir became the resorts
> of the Nagas ousted from the plains. Vasuki, the king of the Nagas, is said
> to have been ruling over the regions watered by the Godavari. The Nagas
> cursed by their mother went to live in swampy lands at the mouth of the
> Ganges. . This shows the direction that some of the worst Nagas took in
> their search for resorts, safe from Aryan aggression. The hatred and
> contempt with which the Aryans regarded the Nagas, are evident throughout
> the Mahabharata. Even the best of the Nagas did not escape it. This is
> evidenced by the statement in the Aitareya Brahmana (6 th Panchika,
> chapter 26, part I) that the Sarpa-rsi (evidently a seer of the Naga tribe)
> Arbbuda, son of Kadru, though allowed to supplement a deficiency in the
> Vedic performance, was blindfolded before he was suffered to approach the
> sacred Soma. Arbbuda, it may be noted, is the name of a Naga in the
> Mahabharata who was an inhabitant of Magadha. The qualification found in
> the Aitareya Brahmana that he was a son of Kadru bears testimony to the
> antiquity of the tradition found in the Mahabharata that the Nagas were
> descended from Kadru.
>
>      Mythologically, the Nagas are to be belonging to the sphere of
> Varuna, the lord of the waters, figuring as his sons or his creatures. They
> are divine beings but looking like men, with a number of hoods over their
> heads. They guard all kinds of watery areas, such as tanks, rivers and
> lakes. It is in this capacity that we find the Nagas worshipped in India
> during the early centuries of the Christian Era in the regions round
> Mathura. In the eighth year of the reign of Kaniska, a tank and a garden
> were dedicated to the divine Bhuminaga. In the 26 th year, a stone slab was
> put up at the shrine of Dadhikarna, the divine lord of the Nagas. In the
> year 40 of the Kusana Era, in the reign of Huviska, the two friends
> Senahasti and Bhonuka erected and placed inside their common tank a
> splendid statue of a Naga, undistinguished by any proper name.3 Another
> image of a Naga, consecrated in the year 52 of the Kusana Era, is now in
> the Mathura Museum.4 It would appear that during this period, the worship
> of the Nagas was a very much living cult and one that had a recognised
> place in the society by the side of the active cults of the Jina and the
> Buddha. The shrine of Dadhikarna at Mathura appears to have been a
> flourishing establishment, one of whose servants was rich enough to present
> a pillar to the Buddhist Vihara erected close by, in the reign of Huviska.s
> It is interesting to that the Dadhikarna OCCURS in the list of the Nagas in
> the Harivamsa and also in the commentary by the author himself on the
> Abhidhanachintamani by Hemachandra, verse 1311. This phase of the Naga
> worship is still current throughout India and is falling into comparative
> disuse only in the modern days. Formerly, it was incumbent on any one
> digging a considerable tank to erect a nagak Astha exactly in the middle of
> the tank at the time of its consecration. Generally, the top of a strong
> and tall pole was fashioned out like a cobra and this pole was placed in
> the middle of the tank. The Naga was thus installed as the guardian of the
> tank. The famous Dharmmasagara of Comilla excavated by Dharmma-manikya,
> Rajah of Tippera, has its Naga-kastha still in position. So has the big
> tank called Kodal-dhoa at Rampal in the Munsiganj Sub-Division of the Dacca
> District. In these days, new tanks are seldom dug, and even when dug, very
> seldom consecrated. But the erection of a Naga-Kastha in the centre of the
> newlyexcavated tank is even now a compulsory part of the ceremony of
> consecration.
>
>         The worship of the snake-goddess Manasa, as was, and is still
> prevalent in Bengal, appears to have very little connection with this
> general Naga worship. The Nagas, as far as can be ascertained, appear to be
> all male divinities and this conception of a female divinity Manasa as a
> sort of queen over the snakes, appears to be foreign to this system of Naga
> worship. Manasa, as already noted, is now generally identified with
> Jaratkaru; but, curiously, in the Mahabharata there is no indication of the
> deification of Jaratkaru, mother of Astika, as a snake-goddess,-i.e. mother
> of the snakes, (nagamata) and mistress over them. Neither is she credited
> with the possession power of counof the Supreme Knowledge (mahajnana) nor
> the teracting poison, the two most prominent characteristics of the snake
> goddess Manasa. The term "mother of the snakes" in the Mahabharata always
> denotes Kadru. In the Brahmanas (Aitareya, 5/24/4; Satapatha, 1/4/29), we
> meet with the term Sarparajni which literally means-queen of the snakes.
> She was the seer of a hymn of the Rg-Veda, X-189. But the connection of
> this Sarparajni with snakes is not unquestioned. Sayana explains that
> Sarparajni was the Earth, incarnate as a goddess, who attained the
> knowledge of Brahma, the Supreme Soul, in that guise. One commentator,
> Mahidhara, however, states that the term denoted Kadru in the guise of
> Earth.* It may also be noted that Kadru is given as a synonym for Manasa
> in the dictionaries. Thus, it appears, that the first identification of
> Manasa, the snake-goddess, was not with Jaratkaru, but with Kadru.
> Subsequently, however, as in the Brahmavaivartta-Purana, attempts were
> made to fit in Manasa with Jaratkaru and give the latter a deified
> character. There is no doubt that the snake-goddess Manasa occupies a
> somewhat indefinite position in the Brahmanical pantheon. The name does not
> appear to occur in the Mahabharata or The mediaval grammarians and Panini
> or Amarakosa. lexicographers mention the name, the former citing it as an
> illustration of an irregular Samasa, (Aluk-Samasa :-Manasa srsta
> devi=manasa-devi) which shows that the explanation of her name as "the
> mind-born of Kasyapa," for which earlier authority than there appears to be
> the Brahmavaivartta-Purana, has obtained a footing by the time. The absence
> of her name in the earlier literature, and the evidences of attempt at
> explaining away her name in mediaval literature, point to the probability
> that she is not, at least in this line of development, a goddess with a
> Vedic and Puranic past, but an assimilation from outside. There certainly
> was a considerable amount of difference of opinion among the learned
> persons who attempted to engraft this goddess on Brahmanical traditions,-as
> a careful study of her legends and Dhyanas show.
>
>        Evidences that she probably was first identified with Kadru and not
> with Jaratkaru have already been adduced. Even when the identification with
> Jaratkaru was established, considerable difference prevailed in working out
> the details. The following Dhyana makes Swan her vehicle, which shows that
> she was contemplated as identical with Brahmani or Sarasvati (Vide-Arch.
> Surv. Rep. Mayurbhanj, by Mr. N. N. Vasu. pp. xxxviii.) debimasbamahinam
> sasadhara badanam carukantim badan'yam hansarurhamudara runitabasanam
> sarbabadam sarbabadaiba | smerastyam manditangim
> kanakamaniganainagarajairanekai bandehaham sastanagamurukucayugalam yoginim
> kamarupamu || I adore the goddess, the mother of the snakes, who is
> graceful and generous and whose face is like the moon, who rides on a swan,
> wears a red garment and is lavish of gifts, always giving everything (asked
> for), who has a smiling face, whose body is decked with gold and gems and
> many jewels obtained from serpents; who has prominent breasts, is an
> anchorite who can take any shape at will, and who is accompanied by eight
> snakes.
>
>        THUS, TANTRIC WORSHIP IN KERALA ENHANCED THE WORSHIP OF THE SNAKES
> IN TEMPLES, AGGRAVATIC THE FEAR OF PEOPLE.
>
> K RAJARAM IRS 9725
>
> On Wed, 9 Jul 2025 at 10:24, 'gopala krishnan' via Thatha_Patty <
> [email protected]> wrote:
>
> *SUBRAMANYA SWAMY TEMPLE, PERALASSERY,*
>
> *KANNUR DISTRICT-KERALA**-Compiled*
>
> Dear friends,
>
> Kannur is famous for many ancient temples, and one among them is
> Peralassery Subramanya Temple. It is in Mundallur, 15 km from Kannur city
> on the Kannur-Kuthuparamba Road. *People better know it as the Snake
> Temple*. The massive stepped pond is its specialty. This beautiful
> Peralassery Subramanya Swami temple stands on the banks of the Anjarakandy
> River in Kannur. *The presiding deity is the serpent form of Subrahmanya*,
> and inside the Peralassery Temple, devotees can see many idols of the king
> cobra. It is considered holy, and they offer eggs to it. Today my posting
> is about this temple. *Hope a divine reading.*
>
> Gopalakrishnan 9-7-2025
>
> Introduction
>
> A famous pilgrim centre in the North Malabar region of Kerala, Sree
> Peralassery temple is situated at Peralassery in Kannur. The main deity
> worshipped here is Lord Subramanya. *The temple traces its origin to the
> Thretha Yuga*. As per the Ramayana, Lord Sree Rama along with Lakshmana
> and Hanuman, on their way to Lanka in search of Sita (consort of Sree
> Rama), reached this place and felt the presence of Lord Subramanya. *On
> approval from Lord Ayyappa, Sree Rama decided to consecrate the idol of
> Lord Subramanya in this place.* He sent Hanuman to the north to find a
> suitable idol to be installed. When he failed to come at the right time for
> consecration, Sree Rama removed his Peruvala [great bangle – a symbol of
> kingdom] and consecrated it. Hence the place got its name Peruvalassery,
> which in course of time got contracted to Peralassery. *Later Hanuman
> tried to remove the bangle in order to consecrate the idol, but could not
> do so as he was warned by a serpent.*
>
> Famous for snake worship, hen’s eggs are the main offerings in the temple.
> The annual Kodiyettam festival is a key attraction here and usually falls
> in December. The traditional temple art forms like Thayambaka,
> Irattathayambaka, Chakyarkoothu, Patakham, Ottan Thullal, and Kathakali are
> performed in the temple during festival seasons. A visit to the temple
> during this time will leave you elated and spiritually energized.
>
> The temple pond is a source of wonder for all devotees, and taking a dip
> is considered sacred. This rectangular pond has an impressive architecture
> with countless steps leading into the pool from all the four sides. The
> local belief is that on the day of Thulam Sankramam, water from the Cauvery
> will reach the well of temple pond. This temple, renowned for its
> architectural splendour and legends, is a must-visit destination. Sacred
> temple known for Lord Subramanya worship, unique offerings, and
> architecturally stunning pond.
>
> Legend of the Peralassery Temple
>
> There are a few legends about the temple. *One has an association with
> the famous Hindu epic, Ramayana.* Rama visited this place, where the
> temple stands now, searching for his abducted wife, Sita, during his exile.
> He felt the invisible energies of Subramanya emanating from here. Rama
> decided to install an idol of Subramanya to consecrate at the site.
>
> Another legend is that , Subramanya had imprisoned Brahma for knowing the
> meaning of "Om," the Pranava Mantra. He released Brahma at the request of
> Shiva. Finally, Subramanya explained the meaning of the Pranava Mantra to
> Shiva. Subramanya took a serpent form to wash off his sins and chose an
> isolated well to reside as a serpent. Several other serpents guarded him
> against the Sun and rain. *So, the place where serpents guarded
> Subramanya is Peralassery Temple.*
>
> Parvati requested Shiva to give Subramanya his original form. Shiva
> advised her to perform 18 Shasti Vrat to restore the original form of
> Subramanya. As Shiva instructed, Parvati performed the Vrata and got her
> son Subramanya in his original form.
>
> The Architecture of Peralassery Temple
>
> The temple reflects traditional Kerala architecture. The temple Chira,
> temple tank, or stepped pond, lies outside the temple entrance. The pond is
> called Ayanivayal Kulam, and it was renovated in 2001. It resembles a
> baori, a step well type found in Gujarat, Delhi, Rajasthan, and Karnataka.
> Steps descend to the water in the centre. Laterite stones were used to
> construct the massive well, *and the water in the temple tank merges with
> the water of the River Kaveri*. That's why Kaveri Samkramam is celebrated
> in the Peralassery Temple. Devotees believe that a holy dip in the Chira,
> followed by the temple visit, is very beneficial.
>
> This temple tank is world-famous for its unique structure and
> architecture, and it is the biggest temple pond in Kerala.
>
> A tiny brass idol of the king cobra faces the entrance. There is a brass,
> multi-levelled main lamp at the temple entrance to welcome devotees. The
> main lamp has a tortoise at the base and a rooster at the top. The lamp
> with the eternal flame is another wonder of the temple.
>
> Main deity
>
> The main deity, Subramanya's idol, is six feet tall and carved out of
> stone. *History says the temple was destroyed during the invasion of Tipu
> Sultan, and now the idol is attached to a silver sphere*.
>
> Sub deities
>
> *Ganapati, Ayyappa, Bhagavathi, and Nagas* are the other deities
> worshipped here. Chuttambalam has deities of Lord Ganesha and Lord Ayyapa.
> Nagadevathas are below an Ashoka tree.
>
> Pooja timings
>
> Peralassery Sri Subramanya Temple has specific timings for pooja and
> darshan, which are generally from 4:00 AM to 12:30 PM and from 4:15 PM to
> 8:00 PM. The temple opens at 4:00 AM and closes at 12:30 PM, then reopens
> at 4:15 PM and closes at 8:00 PM.,
>
> The priests at Peralassery Sri Subramanya Temple are primarily *Shivalli
> Madhva Brahmins*. They perform the daily rituals and poojas according to
> Madhvacharya's Tantra Sara Sangraha. The temple is dedicated to Lord
> Subramanya, particularly in his serpent form. The main poojas at
> Peralassery Temple, dedicated to Lord Subramanya, include Usha Pooja
> (morning), Uchha Pooja (noon), and Deeparadhana (evening lamp
> offering). Abhishekam (ritual bathing) with milk and flower garland
> offerings are also common. Additionally, the temple is known for its unique
> offering of Mutta Oppikkal (offering of eggs to snakes) as a remedy for
> Sarpa Dosha (serpent affliction).
>
> Here's a more detailed breakdown:
>
> *Daily Pujas:* Usha Pooja (early morning), Uchha Pooja (noon), and
> Deeparadhana (evening).
>
> *Abhishekam:* Milk abhishekam is a common ritual.
>
> *Offerings:* Besides milk and flowers, the temple is known for Mutta
> Oppikkal, the offering of eggs to snakes, particularly for Sarpa Dosha
> remedies.
>
> *Special Days:* Additional rituals are performed during Shashti, Skanda
> Shashti, and Thaipusam.
>
> *Festivals:* The annual Kodiyettam festival, celebrated in December, is a
> major event.
>
> *Other Deities:* Offerings are also made to other deities like Ayyappa,
> Ganapathi, Naga, and Bhagawathi
>
> Darshan:
>
> Darshan is available during both the morning and evening opening hours.
>
> Festivals of the Peralassery Temple
>
> The Temple has a number of festivals. The important ones are :
>
> Annual Kodiyettam Festival
>
> The annual Kodiyettam festival held at the Peralassery Sri Subrahmanya
> Temple in December is a significant event that draws devotees seeking
> spiritual enrichment and cultural immersion. This festival serves as a
> platform for showcasing traditional temple arts such as Thayambaka,
> Chakyarkoothu, and Kathakali, each contributing to the vibrant tapestry of
> religious and cultural expression. Thayambaka, with its rhythmic
> percussion, Chakyarkoothu's blend of storytelling and humor, and the
> grandeur of Kathakali performances, all combine to create a mesmerizing and
> spiritually uplifting atmosphere. The Kodiyettam takes place on the
> fourth day of the festival. The temple priest performs Thidambu Nritham
> (religious dance), and Kazhcha Sreebali (caparisoned elephants procession)
> rituals follow.
>
> Thulam Sankramam
>
> The rectangular pond at the temple boasts remarkable architecture,
> featuring numerous steps leading into the pool from all four sides. Local
> tradition holds that during Thulam Sankramam, water from the Cauvery River
> is believed to miraculously reach the temple pond's well, adding to the
> site's mystique and spiritual significance. This temple, celebrated for its
> architectural grandeur and legendary associations, stands as a compelling
> destination for visitors seeking both cultural enrichment and spiritual
> nourishment.
>
> Offerings
>
> The main deity here at this renowned pilgrimage centre is the serpent form
> of Lord Subramanya and the chief offerings are eggs.
>
> *My note- Nagaraja temple at Nagerkovil in Tamilnadu also is having
> offering- milk and eggs.*
>
> The temple premises also have a massive Ashoka tree with a snake pit where
> Naga Aradhana (snake worship) is offered by devotees.
>
> Benefits of Worshipping at Peralassery Temple
>
> People who suffer from Sarpa Dosha perform Pooja at Peralassery Temple to
> eliminate their affliction. Eggs are offered to honour the snake deity,
> Subramanya, as a part of the Pooja. Every month, on Ayilyam nakshatra day,
> devotees come here and perform Subramanya Pooja and Mutta Oppikal by
> offering eggs to the main deity to remove all obstacles in their life.
> Devotees tie miniature cradles to be blessed with a child.
>
> Temple Timings:
>
> Morning 4.00 am – 12.30 pm & Evening 4.15 pm – 8.00 pm
>
> What is the Speciality of Peralassery Temple?
>
> The main deity here at this renowned pilgrimage centre is the serpent form
> of Lord Subramanya and the chief offerings are eggs. The temple premises
> also have a massive Ashoka tree with a snake pit where Naga Aradhana (snake
> worship) is offered by devotees
>
> Temple Pond
>
> The massive temple pond, Kerala's largest step well, is another
> astounding structure at this temple. Considered to be sacred by devotees,
> the pond reflects an exquisite and unique style of architecture that cannot
> be found elsewhere. The rectangular pond is constructed like a well that
> has countless steps leading into the pool from all sides*. The intricate
> architecture is awe inspiring.* Local legends say that on the day of
> Thulam Sankramam, the water from the river Cauvery will reach the well of
> the temple pond.
>
> Serpent worship
>
> Serpents are worshipped here with chicken eggs as the offering apart from 
> *milk
> and yellow rice.*
>
> Region name Peralassery
>
> The region derived its name Peruvalassery, now colloquially referred to as
> Peralassery, for the ‘peruvala’ or ‘big bangle’ worn by Lord Rama as a
> symbol of his kingdom. Legend says the temple dates back to the Thretha
> Yuga and came into being when Lord Rama, Lakshmana and Hanuman stopped by
> the region enroute their journey to Lanka for rescuing Sita. Sensing the
> presence of Lord Subramanya, with permission from Lord Ayyappa, Lord Rama
> decided to consecrate an idol of the deity there.
>
> Location
>
> Peralasseri is 14 kilometres (8.7 mi) from the district headquarters
> Kannur. The nearest town and railway stations are *Thalassery which is 14
> km* (8.7 mi) and Kannur which is 15 km (9.3 mi) away.
>
> How To Reach
>
> By Bus-Kannur Central Bus Terminal, around 15 km away.
>
> By Flight-Kannur International Airport, about 18 km
>
> By Train-Kannur Railway Station, about 16 km
>
> Contact Address:
>
> Peralassery Sri Subrahmanya Temple, Mundalur, Peralassery, Kannur, Kerala
> 670622
>
> Phone Number:0497 282 7601
>
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