Dear friends,Normally I avoid commenting on responses or forwards of Mr. 
Rajaram, since it will start with arguing that he is 100% correct and comment 
adverse even o my truthful statements. 
Here the forward of Mr. Rajaram end's with- THUS, TANTRIC WORSHIP IN KERALA 
ENHANCED THE WORSHIP OF THE SNAKES IN TEMPLES, AGGRAVATIC THE FEAR OF PEOPLE.
   It is an an absolutely  wrong statement. I am sorry to state tantric worship 
has nothing to do with snake worship  or fear of snakes.
A number of temples are there  in Tamilnadu and Karnataka  more specifically 
for snake worship. In fact in Tamilnadu public kill snakes on seeing, but in 
Kerala they are driven away to forests.
I am sure my response is the start of an argument and later abusing by the 
former IRS officer, starting to call me with Bogus ITS. In  this world no 
person can  put Mr. Rajaram in good path of having harmony with members  
because  he never read responses fully and respond, but re-act.Gopalakrishnan

On Wednesday 9 July, 2025 at 01:04:59 pm IST, Rajaram Krishnamurthy 
<[email protected]> wrote:  
 
 
SNAKE CULT IN INDIA:

 A LITERARY HISTORY Nayan Jyoti Pathak ResearchScholar Assam University, 
Silchar (Abstract) Animism is a wholesome feature ofthe ancient religions 
around the world. In most of  theworlds religion snake has played an important 
part in shaping the belief and perspective of humans towardsthe animal. Snake 
being a feared creature has always been an object ofcuriosity to the human 
mind. But to its fearful aspect most of the worldreligions have also payed 
snake a respectable position throughout the world. Inthis paper attempt will be 
made to study and understand how snake as a creaturehas transcended its 
animalism in human society and rose to the position ofdemi-god like position in 
the context of India.  The word snake has originated from the wordsnaca of 
English which cognate with the Middle Low German word Snake. In Sanskrit, the 
reptile wasknown Naaga. In Indian mythology we find a vibgyour of divine 
deities.The land of India is so culturally rich that here we can find many 
wonderfulstories, philosophies. 

        The origin of snake worship in India,by its characteristics was of 
non-Aryan origin but later on it was Aryanisedand the cult of snake had a 
socio-religious and cultural impact on the peopleof India. Snake worship is 
well known to Indian religious practices. The originof snake worship in India 
can be traced back to the Indus Valley civilizationas far the archaeological 
evidence say us. The Indus snake seal depicts aseated figure being worshipped 
by two devotees which can be interpreted fromtheir posture, who were hooded by 
tow snakes . The image of the seal providessome ideas about snakes that those 
were treated as some sort of sub guardiandeity. The early form of snake worship 
was non-Aryan. The early mention ofsnakes in Brahmanical literature is found in 
Rig Veda inthe ‘Indra-Vritra’ myth, the protagonist of the myth Indra, the 
ruler ofthe Devas was depicted as the destroyer of Vritra, who is designated 
asAhiSarpa (snake).

        Another mention of Arbuda who was alsodesignated as a snake and a foe 
of the Devas. Such mention leads to theinterpretation that the description was 
a representation of the clash betweenthe Aryans and the aboriginals, who were 
somehow connected to some form ofsnake worship. In thelater Vedic, the snake 
worship as a cult found its place in Yajur Veda.According to the ‘Encyclopedia 
of Religion and Ethics,’ “snake worship in afully developed form does not 
appear in the Rig Veda, but it is found as anelement of religion in Yajur Veda” 
The Atharva Veda contains charms againstsnakes, rites and other ritualistic 
stuffs and also the description of snakeworshipping tribe such as Kiratas. A 
total of twenty-seven shlokas hasdescribed snakes in various names such as 
Kasarnila, Ratharvi, Aghasva,Tiraschiraii, Dasonsi, Ghrtachi etc. According to 
many scholars who opine thatsnake cult was basically a non-Aryan mode of 
worship. And later the cult wasassimilated into the Aryan fold. The 
BrahmavaivartaPuran and Devi Bhagavatamdescribe the origin of Sarpa-deviManasa, 
after a lot of struggles who wasconsidered as the predominating deity of 
snakes. The inclusion of Devi Manasainto the Aryan fold was a representation of 
the aryanisation process of thenon-Aryan deities. 

          Manasa has an influential impact onthe BrahminialLieratures. Manasa’s 
description in the epics of India mentionsher as the sister of snake king 
Vasuki. She appeared in the Mahabharata priorto the great snake killing 
sacrifice of JanmajeyaIn the Epic phase snake racehave secured their mythical 
origin with Sage Kashyapa as father and Kadru asmother. The term Naga is found 
in brahminical literature like the Mahabharatahas suggested that Nagas were 
snake worshipping race who had opposed the earlyAryans. This can be proved by 
the description of the Nagas in earthly realm,who were showed in the 
Mahabharata in an ‘attitude. In many stories ofBrahminical Literature, snakes 
were symbolised as evil and some type of‘destined to suffer. Some examples are 
that of Takashaka Nag, Kaliya Nag etc.Origin of Snake Worship in World and 
Indian Literatures The depiction andnarration of Snake has been quite a popular 
practice in World mythology andArt. Almost every mythological literature and 
ancient epics have depictedsnakes being involved with the concepts of 
beginning, good and evil, fertility,semi-divine beings. 

     Undoubtedly the cult of the snake has beenone of the oldest cults to exist 
and survive till date. Ancient Civilizationslike the Mesopotamian, Egyptian or 
the Sumerian holds snake in a very reverendposition. People in ancient 
Mesopotamian civilization considered snake’s skinshedding ability as a sign of 
immorality. Similarly other ancient civilizationshave also positioned snake in 
a very high position. The attributes for whichsnake is worshipped is their 
ability to shed skin, its killing ability. Hencethe similarity of these basic 
factors for worship is common among other snakedeities of the world 
civilizations. Ancient Egyptians believed in polytheistic religious beliefs. 
Among theancient scripts and inscription ancient Egypt has also contributed a 
lot inarchaeological sources. One striking feature of ancient Egyptian religion 
isthat it is more of a polytheistic religion. With many deities and gods the 
corephilosophy of ancient Egyptian belief system is, ‘to raise godly qualities 
inthy life and afterwards resurrect into a new life. The belief system 
issomewhat common with the eastern or Asian belief system. For example 
inHinduism, there is striking similarity with Egyptian belief system. 
Hindusbelieve that after death the soul has to pass the judgment of Yama the 
god ofdeath before they can achieve heavenly abode. As we know that in India 
snakes have been rewarded though not god-likebut somewhat of a semi-god deity. 
These deities are commonly known as Nagas. 

          These snake deities of India are oftenassociated with the Indian 
version of netherworld, Patala. In Egyptianmythology like the other cultures of 
the world we find many snake entities ordeities. These deities can be both 
benevolent and wrathful.  In Egyptian mythology we find the mention ofApep. 
Described as a snake the creature shares similar features like the VedicVrtra. 
Apep is mainly foe with the sun-god Ra. Much like the Vrtra Apep alsodisrupts 
the cosmic affais. And in order to stop him sun-god Ra slays him andrelease the 
world from the darkness. Tittles like serpent of the dark have beengiven to 
Apep. Though Apepis is considered invincible. The immortal snakeemerges again 
and the battle with the sun-god continues. The battle can also beseen as a 
representation of the victory of light over darkness. Which might bea way of 
explaining for the ancient Egyptians the reason behind each occurringof day and 
night.  

         Apart from the demonic deity Apep,snakes have been positioned also in 
aver high position. Wadjet is an ancientsnake deity of Egyptian mythology. The 
goddess was considered as the protectorof the Lower Egypt. The distinguish 
feature from which a paroah can bedistinguished was by wearing a uraeus over 
their head. Uraeus is a smalldecocaration that is often seen on the head of a 
pharaoh. The uraeus isdepicted by the placing a image of cobra encircling over 
the pharoah’s crown.  The ancient Mesopotamian and the Sumeriancivilization had 
a very rich history of snake worship. in the belief of ancientMesopotamian 
snake was considered as an immortal creature. Civilizations ofMesopotamia and 
Sumeria has have considered snakes as immortal or at leastconsidered snake as 
an representation of immortality because of its ability toshed it’s worn out 
skin and emerge as a new one. The epic of Gilgamesh statesthat on a quest for 
attaining immortality Gilgamesh founds a herb, possessingpower to resurrect the 
dead, but later on the herb was stolen by a snake.Preventing the King to have 
his hand on the nectar. Similar stories of havingsnake connection with nectar 
has also been found in the Brahminical andBuddhist Literature also. Thestealing 
of Soma by Garuda relates some kind of connection between the naga andshows 
their kinder towards nectar. Naga or snake people have also beenmentioned in 
the Buddhist texts. A Buddhist tale mentions a similarincident where Buddha was 
offered a bowl of payas or sweet rice by Supriya, anaga maiden. And later the 
bowl was acquired by Indra. Some scholars points outthat the bowl from which 
Buddha had partaken food was considered a great kindof holy object.  

          By the literary, pictorial andarchaeological evidence about Indian 
Culture we know that snakes were anintegral part of Indian beliefs and faith. 
In the present day we find thedepiction of snakes in art and decoration. Many 
states have their own versionof snake-deity. In Assam and Bengal a 
snake-goddess Manasa is worshipped andfestivals relating to the goddess are 
celebrated. But the earliestarchaeological evidences about the snake cult in 
India can be traced back tothe days of Indus Civilization. Snakes were painted 
and depicted earliest inthe seals and pottery of Indus Valley Civilization. 
Though we find variouskinds of animals depicted in the Harappan Art the 
depiction of snake is veryfew compared to the number. 

              In Indian religious practicesnake or to be more specific the 
cobra and the python have been worshippedthroughout the ages. It is not 
uncommon to any observer the display of snake inart and architecture of India. 
The Stupa of Bharut is one such e example of thestatement. Besides, numerous 
other temples were constructed entirely dedicatedto the worship of snake 
deities. In India, the snake deities are generallyknown as Naga. Naga is a 
Sanskrit word which generally denotes a mythicalserpentine creature often 
associated with enormous power and position. Shortlyspeaking the earliest 
literature like the Vedas provide a hint that theantagonism between the devas 
and the Dasyus, wherein dasyus were associatedwith snake in their physical 
explanation in the Vedas. The struggle between theparties was understood in 
many ways. In the primary understanding, we canimagine a picture of two clans 
containing different beliefs system In the laterdevelopment of the literatures, 
specifically in the post-rig vedic era theNagas achieved a position of a 
semi-divine being. Puranas have described themas possessor of wealth. In the 
Puranas, Nagas were aa kind of being similar toYakshas, Gandharvas and 
Kinnaras. They possess wealth in great abundance andlive in magnificent cities. 
In the first and the fifth canto of the SrimadBhagavatam, we find mention of 
the Naga cities. The translation and the shlokashave been mentioned below

           As Bhogavatī, the capital ofNāgaloka, is protected by the Nāgas, so 
was Dvārakā protected by thedescendants of Vṛṣṇi — Bhoja, Madhu, Daśārha, Arha, 
Kukura, Andhaka, etc. — whowere as strong as Lord Kṛṣṇa. S.B 1.11.11 Beneath 
Rasātala is another planetary system, known as Pātāla orNāgaloka, where there 
are many demoniac serpents, the masters of Nāgaloka, suchas Śaṅkha, Kulika, 
Mahāśaṅkha, Śveta,Dhanañjaya, Dhṛtarāṣṭra, Śaṅkhacūḍa,Kambala, Aśvatara and 
Devadatta. The chief among them is Vāsuki. They are allextremely angry, and 
they have many, many hoods — some snakes five hoods, someseven, some ten, 
others a hundred and others a thousand. These hoods arebedecked with valuable 
gems, and the light emanating from the gems illuminatesthe entire planetary 
system of bila-svarga.    S.b 5.24.31 Nagas are the beings of 
Netherlands.According to Puranas such as Padma Purana, Vishnu Purana and 
Bhagavad  Purana, the creation as a whole is dividedinto seven parts. Whereas 
Nagas rule of the lowest part known as Patala. Weknow from the Purana’s 
reference the city they lived in is known as Bhogavati.Their cities has been 
described as second heaven. It has been mentioned in theshlokas that powerful 
Naga kings rule over the Patala.    Among the literatures of the 
ancientreligions, Vedas has undoubtedly been the earliest. Apart from the vedic 
descriptionof the snake the Grihyasutras mention various kind of worship 
procedures  to appease the snake and same was for itsreverence. Scholars have 
assumed that the snake was worship by en around theworld just to avoid the 
wrath of the creature. 

        Snake Worship is an old sort ofreligious activity in India, dating back 
thousands of years. Within Hinduism,there is a contradiction between the terms 
"Sarpa" and"Naga," and each of these words has a distinct meaning. This 
discrepancycan be seen in the previous chapters that we studied. Individuals 
with a singlehood are referred to as Sarpis, while Nagas are those who have 
several hoods(i.e. the many hooded). Serpents are also referred to as Nagas in 
certaincultures. According to another explanation, the terms "Serpent orNaga" 
had their origins in mythological forms, with the term"Snake" being used to 
refer to common reptilian species. However,Buddhism has adopted these terms as 
synonyms, and also provides a descriptionof their hoods, stating that the 
Nagarajas (male Naga) all have three or morehoods, and the Nagins (female Naga) 
all have a single hood. Generally speaking,the word Naga is used to allude to 
either "Snake God" or"Serpent God" in both faiths. The Sanskrit term Naga may 
refer to eithera "Snake" or a "Elephant," and it is believed to have 
beenderived from the word Naga, which can refer to both a "Mountain" anda 
"Tree" in English. The Brahminical god Naga has served as asignificant source 
of inspiration for writers and artists working in Indianliterature and art. For 
example, we can see from the literary depiction thatthe early literature of 
Hinduism characterized snakes as unfriendly and darkcreatures, which is 
consistent with the modern interpretation. 

          The tale of the Vrtra, whichdescribes him as an adversary of natural 
sustainability due to his encasementin water, certainly depicts him as such. 
Nagas, on the other hand, were reveredin Hinduism's later works for their 
ability to kill and were so respected. As aresult, a significant amount of the 
Later Vedas is devoted to the use ofmantras and charms to fend off evil and 
placate the snake. Various additionalantidote-type mantras were also created 
throughout the development of the latervedic books.  

        THUS SNAKE WORSHIP ASSUMED IMPORTANCEAS NAGA WORSHIP IN SOUTH India 
especially in Kerala. 

       Religions 2019 , 10 , 454 3 of 26 alsoshift into a “beautiful ‘ladylike’ 
form” (ibid.)—although she is still a snake6 Sarah Caldwell, on the other hand, 
cites aKeralese informant according to whom “the snake that we worship is 
notthe ordinary snake that we see, such as the viper, cobra, etc. The real 
snakeis di ff erent. It is invisible We cannot see those snakes in the 
sarppakavu(sacred serpent grove). They are gods with great powers” ( Caldwell 
1999 , p.144) Devi shows this ambiguity of being a cobra goddess on many 
levels. Forone, she changes her form throughout the movie, from serpent to 
young woman andback. Not only is it impossible to define one of these forms as 
her originalself, her animal form, albeit conceived as such, is not defined in 
a biologicalsense. Rather, its meaning is attributed by Hindu religion or, more 
precisely,folk religion from Andhra Pradesh, as represented in a feature film. 
Apart fromthe opening scene, which shows the Naga goddess and her sisters 
entering thehuman realm from some kind of space ship, the movie stays close to 
religiousbeliefs and practices from across South Asia. Throughout these 
traditions, milkis a supreme symbol of love and devotion ( bhakti ), and 
therefore, it is thebest gift to o ff er a goddess. Even the South Indian 
“cobra-mothers” ( nagamma) seemingly love to drink milk, symbolizing maternity, 
purity and nourishmentper se ( Lange 2019 a ), and embodying the tender 
relationship betweenworshippers and the worshipped ( Lange 2019 b ). Throughout 
South Asia,depicted and living serpents are given o ff erings, often milk, to 
placatethem, to lure them to one’s side—and, of course, to prevent them from 
killinghumans Nevertheless, the symbolic relationship between snakes and 
milk,prominent all over the world and throughout history (cf Ermacora 2017 ), 
standsin contradiction to biological and biomedical conditions: “the 
construction ofa snake’s mouth (sharp teeth, inflexible lips) together with the 
absence of adiaphragm, makes it impossible for a snake to suck in the same 
manner as youngmammals do. In addition, a snake’s digestive system does not 
permit thedigestion of lactose: reptiles, of course, lack the lactase enzyme” 
(ibid., pp.61 f.) Worshipping cobras can thus be deadly for them, as seen in 
statements byanimal activists 7 and in the pertinent literature. In a 2012 
Times of Indiaarticle, the author uses Nag Pañcami , a Pan-Indian Naga 
festival, to createawareness about what “really” benefits snakes, instead of 
simply making o fferings to them in a cruel manner: “The reptiles are abused. 
Their fangs areremoved, and they are starved so that they consume milk o ff 
ered to them bythe devotees. This kind of torture proves fatal for the snakes.”

               . MANASA. The snake-goddessManasa is now universally identified 
with Jaratkaru, the sister ofthe Naga king Vasuki. The story of Jaratkaru is 
well-known. It occurs thrice inthe first book of the Mahabharata-first, in 
chapters 13 th-16 th; then again inchapters 38 th-40 th; finally, in chapters 
46 th 48 th. 

      Kadru and Vinata were the two wives ofthe Patriarch Kasyapa. From Kadru 
were born the snakes. Vinata gave birth toAruna, the charioteer of the Sun-god, 
and Garuda, the vehicle of Visnu.Incensed at an act of disobedience of her. 
sons, Kadru once cursed them withdestruction by fire at the snake-killing 
sacrifice of King Janmejaya. Thesnakes subsequently met in conference to devise 
means of escaping from theconsequences of this awful curse. Elapatra, a Naga 
chief, declared that he hadcome to know through a vision that the Saint Astika, 
born of their sisterJaratkaru, married to a Brahmin husband of the same name, 
would save them fromthis threatened destruction. Vasuki, the Naga-chief, was 
thereupon requested tobring up this sister carefully and to keep a sharp 
look-out for the arrival ofthe Brahmin Jaratkaru. Jaratkaru belonged to a clan 
of nomad (yayavara)Brahmins, who never had a settled home, but roamed from one 
holy place toanother. Begetting an offspring is religiously incumbent on all 
householders,but this Brahmin Jaratkaru had never given his attention to 
marriage andsettled life. A vision of his forefathers losing their places in 
heaven for hischildlessness, at last induced this globe-trotter to think of 
marriage. But hewould, he resolved, marry only under certain conditions. The 
girl must be ofthe same name as himself; she must be offered to him 
unsolicited; he shall notbe required to maintain her, and, finally, he would be 
at liberty to forsakeher on her first offence. 

        The agents of Vasuki who were watchingfor the appearance of Jaratkaru 
and this turn of his mind, now informed Vasukiwho forthwith arrived and offered 
Jaratkaru his sister. When the saint wassatisfied that the girl was of the same 
name and when the bride's partyaccepted all his conditions, the marriage took 
place and all went well for sometime. The sister of the Naga king came to be 
with child, but now an accidenthappened. One day the patient wife gave offence 
to the touchy saint by callinghim off from an untimely sleep. The sage was in 
great rage and prepared toleave his wife for good. He assured the disconsolate 
wife that a great sagewould be born to her and went away. But the purpose of 
the Nagas had beenserved. The Sage Astika was born to Jaratkaru and he 
subsequently saved theNagas from extermination in the Snake-sacrifice of 
Janmejaya, by begging of theking the cessation of the sacrifice. This, in 
brief, is the story as narratedin the Mahabharata. 

        The Nagas, as is well-known, were apowerful race of primitive people, 
probably of Mongolian origin, who inhabitedlarge tracts of India, when the 
Aryans entered India and began to spread. Thestory of the snake-sacrifice 
probably keeps alive the memory of a determinedeffort on the part of the 
conquering Aryans to oust the Nagas from the plainsof Northern India. Outlying 
regions like Manipur and Kasmir became the resortsof the Nagas ousted from the 
plains. Vasuki, the king of the Nagas, is said tohave been ruling over the 
regions watered by the Godavari. The Nagas cursed bytheir mother went to live 
in swampy lands at the mouth of the Ganges. . Thisshows the direction that some 
of the worst Nagas took in their search forresorts, safe from Aryan aggression. 
The hatred and contempt with which theAryans regarded the Nagas, are evident 
throughout the Mahabharata. Even thebest of the Nagas did not escape it. This 
is evidenced by the statement in the Aitareya Brahmana (6 th Panchika, chapter 
26, partI) that the Sarpa-rsi (evidently a seer of the Naga tribe) Arbbuda, son 
ofKadru, though allowed to supplement a deficiency in the Vedic performance, 
wasblindfolded before he was suffered to approach the sacred Soma. Arbbuda, it 
maybe noted, is the name of a Naga in the Mahabharata who was an inhabitant 
ofMagadha. The qualification found in the Aitareya Brahmana that he was a son 
ofKadru bears testimony to the antiquity of the tradition found in 
theMahabharata that the Nagas were descended from Kadru.

     Mythologically, the Nagas are to bebelonging to the sphere of Varuna, the 
lord of the waters, figuring as his sonsor his creatures. They are divine 
beings but looking like men, with a number ofhoods over their heads. They guard 
all kinds of watery areas, such as tanks,rivers and lakes. It is in this 
capacity that we find the Nagas worshipped inIndia during the early centuries 
of the Christian Era in the regions roundMathura. In the eighth year of the 
reign of Kaniska, a tank and a garden werededicated to the divine Bhuminaga. In 
the 26 th year, a stone slab was put upat the shrine of Dadhikarna, the divine 
lord of the Nagas. In the year 40 ofthe Kusana Era, in the reign of Huviska, 
the two friends Senahasti and Bhonukaerected and placed inside their common 
tank a splendid statue of a Naga,undistinguished by any proper name.3 Another 
image of a Naga, consecrated inthe year 52 of the Kusana Era, is now in the 
Mathura Museum.4 It would appearthat during this period, the worship of the 
Nagas was a very much living cultand one that had a recognised place in the 
society by the side of the activecults of the Jina and the Buddha. The shrine 
of Dadhikarna at Mathura appearsto have been a flourishing establishment, one 
of whose servants was rich enoughto present a pillar to the Buddhist Vihara 
erected close by, in the reign ofHuviska.s It is interesting to that the 
Dadhikarna OCCURS in the list of theNagas in the Harivamsa and also in 
thecommentary by the author himself on the Abhidhanachintamani by 
Hemachandra,verse 1311. This phase of the Naga worship is still current 
throughout Indiaand is falling into comparative disuse only in the modern days. 
Formerly, itwas incumbent on any one digging a considerable tank to erect a 
nagak Asthaexactly in the middle of the tank at the time of its consecration. 
Generally,the top of a strong and tall pole was fashioned out like a cobra and 
this polewas placed in the middle of the tank. The Naga was thus installed as 
theguardian of the tank. The famous Dharmmasagara of Comilla excavated 
byDharmma-manikya, Rajah of Tippera, has its Naga-kastha still in position. 
Sohas the big tank called Kodal-dhoa at Rampal in the Munsiganj Sub-Division 
ofthe Dacca District. In these days, new tanks are seldom dug, and even when 
dug,very seldom consecrated. But the erection of a Naga-Kastha in the centre of 
thenewlyexcavated tank is even now a compulsory part of the ceremony 
ofconsecration. 

        The worship of the snake-goddessManasa, as was, and is still prevalent 
in Bengal, appears to have very littleconnection with this general Naga 
worship. The Nagas, as far as can beascertained, appear to be all male 
divinities and this conception of a femaledivinity Manasa as a sort of queen 
over the snakes, appears to be foreign tothis system of Naga worship. Manasa, 
as already noted, is now generallyidentified with Jaratkaru; but, curiously, in 
the Mahabharata there is noindication of the deification of Jaratkaru, mother 
of Astika, as asnake-goddess,-i.e. mother of the snakes, (nagamata) and 
mistress over them.Neither is she credited with the possession power of counof 
the SupremeKnowledge (mahajnana) nor the teracting poison, the two most 
prominentcharacteristics of the snake goddess Manasa. The term "mother of 
thesnakes" in the Mahabharata always denotes Kadru. Inthe Brahmanas (Aitareya, 
5/24/4; Satapatha, 1/4/29), we meet with theterm Sarparajni which literally 
means-queen of the snakes. She was the seer of a hymn of the Rg-Veda, X-189. 
But theconnection of this Sarparajni with snakes is not unquestioned. Sayana 
explainsthat Sarparajni was the Earth, incarnate as a goddess, who attained 
theknowledge of Brahma, the Supreme Soul, in that guise. One 
commentator,Mahidhara, however, states that the term denoted Kadruin the guise 
of Earth.* It may also be noted that Kadru is given as asynonym for Manasa in 
the dictionaries. Thus, it appears, that the firstidentification of Manasa, the 
snake-goddess, was not with Jaratkaru, but withKadru. Subsequently, however, as 
in the Brahmavaivartta-Purana,attempts were made to fit in Manasa with 
Jaratkaru and give the latter adeified character. There is no doubt that the 
snake-goddess Manasa occupies asomewhat indefinite position in the Brahmanical 
pantheon. The name does notappear to occur in the Mahabharata or The 
mediavalgrammarians and Panini or Amarakosa. lexicographers mention the name, 
theformer citing it as an illustration of an irregular Samasa, 
(Aluk-Samasa:-Manasa srsta devi=manasa-devi) which shows that the explanation 
of her nameas "the mind-born of Kasyapa," for which earlier authority than 
thereappears to be the Brahmavaivartta-Purana, has obtained a footing by the 
time.The absence of her name in the earlier literature, and the evidences of 
attemptat explaining away her name in mediaval literature, point to the 
probabilitythat she is not, at least in this line of development, a goddess 
with a Vedicand Puranic past, but an assimilation from outside. There certainly 
was aconsiderable amount of difference of opinion among the learned persons 
whoattempted to engraft this goddess on Brahmanical traditions,-as a careful 
studyof her legends and Dhyanas show.

       Evidences that she probably was firstidentified with Kadru and not with 
Jaratkaru have already been adduced. Evenwhen the identification with Jaratkaru 
was established, considerable differenceprevailed in working out the details. 
The following Dhyana makes Swan hervehicle, which shows that she was 
contemplated as identical with Brahmani orSarasvati (Vide-Arch. Surv. Rep. 
Mayurbhanj, by Mr. N. N. Vasu. pp. xxxviii.)debimasbamahinam sasadhara badanam 
carukantim badan'yam hansarurhamudararunitabasanam sarbabadam sarbabadaiba | 
smerastyam manditangimkanakamaniganainagarajairanekai bandehaham 
sastanagamurukucayugalam yoginimkamarupamu || I adore the goddess, the mother 
of the snakes, who is gracefuland generous and whose face is like the moon, who 
rides on a swan, wears a redgarment and is lavish of gifts, always giving 
everything (asked for), who has asmiling face, whose body is decked with gold 
and gems and many jewels obtainedfrom serpents; who has prominent breasts, is 
an anchorite who can take anyshape at will, and who is accompanied by eight 
snakes.

       THUS, TANTRIC WORSHIP IN KERALA ENHANCEDTHE WORSHIP OF THE SNAKES IN 
TEMPLES, AGGRAVATIC THE FEAR OF PEOPLE. 

K RAJARAM IRS 9725

On Wed, 9 Jul 2025 at 10:24, 'gopala krishnan' via Thatha_Patty 
<[email protected]> wrote:


SUBRAMANYASWAMY TEMPLE, PERALASSERY,

KANNURDISTRICT-KERALA-Compiled

Dear friends,

Kannur is famous for many ancient temples, and one among themis Peralassery 
Subramanya Temple. It is in Mundallur, 15 km from Kannur city onthe 
Kannur-Kuthuparamba Road. People better know it as the Snake Temple. The 
massive stepped pond isits specialty. This beautiful Peralassery Subramanya 
Swami temple stands on thebanks of the Anjarakandy River in Kannur. The 
presiding deity is the serpent form ofSubrahmanya, and inside the Peralassery 
Temple, devotees can seemany idols of the king cobra. It is considered holy, 
and they offer eggs to it.Today my posting is about this temple. Hope a divine 
reading.

Gopalakrishnan 9-7-2025

Introduction

A famous pilgrim centre in the North Malabar region ofKerala, Sree Peralassery 
temple is situated at Peralassery in Kannur. The maindeity worshipped here is 
Lord Subramanya. The temple traces its origin to the Thretha Yuga.As per the 
Ramayana, Lord Sree Rama along with Lakshmana and Hanuman, on theirway to Lanka 
in search of Sita (consort of Sree Rama), reached this place andfelt the 
presence of Lord Subramanya. On approval from Lord Ayyappa, Sree Rama decided 
toconsecrate the idol of Lord Subramanya in this place. He sentHanuman to the 
north to find a suitable idol to be installed. When he failed tocome at the 
right time for consecration, Sree Rama removed hisPeruvala [great bangle – a 
symbol of kingdom] and consecrated it. Hence the place got itsname 
Peruvalassery, which in course of time got contracted to Peralassery. Later 
Hanuman tried to remove the bangle in order to consecrate theidol, but could 
not do so as he was warned by a serpent.

Famous for snake worship, hen’s eggs are the main offeringsin the temple. The 
annual Kodiyettam festival is a key attraction here andusually falls in 
December. The traditional temple art forms like Thayambaka,Irattathayambaka, 
Chakyarkoothu, Patakham, Ottan Thullal, and Kathakali areperformed in the 
temple during festival seasons. A visit to the temple duringthis time will 
leave you elated and spiritually energized.

The temple pond is a source of wonder for all devotees, andtaking a dip is 
considered sacred. This rectangular pond has an impressivearchitecture with 
countless steps leading into the pool from all the foursides. The local belief 
is that on the day of Thulam Sankramam, water from theCauvery will reach the 
well of temple pond. This temple, renowned for itsarchitectural splendour and 
legends, is a must-visit destination. Sacred templeknown for Lord Subramanya 
worship, unique offerings, and architecturallystunning pond.

Legend of thePeralassery Temple

There are a few legends about the temple. One has an association with thefamous 
Hindu epic, Ramayana. Rama visited this place, where thetemple stands now, 
searching for his abducted wife, Sita, during his exile. Hefelt the invisible 
energies of Subramanya emanating from here. Rama decided toinstall an idol of 
Subramanya to consecrate at the site.

Another legend is that , Subramanya had imprisonedBrahma for knowing the 
meaning of "Om," the Pranava Mantra. He released Brahma at the request of 
Shiva.Finally, Subramanya explained the meaning of the Pranava Mantra to 
Shiva.Subramanya took a serpent form to wash off his sins and chose an isolated 
wellto reside as a serpent. Several other serpents guarded him against the Sun 
andrain. So, the place whereserpents guarded Subramanya is Peralassery Temple.

Parvati requested Shiva to give Subramanya his original form.Shiva advised her 
to perform 18 Shasti Vrat to restore the original form ofSubramanya. As Shiva 
instructed, Parvati performed the Vrata and got her sonSubramanya in his 
original form.

The Architecture ofPeralassery Temple

The temple reflects traditional Kerala architecture. Thetemple Chira, temple 
tank, or stepped pond, lies outside the temple entrance.The pond is called 
Ayanivayal Kulam, and it was renovated in 2001. It resembles a baori, a step 
welltype found in Gujarat, Delhi, Rajasthan, and Karnataka. Steps descend to 
thewater in the centre. Laterite stones were used to construct the massive 
well, and the water in the temple tankmerges with the water of the River 
Kaveri. That's why KaveriSamkramam is celebrated in the Peralassery Temple. 
Devotees believe that a holydip in the Chira, followed by the temple visit, is 
very beneficial.

This temple tank is world-famous for its unique structure andarchitecture, and 
it is the biggest temple pond in Kerala.

A tiny brass idol of the king cobra faces the entrance. Thereis a brass, 
multi-levelled main lamp at the temple entrance to welcomedevotees. The main 
lamp has a tortoise at the base and a rooster at the top.The lamp with the 
eternal flame is another wonder of the temple.

Main deity 

The main deity, Subramanya's idol, is six feet tall andcarved out of stone. 
Historysays the temple was destroyed during the invasion of Tipu Sultan, and 
now theidol is attached to a silver sphere. 

Sub deities

Ganapati, Ayyappa, Bhagavathi,and Nagas are theother deities worshipped here. 
Chuttambalam has deities of Lord Ganesha andLord Ayyapa. Nagadevathas are below 
an Ashoka tree. 

Pooja timings

Peralassery Sri Subramanya Temple has specific timings forpooja and darshan, 
which are generally from 4:00 AM to 12:30 PM and from 4:15PM to 8:00 PM. The 
temple opens at 4:00 AM and closes at 12:30 PM, then reopensat 4:15 PM and 
closes at 8:00 PM., 

The priests at Peralassery Sri Subramanya Temple areprimarily ShivalliMadhva 
Brahmins. They perform the daily rituals and poojasaccording to Madhvacharya's 
Tantra Sara Sangraha. The temple is dedicatedto Lord Subramanya, particularly 
in his serpent form. The main poojas atPeralassery Temple, dedicated to Lord 
Subramanya, include Usha Pooja(morning), Uchha Pooja (noon), and Deeparadhana 
(evening lampoffering). Abhishekam (ritual bathing) with milk and flower 
garlandofferings are also common. Additionally, the temple is known for 
itsunique offering of Mutta Oppikkal (offering of eggs to snakes) as a remedy 
forSarpa Dosha (serpent affliction). 

Here's a more detailed breakdown:

Daily Pujas: Usha Pooja (early morning), Uchha Pooja (noon), andDeeparadhana 
(evening). 

Abhishekam: Milk abhishekam is a common ritual. 

Offerings: Besides milk and flowers, the temple is known for MuttaOppikkal, the 
offering of eggs to snakes, particularly for Sarpa Dosharemedies. 

Special Days: Additionalrituals are performed during Shashti, Skanda Shashti, 
and Thaipusam. 

Festivals: The annual Kodiyettam festival, celebrated in December,is a major 
event. 

Other Deities: Offerings are also made to other deities like Ayyappa,Ganapathi, 
Naga, and Bhagawathi

Darshan:

Darshan is available during both the morning and eveningopening hours. 

Festivals of thePeralassery Temple

The Temple has a number of festivals. The important ones are:

Annual Kodiyettam Festival

The annual Kodiyettam festival held at the Peralassery SriSubrahmanya Temple in 
December is a significant event that draws devoteesseeking spiritual enrichment 
and cultural immersion. This festival serves as aplatform for showcasing 
traditional temple arts such as Thayambaka,Chakyarkoothu, and Kathakali, each 
contributing to the vibrant tapestry ofreligious and cultural expression. 
Thayambaka, with its rhythmic percussion,Chakyarkoothu's blend of storytelling 
and humor, and the grandeur of Kathakaliperformances, all combine to create a 
mesmerizing and spiritually upliftingatmosphere. The Kodiyettam takes place on 
the fourth day of thefestival. The temple priest performs Thidambu Nritham 
(religious dance),and Kazhcha Sreebali (caparisoned elephants procession) 
rituals follow.

Thulam Sankramam

The rectangular pond at the temple boasts remarkablearchitecture, featuring 
numerous steps leading into the pool from all foursides. Local tradition holds 
that during Thulam Sankramam, water from theCauvery River is believed to 
miraculously reach the temple pond's well, addingto the site's mystique and 
spiritual significance. This temple, celebrated forits architectural grandeur 
and legendary associations, stands as a compellingdestination for visitors 
seeking both cultural enrichment and spiritual nourishment.

Offerings

The main deity here at this renowned pilgrimage centre is theserpent form of 
Lord Subramanya and the chief offerings are eggs. 

My note- Nagaraja templeat Nagerkovil in Tamilnadu also is having offering- 
milk and eggs. 

The temple premises also have a massive Ashoka tree with asnake pit where Naga 
Aradhana (snake worship) is offered by devotees. 

Benefits ofWorshipping at Peralassery Temple

People who suffer fromSarpa Dosha perform Pooja at Peralassery Temple to 
eliminate their affliction. Eggs are offered to honour thesnake deity, 
Subramanya, as a part of the Pooja. Every month, on Ayilyamnakshatra day, 
devotees come here and perform Subramanya Pooja and MuttaOppikal by offering 
eggs to the main deity to remove all obstacles in theirlife. Devotees tie 
miniature cradles to be blessed with a child.

Temple Timings: 

Morning 4.00 am – 12.30 pm & Evening 4.15 pm – 8.00 pm

What is the Specialityof Peralassery Temple?

The main deity here at this renowned pilgrimage centre is theserpent form of 
Lord Subramanya and the chief offerings are eggs. The templepremises also have 
a massive Ashoka tree with a snake pit where Naga Aradhana(snake worship) is 
offered by devotees

Temple Pond

The massive temple pond, Kerala's largest step well, is another 
astoundingstructure at this temple. Considered to be sacred by devotees, the 
pondreflects an exquisite and unique style of architecture that cannot be 
foundelsewhere. The rectangular pond is constructed like a well that has 
countlesssteps leading into the pool from all sides. The intricate architecture 
is awe inspiring.Local legends say that on the day of Thulam Sankramam, the 
water from the riverCauvery will reach the well of the temple pond. 

Serpent worship

Serpents are worshipped here with chicken eggs as theoffering apart from 
milkand yellow rice.

Region name Peralassery

The region derived its name Peruvalassery, now colloquiallyreferred to as 
Peralassery, for the ‘peruvala’ or ‘big bangle’ worn by LordRama as a symbol of 
his kingdom. Legend says the temple dates back to theThretha Yuga and came into 
being when Lord Rama, Lakshmana and Hanuman stoppedby the region enroute their 
journey to Lanka for rescuing Sita. Sensing thepresence of Lord Subramanya, 
with permission from Lord Ayyappa, Lord Ramadecided to consecrate an idol of 
the deity there.

Location

Peralasseri is 14 kilometres (8.7 mi) from the districtheadquarters Kannur. The 
nearest town and railway stations are Thalassery which is 14 km(8.7 mi) and 
Kannur which is15 km (9.3 mi) away.

How To Reach

By Bus-Kannur Central Bus Terminal, around 15 km away.

By Flight-Kannur International Airport, about 18 km

By Train-Kannur Railway Station, about 16 km

Contact Address: 

Peralassery Sri Subrahmanya Temple, Mundalur, Peralassery,Kannur, Kerala 670622

Phone Number:0497 282 7601



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