That's not quiet true, that extra aperture helps a lot if you're
manually focusing using older focusing screens. Even if you're shooting
stopped down.
On 11/18/2014 9:41 AM, Darren Addy wrote:
I can appreciate that the K28 f/2.0 is a great lens design and a
scarce and pricey Pentax lens, but I have to tell you that I haven't
seen anything produced by it that made me go "WOW" or "that lens will
let me do something no other lens can do". There are relatively few
photos from that lens in the Pentax Photo Gallery, for example. Part
of that may have to do with its cost and scarcity. But even looking at
the examples that ARE there, it looks like most of them were taken
well-stopped-down (therefore could probably have been DOF replicated
with a f2.8 (or the superb K28 f3.5).
I used to think that faster lenses always equaled better lenses, but
the K28 f3.5 and the Tele Takumar 200mm f5.6 disabused me of that
fallacious thinking. You only need that extra aperture if you are
shooting at that extra aperture.
If the K28 f/2.0 drops into my lap I'll certainly add one to the
collection, but I haven't seen anything from it that makes me want to
go out and specifically desire owning it.
On Tue, Nov 18, 2014 at 7:47 AM, P.J. Alling <[email protected]> wrote:
Every once in a while you get a bargain, some people who don't know the
value of things think it's the norm. If they're capable, they'll learn
something new, eventually.
On 11/18/2014 12:03 AM, Paul Ewins wrote:
Where the hell is he getting a 28/2 for $60? An f2.8 sure, but that f2 has
never been cheap.
On 18 Nov 2014, at 9:59 am, Steve Cottrell <[email protected]> wrote:
Doing some research and came across this fascinating article
<http://www.eoshd.com/2013/07/60-pentax-lens-thats-actually-a-800-zeiss-
by-designer-of-stanley-kubricks-nasa-glass/>
--
Cheers,
Cotty
___/\__ Broadcast, Corporate,
|| (O) | Web Video Production
---------- <www.seeingeye.tv>
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