Any moderately good photo shop will have them and they keep for months.

David Savage wrote:

>If you can source the chemicals, home processing of B&W is quite easy.
>
>Dave
>
>
>On 10/19/06, J and K Messervy <[EMAIL PROTECTED]> wrote:
>  
>
>>And if you don't process film yourself?
>>
>>I will be taking film to the local pro lab for processing.
>>----- Original Message -----
>>From: "Shel Belinkoff" <[EMAIL PROTECTED]>
>>To: "Pentax-Discuss Mail List" <[email protected]>
>>Sent: Thursday, October 19, 2006 9:27 PM
>>Subject: Re: Remedial film photography. :)
>>
>>
>>    
>>
>>>And, of course, with B&W film, there's a lot more control on the
>>>processing
>>>end, so one can "over expose" the film, or expose for the shadows, and
>>>develop for the highlights, so that there are no blown highlights.  So,
>>>for
>>>a Q&D example, you can rate TX @ 200, cut back the standard processing
>>>time
>>>by 25% or so, and get a negative that will print quite well.
>>>
>>>Shel
>>>
>>>
>>>
>>>      
>>>
>>>>[Original Message]
>>>>From: John Francis
>>>>        
>>>>
>>>      
>>>
>>>> Paul Stenquist wrote:
>>>>        
>>>>
>>>>>Your example is extreme, but most films seem to be slightly overrated
>>>>>in regard to ISO.
>>>>>          
>>>>>
>>>>Hardly.  The ISO testing procedure is well-defined, and rigorously
>>>>followed.  If a film says ISO 400 on the box, you can be darn sure
>>>>that it will score 400 on the ISO measurement scale.
>>>>
>>>>But that doesn't mean blindly loading a DX-coded cassette into
>>>>your camera, pointing the camera at a random scene, and letting
>>>>that determine the exposure will produce the results you want
>>>>(even assuming the average brightness of your subject is anywhere
>>>>close to 12% grey).  Furthermore, shifting the exposure up the
>>>>scale (which is what you do if you rate the film at slower than
>>>>the box speed) will decrease noise in the shadows at the cost of
>>>>possibly blowing out the highlights, while shifting downwards
>>>>towards under-exposure will generally increase colour saturation.
>>>>It's all a matter of choosing what effect you want, and then
>>>>deciding which film to use, and how to rate it, in order to
>>>>get close to that result.
>>>>        
>>>>
>>>
>>>--
>>>PDML Pentax-Discuss Mail List
>>>[email protected]
>>>http://pdml.net/mailman/listinfo/pdml_pdml.net
>>>
>>>
>>>      
>>>
>>--
>>PDML Pentax-Discuss Mail List
>>[email protected]
>>http://pdml.net/mailman/listinfo/pdml_pdml.net
>>
>>    
>>
>
>  
>


-- 
Things should be made as simple as possible -- but no simpler.

                        --Albert Einstein



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