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>This brings up a point which I've been wondering about lately.

A digital camera pixel is continuous tone.  It measures the _intensity_ 
of the light that falls on it.

As I understand it, a single film "grain" or dye cloud or whatever it is, 
is a discrete device: either its exposed or its not exposed, and the 
density of the exposed "grains" control the perceived tone - ie its some 
kind of a randomly arranged halftone process.

If this is true, its little wonder that people say digital files have 
finer grain than film.  And higher perceived detail.

Cheers,

- Dave<

more complicated that this. the film texture that we can see with the eye
or moderate magnification and commonly call grain is clumping of a lot of
grains together or dye clouds that result from clumps of grain after the
silver has been replaced with dyes. these clumps are basically a random
halftone. the clumps or clouds in turn are grown from the actual silver
halide crystals forming the real grain that are exposed and turned on or
off. the clumps or clouds are much larger than the actual film grain.

Herb....

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