Well, it's a bad idea to cut stuff together at different rates because they're going to have different rate conversion artifacts. You'll have 3:2 pulldown annoyance on some shots, but not on others.
But you do what you have to do with the material that you have and that's how life is, especially in the documentary world where there is often unreplaceable historical footage involved. You may find that running 24fps material at 25fps or vice-versa works well for silent shots but the pitch change on the sound is annoying. There's really no other way to deal with 30fps material though (especially with interlace) other than rate conversion. Modern rate conversion algorithms are much less annoying than the horrible film chain pulldown mess that we saw on TV for so many years, but you can still tell that something isn't right. Oh, well. --scott _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
