It is neither amateurish nor unprofessional. Premiere Pro is set up to
handle multiple kinds of source material in the same project.

On Mon, Sep 28, 2020 at 5:34 PM deristea <[email protected]> wrote:

> Thanks!!
>
> I've been told what I'm trying to do is unprofessional,
> amateurish....appreciate your feedback.
>
>
>
> Sent from my T-Mobile 4G LTE Device
>
> -------- Original message --------
> From: Chris Freeman <[email protected]>
> Date: 9/28/20 5:18 PM (GMT-05:00)
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Advice on combining different frame rates and
> definitions in adobe premiere
>
> I gotta say I do this all the time in Final Cut X and it handles
> everything I throw at it with no issues.  I don't know Premier, but it has
> got to be comparable.
>
> It's good that you know all the different frame rates and resolutions you
> have.  Decide first what resolution and frame rate you want the final video
> to be and then you can scale up or down some of the footage as needed.
>
>
>
>
>
> On Mon, Sep 28, 2020 at 1:37 PM Samirah Alkassim <[email protected]>
> wrote:
>
>> Hello,
>>
>> This is a question for advanced editors: if anyone has experience mixing
>> (digital) footage shot using different frame rates and definitions, and
>> editing them in Adobe Premiere Pro, please let me know.
>>
>> I have footage shot in 29.97 in SD,  25 fps in HD, and was thinking about
>> adding archival footage in 24 fps that is also SD.
>>
>> I know it is folly to do so, but am interested in seeing if it's
>> possible.
>>
>> The important interview shots are in 25 fps HD. It seems to make sense to
>> convert everything else (especially if sync sound doesn't matter) to 25,
>> but will the SD become letterboxed?
>>
>> Thanks,
>> Samirah
>>
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>>
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