Lydia Moyer https://goodfornow.net/
and my own "American Toddlers" https://www.youtube.com/watch?v=pj8G6f-9n1c On Mon, Jul 6, 2020 at 12:13 PM KJ Mohr <[email protected]> wrote: > Dara Greenwald & Bettina Escauriza - Love It or Leave It > > On Mon, Jul 6, 2020 at 2:37 PM Adam Hyman <[email protected]> wrote: > >> Ken Jacobs, Star Spangled to Death >> >> Joyce Wieland, Rat Life and Diet in North America >> >> Jim FInn, Encounters with Your inner Trotsky Child, perhaps >> >> Some films included in these programs might be of interest: >> >> https://www.lafilmforum.org/archive/summer-2018/1968-actions-and-reactions/ >> >> >> https://www.lafilmforum.org/archive/spring-2018/1968-visions-of-new-possibilities-part-1-black-panthers-and-black-power/ >> >> >> https://www.lafilmforum.org/archive/winter-2017/resistance-isn-t-futile-films-on-the-occasion-of-a-presidential-inauguration/ >> >> From: FrameWorks <[email protected]> on behalf of >> Cynthia Madansky <[email protected]> >> Reply-To: "Experimental Film Discussion List < >> [email protected]>" <[email protected]> >> Date: Monday, July 6, 2020 at 10:48 AM >> To: "Experimental Film Discussion List <[email protected]>" >> <[email protected]> >> Subject: Re: [Frameworks] Liberty: a curated show >> >> Hi Jodie, >> Maybe show them *Oh Say Can you See*, part of the PSA Project 1-15 >> http://www.madansky.com/film-video/the-psa-project-1-15/ >> Cynthia >> >> >> On 06 Jul 2020, at 13:40, Bernard Roddy <[email protected]> wrote: >> >> Jodie Mack: >> >> It's a nice course title, "Curating and Microcinema: Make your own >> culture." >> >> It raises many fine questions. For one, what is the role of "curating" in >> these microcinemas today? Does the term function in anything like the way >> it is intended to for budgeted, wall-hung exhibitions? >> >> The word "liberty" is also a striking choice for an exhibition theme. If >> you read the news like I have, you'll likely bring to mind a president in >> front of the Mount Rushmore or a debate concerning a Lincoln monument that >> has the famous president standing with a nude black slave before him. (An >> 1876 document was just unearthed by emancipation leader, Frederick >> Douglass, objecting to the sculpture's design: "The negro here, though >> rising, is still on his knees and nude. What I want to see before I die is >> a monument representing the negro, not couchant on his knees like a >> four-footed animal, but erect on his feet like a man." From the Wall Street >> Journal today) >> >> I very much like the whole project - or task! - now before your students. >> What should be screened? And what can be said about the very procedures >> that go into deciding? Should there be a call for new work? What if you >> can't get permission to screen something? >> >> Last year I responded to a call entitled What Remains that was held here >> in Chicago and organized by Joseph Ravens and ieke Trinks. It was a >> complicated concept, to use the term artists like to employ, a term for >> approaching new work. But isn't an exhibition, or the way in which it is >> conceived, also a creative work, and first off a concept? >> >> Bernie >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> Cynthia Madansky >> madansky.com >> >> +001 917 885 8638 >> >> >> >> >> >> _______________________________________________ FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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