Dara Greenwald & Bettina Escauriza - Love It or Leave It On Mon, Jul 6, 2020 at 2:37 PM Adam Hyman <[email protected]> wrote:
> Ken Jacobs, Star Spangled to Death > > Joyce Wieland, Rat Life and Diet in North America > > Jim FInn, Encounters with Your inner Trotsky Child, perhaps > > Some films included in these programs might be of interest: > https://www.lafilmforum.org/archive/summer-2018/1968-actions-and-reactions/ > > > https://www.lafilmforum.org/archive/spring-2018/1968-visions-of-new-possibilities-part-1-black-panthers-and-black-power/ > > > https://www.lafilmforum.org/archive/winter-2017/resistance-isn-t-futile-films-on-the-occasion-of-a-presidential-inauguration/ > > From: FrameWorks <[email protected]> on behalf of > Cynthia Madansky <[email protected]> > Reply-To: "Experimental Film Discussion List < > [email protected]>" <[email protected]> > Date: Monday, July 6, 2020 at 10:48 AM > To: "Experimental Film Discussion List <[email protected]>" < > [email protected]> > Subject: Re: [Frameworks] Liberty: a curated show > > Hi Jodie, > Maybe show them *Oh Say Can you See*, part of the PSA Project 1-15 > http://www.madansky.com/film-video/the-psa-project-1-15/ > Cynthia > > > On 06 Jul 2020, at 13:40, Bernard Roddy <[email protected]> wrote: > > Jodie Mack: > > It's a nice course title, "Curating and Microcinema: Make your own > culture." > > It raises many fine questions. For one, what is the role of "curating" in > these microcinemas today? Does the term function in anything like the way > it is intended to for budgeted, wall-hung exhibitions? > > The word "liberty" is also a striking choice for an exhibition theme. If > you read the news like I have, you'll likely bring to mind a president in > front of the Mount Rushmore or a debate concerning a Lincoln monument that > has the famous president standing with a nude black slave before him. (An > 1876 document was just unearthed by emancipation leader, Frederick > Douglass, objecting to the sculpture's design: "The negro here, though > rising, is still on his knees and nude. What I want to see before I die is > a monument representing the negro, not couchant on his knees like a > four-footed animal, but erect on his feet like a man." From the Wall Street > Journal today) > > I very much like the whole project - or task! - now before your students. > What should be screened? And what can be said about the very procedures > that go into deciding? Should there be a call for new work? What if you > can't get permission to screen something? > > Last year I responded to a call entitled What Remains that was held here > in Chicago and organized by Joseph Ravens and ieke Trinks. It was a > complicated concept, to use the term artists like to employ, a term for > approaching new work. But isn't an exhibition, or the way in which it is > conceived, also a creative work, and first off a concept? > > Bernie > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > Cynthia Madansky > madansky.com > > +001 917 885 8638 > > > > > > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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