Hi Albert, For your research on films made from photographs/still images, there is Chris Marker *La Jetée *(1962). You also mentioned the accumulation of digital images in your research.. I made a video out of stock photographs/images https://vimeo.com/419009527 If something else comes to my mind I'll send an email.
Best, Jessica On Tue, Jun 9, 2020 at 1:28 PM FCDEP <[email protected]> wrote: > Hello Albert, > > You might be interested by > *Fotomatar* by Dominique Noguez > *Post-digital Flipbook* by Pablo-Martin Cordoba > *Le Speelberg Indien* & *Pas à Lille* by Eric Deneuville > *H.E.H.* by Stéphane Deluermoz > *24 clichés que j'ai occupé* & *Mur blanc Eau noire* by Daphné Le Sergent > *Near and far, now and then* by Ken Kobland > *Angel Beach* by Scott Stark (and many other of his works) > *Rodez* by Stefano Miraglia > *Polaroid versus Roman photo* by Yves-Marie Mahé > > Hope this will help you > > All best, > > > Théo Deliyannis > > Administration & coordination générale > COLLECTIF JEUNE CINÉMA > c/o Commune Image > 8, rue Godillot > <https://maps.google.com/?q=8,+rue+Godillot+93400+Saint-Ouen+-+France&entry=gmail&source=g> > 93400 Saint-Ouen - France > <https://maps.google.com/?q=8,+rue+Godillot+93400+Saint-Ouen+-+France&entry=gmail&source=g> > +33 (0)7 69 61 53 57 <+33%207%2069%2061%2053%2057> > Website <http://www.cjcinema.org/> | Newsletter > <https://sibforms.com/serve/MUIEAFuBj5tTD0D9O6aR5cxL48ob524TXiJItzhDJ9UdbON4NRVA3aCdZmq9AZsl3C3X95laQ0MaO7cg6_RNEY_Cba9JVlOABsJYQ8rJ10OOEhBQ1WhU-tI5JEhPoFaNeUxeeyG81CwdmyAhO0hwlIpvd9dkhqzy5OlpdIoTHAT9obhduWhXHbSzrhcrlW1c3jcC6OY0sV-aM84Q> > Facebook <https://www.facebook.com/collectif.jeunecinema.7/> | Twitter > <https://twitter.com/cjcinema?lang=fr> | Vimeo > <https://vimeo.com/collectifjeunecinema> | Instagram > <https://www.instagram.com/collectif_jeune_cinema/> > > FESTIVAL DES CINÉMAS DIFFÉRENTS > ET EXPÉRIMENTAUX DE PARIS > 22e édition (octobre 2020) > Facebook <https://www.facebook.com/festivaldescinemasdifferentsdeparis/> > > > Le mar. 9 juin 2020 à 12:48, <[email protected]> a > écrit : > >> Send FrameWorks mailing list submissions to >> [email protected] >> >> To subscribe or unsubscribe via the World Wide Web, visit >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> or, via email, send a message with subject or body 'help' to >> [email protected] >> >> You can reach the person managing the list at >> [email protected] >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of FrameWorks digest..." >> Today's Topics: >> >> 1. Experimental films on photography (Albert Alcoz) >> 2. Re: Experimental films on photography (Ingo Petzke) >> 3. Online class in experimental techniques starts in July! >> (Nicole Baker) >> >> >> >> ---------- Forwarded message ---------- >> From: Albert Alcoz <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Tue, 9 Jun 2020 12:06:31 +0200 >> Subject: [Frameworks] Experimental films on photography >> Hello all, >> >> I was making a list of experimental film practices on photography and I >> was wondering if you could suggest more titles. >> >> At first I wanted to focus just on movies where photographs are deleted >> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis >> Frampton and the project *Found Monochromes* by David Batchelor (slides). >> Does anyone know other films where the main purpose is the destruction >> or the invisibility of photographs? >> >> On the other hand I have started a list of films made from photographs. >> There are dozens of films (some of them animations) where the object of >> analysis are still images, from filmed Polaroids to appropriation of >> advertising images from magazines or the accumulation of digital images >> found on the internet: >> >> *Transformation by Holding Time* by Paul de Nooijer >> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler >> *Production Stills* by Morgan Fisher >> *Frank Film* by Frank Mouris >> *Boy Meets Girl* by Eugènia Balcells >> *Wall *by Takashi Ito >> *Photodiary *by Takashi Ito >> *Clandestine Porn Film* by Augustin Gimel >> *DIES IRAE* by Jean Gabriel Périot >> *The World as Will and Representation* de Roy Arden >> >> Do others come to mind? >> >> Thank you, >> Albert Alcoz >> -- >> http://albertalcoz.com/ >> >> >> >> ---------- Forwarded message ---------- >> From: Ingo Petzke <[email protected]> >> To: "'Experimental Film Discussion List'" <[email protected] >> > >> Cc: >> Bcc: >> Date: Tue, 9 Jun 2020 12:22:46 +0200 >> Subject: Re: [Frameworks] Experimental films on photography >> >> *Spacy* by Takashi Ito >> >> >> >> *** | Ingo Petzke | Alte Steige 17 | 97204 Höchberg | Germany | ph +49 >> 931 4049949 |mob +49 176 83733444 |*** >> >> >> >> *Von:* FrameWorks <[email protected]> *Im Auftrag >> von *Albert Alcoz >> *Gesendet:* Dienstag, 9. Juni 2020 12:07 >> *An:* Experimental Film Discussion List <[email protected]> >> *Betreff:* [Frameworks] Experimental films on photography >> >> >> >> Hello all, >> >> I was making a list of experimental film practices on photography and I >> was wondering if you could suggest more titles. >> >> At first I wanted to focus just on movies where photographs are deleted >> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis >> Frampton and the project *Found Monochromes* by David Batchelor (slides). >> Does anyone know other films where the main purpose is the destruction or >> the invisibility of photographs? >> >> >> >> On the other hand I have started a list of films made from photographs. >> There are dozens of films (some of them animations) where the object of >> analysis are still images, from filmed Polaroids to appropriation of >> advertising images from magazines or the accumulation of digital images >> found on the internet: >> >> >> >> *Transformation by Holding Time* by Paul de Nooijer >> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler >> *Production Stills* by Morgan Fisher >> >> *Frank Film* by Frank Mouris >> >> *Boy Meets Girl* by Eugènia Balcells >> >> *Wall *by Takashi Ito >> >> *Photodiary *by Takashi Ito >> >> *Clandestine Porn Film* by Augustin Gimel >> >> *DIES IRAE* by Jean Gabriel Périot >> *The World as Will and Representation* de Roy Arden >> >> >> Do others come to mind? >> >> Thank you, >> >> Albert Alcoz >> -- >> http://albertalcoz.com/ >> >> >> >> ---------- Forwarded message ---------- >> From: Nicole Baker <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Tue, 9 Jun 2020 16:47:57 +0600 >> Subject: [Frameworks] Online class in experimental techniques starts in >> July! >> Hello everyone! >> This summer I am teaching an online course in Digital Media Glitching and >> Databending. The course covers multiple techniques to "glitch" video, >> audio, and image files, and has equally exceptional results on digital >> files of film transfers. The course will also cover some of the theory >> behind glitch work, much of which intersects with the concepts behind >> handmade film and associated "flawed" film techniques. >> It is a really interesting point of crossover between digital/video and >> film. So even if you're not really a "video person" this course could be >> appealing. >> I attached the flyer for the class, and am happy to give you additional >> information about the course if you are interested. (Please contact me >> *off-list*.) >> You can register here: https://cereg.pnca.edu/p/adult/s/2007 >> >> Thanks for reading! >> Nicole Elaine Baker Peterson >> Founder & Head Programmer, Media Monsters >> *twitch.tv/media_monsters <http://twitch.tv/media_monsters> | >> **magiklantern.com >> <http://www.magiklantern.com/>* >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- jessarseneau.github.io +49 17627787032 <+49%20176%2027787032>
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