Hello Albert, You might be interested by *Fotomatar* by Dominique Noguez *Post-digital Flipbook* by Pablo-Martin Cordoba *Le Speelberg Indien* & *Pas à Lille* by Eric Deneuville *H.E.H.* by Stéphane Deluermoz *24 clichés que j'ai occupé* & *Mur blanc Eau noire* by Daphné Le Sergent *Near and far, now and then* by Ken Kobland *Angel Beach* by Scott Stark (and many other of his works) *Rodez* by Stefano Miraglia *Polaroid versus Roman photo* by Yves-Marie Mahé
Hope this will help you All best, Théo Deliyannis Administration & coordination générale COLLECTIF JEUNE CINÉMA c/o Commune Image 8, rue Godillot <https://maps.google.com/?q=8,+rue+Godillot+93400+Saint-Ouen+-+France&entry=gmail&source=g> 93400 Saint-Ouen - France <https://maps.google.com/?q=8,+rue+Godillot+93400+Saint-Ouen+-+France&entry=gmail&source=g> +33 (0)7 69 61 53 57 <+33%207%2069%2061%2053%2057> Website <http://www.cjcinema.org/> | Newsletter <https://sibforms.com/serve/MUIEAFuBj5tTD0D9O6aR5cxL48ob524TXiJItzhDJ9UdbON4NRVA3aCdZmq9AZsl3C3X95laQ0MaO7cg6_RNEY_Cba9JVlOABsJYQ8rJ10OOEhBQ1WhU-tI5JEhPoFaNeUxeeyG81CwdmyAhO0hwlIpvd9dkhqzy5OlpdIoTHAT9obhduWhXHbSzrhcrlW1c3jcC6OY0sV-aM84Q> Facebook <https://www.facebook.com/collectif.jeunecinema.7/> | Twitter <https://twitter.com/cjcinema?lang=fr> | Vimeo <https://vimeo.com/collectifjeunecinema> | Instagram <https://www.instagram.com/collectif_jeune_cinema/> FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPÉRIMENTAUX DE PARIS 22e édition (octobre 2020) Facebook <https://www.facebook.com/festivaldescinemasdifferentsdeparis/> Le mar. 9 juin 2020 à 12:48, <[email protected]> a écrit : > Send FrameWorks mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > Today's Topics: > > 1. Experimental films on photography (Albert Alcoz) > 2. Re: Experimental films on photography (Ingo Petzke) > 3. Online class in experimental techniques starts in July! > (Nicole Baker) > > > > ---------- Forwarded message ---------- > From: Albert Alcoz <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Tue, 9 Jun 2020 12:06:31 +0200 > Subject: [Frameworks] Experimental films on photography > Hello all, > > I was making a list of experimental film practices on photography and I > was wondering if you could suggest more titles. > > At first I wanted to focus just on movies where photographs are deleted > (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis > Frampton and the project *Found Monochromes* by David Batchelor (slides). > Does anyone know other films where the main purpose is the destruction or > the invisibility of photographs? > > On the other hand I have started a list of films made from photographs. > There are dozens of films (some of them animations) where the object of > analysis are still images, from filmed Polaroids to appropriation of > advertising images from magazines or the accumulation of digital images > found on the internet: > > *Transformation by Holding Time* by Paul de Nooijer > *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler > *Production Stills* by Morgan Fisher > *Frank Film* by Frank Mouris > *Boy Meets Girl* by Eugènia Balcells > *Wall *by Takashi Ito > *Photodiary *by Takashi Ito > *Clandestine Porn Film* by Augustin Gimel > *DIES IRAE* by Jean Gabriel Périot > *The World as Will and Representation* de Roy Arden > > Do others come to mind? > > Thank you, > Albert Alcoz > -- > http://albertalcoz.com/ > > > > ---------- Forwarded message ---------- > From: Ingo Petzke <[email protected]> > To: "'Experimental Film Discussion List'" <[email protected]> > Cc: > Bcc: > Date: Tue, 9 Jun 2020 12:22:46 +0200 > Subject: Re: [Frameworks] Experimental films on photography > > *Spacy* by Takashi Ito > > > > *** | Ingo Petzke | Alte Steige 17 | 97204 Höchberg | Germany | ph +49 931 > 4049949 |mob +49 176 83733444 |*** > > > > *Von:* FrameWorks <[email protected]> *Im Auftrag > von *Albert Alcoz > *Gesendet:* Dienstag, 9. Juni 2020 12:07 > *An:* Experimental Film Discussion List <[email protected]> > *Betreff:* [Frameworks] Experimental films on photography > > > > Hello all, > > I was making a list of experimental film practices on photography and I > was wondering if you could suggest more titles. > > At first I wanted to focus just on movies where photographs are deleted > (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis > Frampton and the project *Found Monochromes* by David Batchelor (slides). > Does anyone know other films where the main purpose is the destruction or > the invisibility of photographs? > > > > On the other hand I have started a list of films made from photographs. > There are dozens of films (some of them animations) where the object of > analysis are still images, from filmed Polaroids to appropriation of > advertising images from magazines or the accumulation of digital images > found on the internet: > > > > *Transformation by Holding Time* by Paul de Nooijer > *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler > *Production Stills* by Morgan Fisher > > *Frank Film* by Frank Mouris > > *Boy Meets Girl* by Eugènia Balcells > > *Wall *by Takashi Ito > > *Photodiary *by Takashi Ito > > *Clandestine Porn Film* by Augustin Gimel > > *DIES IRAE* by Jean Gabriel Périot > *The World as Will and Representation* de Roy Arden > > > Do others come to mind? > > Thank you, > > Albert Alcoz > -- > http://albertalcoz.com/ > > > > ---------- Forwarded message ---------- > From: Nicole Baker <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Tue, 9 Jun 2020 16:47:57 +0600 > Subject: [Frameworks] Online class in experimental techniques starts in > July! > Hello everyone! > This summer I am teaching an online course in Digital Media Glitching and > Databending. The course covers multiple techniques to "glitch" video, > audio, and image files, and has equally exceptional results on digital > files of film transfers. The course will also cover some of the theory > behind glitch work, much of which intersects with the concepts behind > handmade film and associated "flawed" film techniques. > It is a really interesting point of crossover between digital/video and > film. So even if you're not really a "video person" this course could be > appealing. > I attached the flyer for the class, and am happy to give you additional > information about the course if you are interested. (Please contact me > *off-list*.) > You can register here: https://cereg.pnca.edu/p/adult/s/2007 > > Thanks for reading! > Nicole Elaine Baker Peterson > Founder & Head Programmer, Media Monsters > *twitch.tv/media_monsters <http://twitch.tv/media_monsters> | > **magiklantern.com > <http://www.magiklantern.com/>* > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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