Hello Kim, This isn't a direct connection, but I have often used a quote from Richard Lanham to talk about the impact of my handmade botanicollage films. Here it is contextualized in one of my handouts.
Shifting the expectations about scale in a work is an important artistic strategy, and central to most if not all handmade films. As cultural critic Richard Lanham observes in *The Electronic Word: Democracy, Technology and the Arts*, To change scale is, as with repetition, to transform reality utterly, without changing it at all. To make art of scaling changes means making us self-conscious about perceptual distance and the conventions, neural and social, that cluster around it. That distance itself can so change an object—give it, to use Duchamp’s phrase, a “new look”—locks us into a conception of art as essentially interactive (42). Through my films, I hope to “transform reality utterly” by placing plants in an unfamiliar context and by doing so to remind viewers (in an “essentially interactive” way) that what we do with plants, how we see them, how we treat them, matters. Best wishes, CC __________ Caryn Cline Experimental Filmmaker & Teacher "a proud member of the reality-based community" www.vimeo.com/carynyc film still from "butterfly disaster" 2019 On Thu, Aug 15, 2019 at 6:35 AM Gregory Zinman <[email protected]> wrote: > Hi Kim, > > This might not be exactly what you’re looking for, but I have a chapter in > my forthcoming book, *Making Images Move: Handmade Cinema and the Other > Arts* (University of California Press, January 2020) that discusses the > ways cameraless films perform a kind of self-portraiture. > > Good luck with your research, and all best, > > Greg > > Gregory Zinman, Ph.D. > Assistant Professor > School of Literature, Media, and Communication > Georgia Institute of Technology > > [email protected] > handmadecinema.com > > On Aug 14, 2019, at 6:19 AM, Kim Knowles <[email protected]> > wrote: > > Dear Frameworkers, > > Does anyone have any published references to the relationship between > handmade film/cameraless film and the cinematic close-up? > > Thanks! > Kim > > Kim Knowles > > =========================================================== > KEEP IN TOUCH WITH EIFF > Become a web member for FREE and receive news and offers: > http://www.edfilmfest.org.uk/register > Follow EIFF at: https://twitter.com/edfilmfest or > http://www.facebook.com/edfilmfest > =========================================================== > t. +44(0)131 228 4051 > w. http://www.edfilmfest.org.uk > 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom > The Edinburgh International Film Festival Limited is a subsidiary of the > Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: > 502 548861. Registered Office: 88 Lothian Road, Edinburgh. > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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