Hi Kim, This might not be exactly what you’re looking for, but I have a chapter in my forthcoming book, Making Images Move: Handmade Cinema and the Other Arts (University of California Press, January 2020) that discusses the ways cameraless films perform a kind of self-portraiture.
Good luck with your research, and all best, Greg Gregory Zinman, Ph.D. Assistant Professor School of Literature, Media, and Communication Georgia Institute of Technology [email protected] handmadecinema.com > On Aug 14, 2019, at 6:19 AM, Kim Knowles <[email protected]> > wrote: > > Dear Frameworkers, > > Does anyone have any published references to the relationship between > handmade film/cameraless film and the cinematic close-up? > > Thanks! > Kim > Kim Knowles > > > =========================================================== > KEEP IN TOUCH WITH EIFF > Become a web member for FREE and receive news and offers: > http://www.edfilmfest.org.uk/register <http://www.edfilmfest.org.uk/register> > Follow EIFF at: https://twitter.com/edfilmfest > <https://twitter.com/edfilmfest> or http://www.facebook.com/edfilmfest > <http://www.facebook.com/edfilmfest> > =========================================================== > t. +44(0)131 228 4051 > w. http://www.edfilmfest.org.uk <http://www.edfilmfest.org.uk/> > 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom > The Edinburgh International Film Festival Limited is a subsidiary of the > Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 > 548861. Registered Office: 88 Lothian Road, Edinburgh. > > _______________________________________________ > FrameWorks mailing list > [email protected] <mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks>
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