Do you pay filmmakers when you screen their work?
And what is a PEG Channel, please?

Best regards,

Adam

From:  FrameWorks <[email protected]> on behalf of Will
Erokan <[email protected]>
Reply-To:  "Experimental Film Discussion List
<[email protected]>" <[email protected]>
Date:  Tuesday, April 30, 2019 at 11:24 PM
To:  "Experimental Film Discussion List <[email protected]>"
<[email protected]>
Subject:  Re: [Frameworks] Film Festival Blues

I run an experimental cable access show called Here Comes Everybody. We
screen in a number of cities* across the US, and we don't have submission
fees.
Please, do not hesitate to submit work.. Due to time restrictions we'd have
a hard time screening anything longer than 28 minutes, ideally we're looking
for pieces 0-10 minutes in length.
You can find our episodes archived on youtube here..
https://www.youtube.com/playlist?list=PLyP_qMpFYsPugsG0t_wnH64OV3LmQYmlj
Send your links to [email protected]

Likewise, if you're connected to a PEG channel and you'd like to run our
show.. Please let me know and I can start delivering episodes immediately.

-will erokan

*We broadcast regularly in Los Angeles, Portland OR, Waukegan IL, North
Liberty IA, Ithaca NY, etc

On Tue, Apr 30, 2019 at 10:22 PM Adam Hyman <[email protected]> wrote:
> Yes, thank you.  That is what I was asking.
> We just had a great discussion about this at a panel of programmers/directors
> at Experiments in Cinema.
> In the US, there generally is not much government money on any level to
> support film festivals, let alone their prizes.  Thus, to compare a European
> festival to a US one is not so simple when it comes to funding, submission
> fees, awards, etc.
> 
> Mind you, I don¹t run a festival, but a weekly screening series, but back to
> Dominic¹s original question, it is dependent on finding facilities, people,
> audiences, and money to make a festival longer.  Most people I know who run
> festivals are burned out after their current durations, so making it longer
> isn¹t physically feasible.  Attendees also burn out.  Theaters want to get
> back to their regular programming.  Volunteers need to return to paying jobs.
> It seems like most US festivals have a tough time raising enough money to put
> on the festivals that they currently have.  Even with submission fees
> increasing with the number of submissions (and it¹s debatable whether those
> are proper anyway), that isn¹t enough for all the requirements of a festival.
> 
> Best regards,
> 
> Adam 
> 
> 
> 
> From:  FrameWorks <[email protected]> on behalf of Marcin
> Gizycki <[email protected]>
> Reply-To:  "Experimental Film Discussion List
> <[email protected]>" <[email protected]>
> Date:  Tuesday, April 30, 2019 at 8:54 PM
> To:  "Experimental Film Discussion List <[email protected]>"
> <[email protected]>
> Subject:  Re: [Frameworks] Film Festival Blues
> 
> Adam,
> Are you asking where the money for our awards comes from? Mostly from the city
> of Poznan. Also from the Polish Film Institute and other public institutions.
> Best,
> Marcin
>  
> 
> From: FrameWorks <[email protected]> On Behalf Of Adam
> Hyman
> Sent: Tuesday, April 30, 2019 11:38 PM
> To: Experimental Film Discussion List <[email protected]>
> <[email protected]>
> Subject: Re: [Frameworks] Film Festival Blues
>  
> 
> Paid for by whom?
> 
>  
> 
> Best,
> 
>  
> 
> Adam
> 
>  
> 
> From: FrameWorks <[email protected]> on behalf of Marcin
> Gizycki <[email protected]>
> Reply-To: "Experimental Film Discussion List <[email protected]>"
> <[email protected]>
> Date: Tuesday, April 30, 2019 at 5:43 PM
> To: "Experimental Film Discussion List <[email protected]>"
> <[email protected]>
> Subject: Re: [Frameworks] Film Festival Blues
> 
>  
> 
> Ok., Tim,
> I understand. One correction to my previous email. The Grand Prix at Animator
> equals $15,000.
> Best,
> Marcin
>  
> From: FrameWorks <[email protected]> On Behalf Of
> Dimitrije Martinovic
> Sent: Tuesday, April 30, 2019 8:39 PM
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Film Festival Blues
>  
> 
> I agree with you, DIY-start your own screenings,  I would love to collaborator
> with anyone interested in trying this one.
> 
>  
> 
> On Tue, Apr 30, 2019 at 8:06 PM Tim Halloran <[email protected]> wrote:
>> 
>> Marcin, why did you assume I was being sarcastic? I was quite serious. Just
>> saying we should stop crying about it and reimagine the whole festival
>> paradigm. DIY. 
>> 
>>  
>> 
>> Tim
>> 
>> Sent from my iPhone
>> 
>> 
>> On Apr 30, 2019, at 4:37 PM, Marcin Gizycki <[email protected]> wrote:
>>> 
>>> Tim, sarcasm is not necessary here. I started such a festival long time ago:
>>> Animator in Poznan, Poland. We do not charge any fee and the Grad Prix
>>> equals $1500 thousand dollars.
>>> Yours,
>>> Marcin 
>>>  
>>> 
>>> From: FrameWorks <[email protected]> On Behalf Of Chris
>>> Lange
>>> Sent: Tuesday, April 30, 2019 7:27 PM
>>> To: Experimental Film Discussion List <[email protected]>
>>> Subject: Re: [Frameworks] Film Festival Blues
>>>  
>>> Maybe they should provide more money to the festival film viewers / jury to
>>> do a fully honest and cognizant job of selecting.  That¹s important work,
>>> which for some festivals sometimes seems like a bit of a bs configuration.
>>> Though, it is the festival viewer / critic that spends the sometimes
>>> difficult and time-consuming work of assessing all of these films.
>>> 
>>>  
>>> 
>>> If they¹re making more money and not expanding their festivals, why not pay
>>> some of the artists?
>>> 
>>>  
>>> 
>>> It also seems like this is a case-by-case.
>>> 
>>>  
>>> 
>>>  
>>> 
>>>  
>>> 
>>>  
>>> 
>>>  
>>>> 
>>>> On Apr 30, 2019, at 5:29 PM, Tim Halloran <[email protected]> wrote:
>>>>  
>>>> 
>>>> Start your own filmmaker-friendly festivals.
>>>> 
>>>>  
>>>> 
>>>> Tim
>>>> 
>>>> Sent from my iPad
>>>> 
>>>> 
>>>> On Apr 30, 2019, at 3:20 PM, Marcin Gizycki <[email protected]
>>>> <mailto:[email protected]> > wrote:
>>>>> 
>>>>> I am bothered more by the fact that festivals charge a lot of money not
>>>>> giving much in exchange. Most of them simply exploits filmmakers.
>>>>> 
>>>>> Marcin
>>>>> 
>>>>>  
>>>>> 
>>>>> From: FrameWorks <[email protected]
>>>>> <mailto:[email protected]> > On Behalf Of
>>>>> [email protected] <mailto:[email protected]>
>>>>> Sent: Tuesday, April 30, 2019 5:52 PM
>>>>> To: Experimental Film Discussion List <[email protected]
>>>>> <mailto:[email protected]> >
>>>>> Subject: Re: [Frameworks] Film Festival Blues
>>>>> 
>>>>>  
>>>>> festival scams.
>>>>> 
>>>>> Owen
>>>>> 
>>>>>  
>>>>> 
>>>>>  
>>>>> 
>>>>> 
>>>>> On Apr 30, 2019, at 5:31 PM, Mark Street <[email protected]
>>>>> <mailto:[email protected]> > wrote:
>>>>>> 
>>>>>> There's not good way to hear "we didn't take your film".  But the
>>>>>> breathless intro  "We got 5 million entries!......." has always irritated
>>>>>> me.
>>>>>> 
>>>>>>  
>>>>>> 
>>>>>> Mark Street
>>>>>> 
>>>>>> www.markstreetfilms.com <http://www.markstreetfilms.com/>
>>>>>> 
>>>>>>  
>>>>>> 
>>>>>> On Tue, Apr 30, 2019 at 5:11 PM Dominic Angerame
>>>>>> <[email protected] <mailto:[email protected]> > wrote:
>>>>>>> 
>>>>>>> Every film festival is telling me that they have received record number
>>>>>>> of entries from hundreds to thousands. If entries are increasing should
>>>>>>> not the scope and duration of the festivals increase to accommodate the
>>>>>>> record numbers. Increased entries also mean increased income to the
>>>>>>> festivals. 
>>>>>>> 
>>>>>>>  
>>>>>>> 
>>>>>>> A question to the community
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