Michael Almereyda's Hamlet turns the title character into an experimental film/video artist. Worth a look.
On Thu, Feb 15, 2018 at 7:00 AM, <[email protected]> wrote: > Send FrameWorks mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > Today's Topics: > > 1. Fiction feature length films about Avant-Garde cinema > (Albert Alcoz) > 2. EDGE OF FRAME WEEKEND 2018 (Edwin Rostron) > 3. Re: Fiction feature length films about Avant-Garde cinema > (Pablo Marin) > 4. Re: Fiction feature length films about Avant-Garde cinema > (Pablo Marin) > 5. Re: Fiction feature length films about Avant-Garde cinema > (Scott Dorsey) > 6. Re: Fiction feature length films about Avant-Garde cinema > (Francisco Torres) > 7. Re: Fiction feature length films about Avant-Garde cinema > (Esperanza Collado) > 8. Re: Fiction feature length films about Avant-Garde cinema > (David Kidman) > 9. Re: Fiction feature length films about Avant-Garde cinema > (Christopher Ball) > 10. Re: Fiction feature length films about Avant-Garde cinema > (Pip Chodorov) > 11. Re: Fiction feature length films about Avant-Garde cinema > (Elena Duque) > 12. Re: Fiction feature length films about Avant-Garde cinema > (David Kidman) > 13. Re: Fiction feature length films about Avant-Garde cinema > (Cari Machet) > 14. Sources for digital "prints" of avant garde classics (Elena Duque) > 15. Re: Sources for digital "prints" of avant garde classics > (Pip Chodorov) > 16. Re: Sources for digital "prints" of avant garde classics > (Elena Duque) > > > ---------- Forwarded message ---------- > From: Albert Alcoz <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 13:01:55 +0100 > Subject: [Frameworks] Fiction feature length films about Avant-Garde cinema > Hello, > > Do you recall any fiction feature length film that is a sort of tribute to > Avant-Garde or experimental film? > > The other day, watching the film *Arrebato* (1980) by Iván Zulueta for > ten times I was wondering about feature lengths films (on 35 mm or digital > video) where one of the main topic is the practice of Avant-Garde film. We > could say this Spanish film is a homage to experimental super 8 film. The > main character does horror films and the other is learning how to use the > "pause" and the interval timer with his Canon 1014. > > http://www.imdb.com/title/tt0078797/ > > I don't know if there are some other fiction films that could be > understood under this idea. > > Maybe *Dreams that Money Can't Buy *(1947)? > > Do you have some other titles in mind? > > Thank you! > > Albert > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > > > ---------- Forwarded message ---------- > From: Edwin Rostron <[email protected]> > To: [email protected] > Cc: > Bcc: > Date: Wed, 14 Feb 2018 12:33:21 +0000 > Subject: [Frameworks] EDGE OF FRAME WEEKEND 2018 > *EDGE OF FRAME WEEKEND 2018 * > > *2-4 MARCH 2018, LONDON UK* > > *BFI SOUTHBANK, BARBICAN + CLOSE-UP* > > > Edge of Frame presents a weekend of experimental and independent > animation, screening over 60 works, with many of the artists in attendance. > > > The Edge of Frame Weekend 2018 is a unique three-day celebration of > experimental animation, featuring innovative, visionary and risk-taking > work in a packed programme of screenings and discussion, with premieres of > brand new films showing alongside classics of animated art. > > > Following the success of the first Edge of Frame Weekend in 2016, the 2018 > edition features six new screening programmes, at BFI Southbank, Barbican > and Close-Up, including a retrospective of guest artist Peter Burr, > guest-curated programmes from Herb Shellenberger and Alexander Stewart, > plus an afternoon of talks illuminating the processes, histories and > context of experimental animation. Leading contemporary animators will > present new and recent works, including Peter Millard, Natalia Stuyk, > Jonathan Hodgson, Steve Reinke, Julian Gallese and Vicky Smith. Guest > Curators Herb Shellenberger and Alexander Stewart have programmed > screenings especially for the Weekend, exploring ‘The Animated Body’ and > the highly original and influential experimental animation output of > California Institute of the Arts. The Weekend begins with an afternoon of > talks from a selection of leading artists, critics, academics and curators. > > > “*Delving into the many offerings of Edge of Frame demonstrates the > rewards of taking a chance, of welcoming strange ideas and experiencing new > things.*” - Little White Lies > > > The Edge of Frame Weekend 2018 is curated by Edwin Rostron, and is > supported by Jerwood Charitable Foundation, Royal College of Art, and using > public funding by the National Lottery through Arts Council England. > > > Full programme information can be found here: > www.edgeofframe.co.uk/edge-of-frame-weekend-2018 > > > > > ---------- Forwarded message ---------- > From: Pablo Marin <[email protected]> > To: Experimental Film Discussion List <[email protected]>, > Albert Alcoz <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 15:07:53 +0000 (UTC) > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > Hi Albert, > > > Mmm... David Holzman's Diary? > > Maybe some Godard would fit as well... > > Best! > Pablo. > > Sent from Yahoo Mail on Android > <https://overview.mail.yahoo.com/mobile/?.src=Android> > > On Wed, 14 Feb 2018 at 9:02, Albert Alcoz > <[email protected]> wrote: > Hello, > > Do you recall any fiction feature length film that is a sort of tribute to > Avant-Garde or experimental film? > > The other day, watching the film *Arrebato* (1980) by Iván Zulueta for > ten times I was wondering about feature lengths films (on 35 mm or digital > video) where one of the main topic is the practice of Avant-Garde film. We > could say this Spanish film is a homage to experimental super 8 film. The > main character does horror films and the other is learning how to use the > "pause" and the interval timer with his Canon 1014. > > http://www.imdb.com/title/tt0078797/ > > I don't know if there are some other fiction films that could be > understood under this idea. > > Maybe *Dreams that Money Can't Buy *(1947)? > > Do you have some other titles in mind? > > Thank you! > > Albert > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ---------- Forwarded message ---------- > From: Pablo Marin <[email protected]> > To: Experimental Film Discussion List <[email protected]>, > Albert Alcoz <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 15:07:53 +0000 (UTC) > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > Hi Albert, > > > Mmm... David Holzman's Diary? > > Maybe some Godard would fit as well... > > Best! > Pablo. > > Sent from Yahoo Mail on Android > <https://overview.mail.yahoo.com/mobile/?.src=Android> > > On Wed, 14 Feb 2018 at 9:02, Albert Alcoz > <[email protected]> wrote: > Hello, > > Do you recall any fiction feature length film that is a sort of tribute to > Avant-Garde or experimental film? > > The other day, watching the film *Arrebato* (1980) by Iván Zulueta for > ten times I was wondering about feature lengths films (on 35 mm or digital > video) where one of the main topic is the practice of Avant-Garde film. We > could say this Spanish film is a homage to experimental super 8 film. The > main character does horror films and the other is learning how to use the > "pause" and the interval timer with his Canon 1014. > > http://www.imdb.com/title/tt0078797/ > > I don't know if there are some other fiction films that could be > understood under this idea. > > Maybe *Dreams that Money Can't Buy *(1947)? > > Do you have some other titles in mind? > > Thank you! > > Albert > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ---------- Forwarded message ---------- > From: Scott Dorsey <[email protected]> > To: [email protected], [email protected] > Cc: > Bcc: > Date: Wed, 14 Feb 2018 10:22:32 -0500 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > SORT OF MAYBE: A Zed And Two Noughts. > --scott > > > > ---------- Forwarded message ---------- > From: Francisco Torres <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 12:36:47 -0400 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > After the Fox 1966 > > https://www.youtube.com/watch?v=sqZKUx91MFI > > > <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> > Virus-free. > www.avast.com > <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> > <#m_-4900773302067182882_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> > > 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: > >> SORT OF MAYBE: A Zed And Two Noughts. >> --scott >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > ---------- Forwarded message ---------- > From: Esperanza Collado <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 20:09:32 +0100 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be > understood as such but for sure it plays with those ideas perhaps in an > inverted way. > > 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: > >> After the Fox 1966 >> >> https://www.youtube.com/watch?v=sqZKUx91MFI >> >> >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >> Virus-free. >> www.avast.com >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >> <#m_-517154522408719428_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >> >> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >> >>> SORT OF MAYBE: A Zed And Two Noughts. >>> --scott >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Esperanza Collado > > > > www.esperanzacollado.net > > > ---------- Forwarded message ---------- > From: David Kidman <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 22:36:05 +0100 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > Isn’t Mulholland Drive a remake of Meshes of the Afternoon? > D > > On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> > wrote: > > Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be > understood as such but for sure it plays with those ideas perhaps in an > inverted way. > > 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: > >> After the Fox 1966 >> >> https://www.youtube.com/watch?v=sqZKUx91MFI >> >> >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >> Virus-free. >> www.avast.com >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >> <#m_5894967899793976723_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >> >> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >> >>> SORT OF MAYBE: A Zed And Two Noughts. >>> --scott >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Esperanza Collado > > > > www.esperanzacollado.net > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ---------- Forwarded message ---------- > From: Christopher Ball <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 20:20:45 -0500 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > I always thought that the first few minutes of Lost Highway was a tribute > to Meshes of the Afternoon > > On Wed, Feb 14, 2018 at 4:36 PM, David Kidman <[email protected]> > wrote: > >> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> >> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >> wrote: >> >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_-1142427959457747747_m_-1565755734410787956_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > ---------- Forwarded message ---------- > From: Pip Chodorov <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 22:40:50 +0100 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > No that was Lost Highway > P > > > At 22:36 +0100 14/02/18, David Kidman wrote: > >> Isn¹t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> > > > > > ---------- Forwarded message ---------- > From: Elena Duque <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Wed, 14 Feb 2018 22:50:58 +0100 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > Man with a Movie Camera, by Dziga Vertov? > > El 14 feb. 2018 22:36, "David Kidman" <[email protected]> escribió: > >> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> >> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >> wrote: >> >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_5827360382058120236_m_-8519533045866090684_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > ---------- Forwarded message ---------- > From: David Kidman <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Thu, 15 Feb 2018 05:20:26 +0100 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > I hesitated to put them both forward, but definitely both. > There is also 12 monkeys as a fully paid-up La Jetée remake. > > D > > > On 15 Feb 2018, at 02:20, Christopher Ball <[email protected]> wrote: > > I always thought that the first few minutes of Lost Highway was a tribute > to Meshes of the Afternoon > > On Wed, Feb 14, 2018 at 4:36 PM, David Kidman <[email protected]> > wrote: > >> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> >> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >> wrote: >> >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_-8261593820970771445_m_-1565755734410787956_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ---------- Forwarded message ---------- > From: Cari Machet <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Thu, 15 Feb 2018 03:08:30 +0300 > Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde > cinema > american beauty > > On Thu, Feb 15, 2018 at 12:36 AM, David Kidman <[email protected]> > wrote: > >> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> >> >> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >> wrote: >> >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_5014463858626612486_m_-8272286775255177780_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > > <https://about.me/carimachet?promo=email_sig&utm_source=product&utm_medium=email_sig&utm_campaign=gmail_api&utm_content=thumb> > cari machet > about.me/carimachet > <https://about.me/carimachet?promo=email_sig&utm_source=product&utm_medium=email_sig&utm_campaign=gmail_api&utm_content=thumb> > > > ---------- Forwarded message ---------- > From: Elena Duque <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Thu, 15 Feb 2018 12:28:25 +0100 > Subject: [Frameworks] Sources for digital "prints" of avant garde classics > Dear Frameworkers > > I am trying to put together a couple of programs as a sort of introduction > to experimental cinema for the audience of a small festival in a small > town. They don't have the possibility to project in 16mm or 35mm (not this > year at least), so I need to find digital files available to rent and > screen. I have been browsing through the catalogues of all the cooperatives > and distributors I could think of, but I am still missing some things I > consider important. For instance, Stan Brakhage and Marie Menken. Do you > know of any source, cooperative, distributor or individual, where I can > find digital "prints" to rent? > > Thank you very much in advance! > > -- > Elena Duque Viña > Telf: (+34) 605431072 <+34%20605%2043%2010%2072> > http://cargocollective.com/elenaduque <[email protected]> > > > ---------- Forwarded message ---------- > From: Pip Chodorov <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Thu, 15 Feb 2018 12:39:42 +0100 > Subject: Re: [Frameworks] Sources for digital "prints" of avant garde > classics > Dear Elena, > > Many filmmakers don't want their films shown digitally. A good example is > Stan Brakhage. It really denatures the intended image. Other filmmakers are > more tolerant, such as Jonas Mekas. It is a big debate. > > At Re:Voir in Paris we have digital files for our VOD platform and > DVD/Blu-Ray publishing but these are meant only for home video, and though > we do get requests for screenings we always encourage programmers to screen > film prints from the coops. A 16mm projector is really quite affordable. > But if the programmers insist and if the filmmakers agree, we can rent > files. > > In any case it is important to write in your screening programs and to > tell the audience that you are showing electronic reproductions. Just as if > you go to a museum you expect to see original paintings, not photocopies, > so reproductions would be indicated on the title card. It is important to > educate your audience and show them films on film! > > Pip Chodorov > > > > > At 12:28 +0100 15/02/18, Elena Duque wrote: > >> I am trying to put together a couple of programs as a sort of >> introduction to experimental cinema for the audience of a small festival in >> a small town. They don't have the possibility to project in 16mm or 35mm >> (not this year at least), so I need to find digital files available to rent >> and screen. I have been browsing through the catalogues of all the >> cooperatives and distributors I could think of, but I am still missing some >> things I consider important. For instance, Stan Brakhage and Marie Menken. >> Do you know of any source, cooperative, distributor or individual, where I >> can find digital "prints" to rent? >> > > > > ---------- Forwarded message ---------- > From: Elena Duque <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Cc: > Bcc: > Date: Thu, 15 Feb 2018 12:53:03 +0100 > Subject: Re: [Frameworks] Sources for digital "prints" of avant garde > classics > Thanks, Pip > > I totally understand that, and I work for a festival that is very aware of > that ((S8) Mostra de Cinema Periférico in A Coruña). Ideally, I would > suggest them to project in 16mm, but this is a test screening in a small > Spanish town, happening in a month and a half thanks to a venue they just > got recently. So, there is no time and no money for this edition (besides > of getting a projector, it would be necessary to hire a projectionist and > pay for the shipping of the prints), but hopefully we will be able to that > properly next year. So, I'm trying to do my best with what's available, in > a place with no avant garde screenings tradition whatsoever. It is > important to be aware of the context, and as much as I think that the > analog screening is a totally different experience, I think this is better > than nothing. We go little by little, trying to create a new audience that > does not exist now! > > Given that, thank you very much for your suggestion! I will look through > your catalogue and maybe I will make you some enquiries, trying to be > respectful to all the filmmakers involved. > > Cheers! > > 2018-02-15 12:39 GMT+01:00 Pip Chodorov <[email protected]>: > >> Dear Elena, >> >> Many filmmakers don't want their films shown digitally. A good example is >> Stan Brakhage. It really denatures the intended image. Other filmmakers are >> more tolerant, such as Jonas Mekas. It is a big debate. >> >> At Re:Voir in Paris we have digital files for our VOD platform and >> DVD/Blu-Ray publishing but these are meant only for home video, and though >> we do get requests for screenings we always encourage programmers to screen >> film prints from the coops. A 16mm projector is really quite affordable. >> But if the programmers insist and if the filmmakers agree, we can rent >> files. >> >> In any case it is important to write in your screening programs and to >> tell the audience that you are showing electronic reproductions. Just as if >> you go to a museum you expect to see original paintings, not photocopies, >> so reproductions would be indicated on the title card. It is important to >> educate your audience and show them films on film! >> >> Pip Chodorov >> >> >> >> >> At 12:28 +0100 15/02/18, Elena Duque wrote: >> >>> I am trying to put together a couple of programs as a sort of >>> introduction to experimental cinema for the audience of a small festival in >>> a small town. They don't have the possibility to project in 16mm or 35mm >>> (not this year at least), so I need to find digital files available to rent >>> and screen. I have been browsing through the catalogues of all the >>> cooperatives and distributors I could think of, but I am still missing some >>> things I consider important. For instance, Stan Brakhage and Marie Menken. >>> Do you know of any source, cooperative, distributor or individual, where I >>> can find digital "prints" to rent? >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > Elena Duque Viña > Telf: (+34) 605431072 <+34%20605%2043%2010%2072> > http://cargocollective.com/elenaduque <[email protected]> > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -- James Hansen Visiting Assistant Professor Modern and Contemporary Art Department of Art Oberlin College
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