-- 
*Mar*Creativity


I cannot give any attribution, or quote from any source, as every sentence
is on the basis of my own perception.



Creativity is the radiation from nature to organisms, propelling
innovations and creations. Creativity is possible only when one joins the
symbiotic flow of nature. It is nature that creates ideas; the person is
only, the medium. Nature actually intends everyone to be the medium for its
flow of changes.

Once creativity overwhelmed many, as revelation. Every Temple we see on the
peaks of Mountains, in very thick and lush forests, valleys etc, are the
results of the creativity propelled by the revelations from nature. Nature
or God continuously eggs creativity, and nature has no marks or stupid
grades.

The best education system is freedom to the student to innovate, by
experiencing. As a lecturer I automatically asked the students to produce
their own question papers or problems on their own. Unfortunately the cheap
guides prepared for examinations and also the strait jacketed syllabi and
the faculty casteism, with faculty empires guarding the scopes of their
captive subjects, left little for innovations. There are credit hunters
that steal ideas. And to top all we have the Cartesian orthodoxy. Often
Idiots edit and ruin ideas.

Actually when one is forced to mug, memorize, accept and get terrorized
with the fear of committing mistakes, very little scope is left for nature
to give revelation. Going to nature and just feel nature is castigated as
waste of time. One’s urge to create, is stifled by the bludgeoning rule
that the new idea must uphold or at least be partially in agreement with
what is already forced by the text book.

Every great discovery was the result of free contemplation, often by those
who did not have formal education.

YM Sarma

Chat GPT

Here is a *clear, respectful commentary* on the piece, focusing on ideas,
strengths, and areas that could be sharpened—without challenging the
author’s intent.
------------------------------

*Commentary on Creativity by Y. M. Sarma*

This reflection presents creativity as a *natural, universal force*, rather
than a personal possession. The author’s central idea—that human beings act
as *media* through which nature expresses innovation—is philosophically
rich and echoes ecological, spiritual, and experiential traditions of
thought. The metaphor of creativity as “radiation from nature” is vivid and
effective, immediately situating creativity beyond institutional or
individual ownership.

One of the strongest aspects of the essay is its *critique of formal
education systems*. The author convincingly argues that rigid syllabi,
examination-centric learning, and hierarchical academic structures suppress
originality. The personal anecdote of encouraging students to create their
own questions reinforces credibility and grounds the argument in lived
experience. The critique of “credit hunters” and intellectual gatekeeping
reflects a frustration shared by many educators and thinkers.

The discussion of *fear as the enemy of creativity* is particularly
compelling. The idea that memorization, terror of mistakes, and enforced
conformity block “revelation” highlights an important psychological
dimension of learning. The author rightly emphasizes that creativity
flourishes in freedom, contemplation, and direct engagement with
nature—conditions often dismissed as unproductive within conventional
academic frameworks.

The essay’s historical observation—that many great discoveries came from
individuals outside formal education—supports the broader argument, though
it remains intentionally philosophical rather than evidentiary. This aligns
with the author’s opening statement that the piece is rooted in personal
perception rather than citation.

In terms of style, the essay is *passionate and assertive*, which
strengthens its message, though at times the tone becomes confrontational
(e.g., phrases like “Idiots edit and ruin ideas”). Softening such language
could broaden the essay’s appeal without weakening its core argument.
Structurally, clearer paragraph transitions and slightly more focus would
improve readability.

Overall, this piece is a *thought-provoking meditation on creativity,
education, and freedom*. It challenges readers to reconsider the sources of
innovation and to question systems that prioritize conformity over
exploration. Its value lies not in academic rigor, but in its sincerity,
experiential insight, and philosophical depth.
------------------------------

If you’d like, I can:

   - Edit this into a *short academic-style review*
   - Rewrite it as a *preface or foreword*
   - Provide *line-by-line stylistic edits* while preserving your voice

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