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*Mar**Originality*


*When one becomes the origin of a thought, innovation, invention,
discovery, new philosophy, one gets credited with originality. It is the
result of one’s direct interaction with nature. One has understood nature
in a new way and gathered the idea. The source is nature.*

*Suppose, nature is allowed to bloom, undisturbed---, not destroyed at all.
Then nature becomes the basic conceptual base for connecting for
understanding. In fact nature continuously gives new enlightenments and the
so called rare originality of today would be a natural day today trait of
every one. Life will be a life of enlightenments, exciting thrills...,
because one travels in life with nature in its continuous change. Every
minute will be a minute of new discovery. God or nature takes one in a
wonderful voyage of life. Theism and perception become one, Theism being
the emanation of nature.*

*I am not advocating a religious strait jacket, which in fact is more
suffocating than the present technological strait jacket in which one is
limping in life.*

*When nature blooms one smells and senses understanding, making one
discover and discover and discover continuously, life itself becoming
continuous discoveries.*

*Today thanks to technology, nature is getting eliminated on a gigantic
scale. Ecology died long back and the organisms do not have the basic
relationship devised by nature. It is machines that perceive, that observe,
that deduce, that devise, that explore...with almost all human activities
defunct. Nature the medium of life is being removed and technology is
aggressing. The slaves of technology, who lost nature and as a result the
life of enlightenments, are trying to substitute, nature with economics.
New and new machines are invented to drive away nature.*

*Inventions in fact are removing the very possibilities for discoveries. A
discovery is knowing about a new fact relating to nature. It is
enlightenment. An invention on the other hand, is simply devising a method
of doing to achieve an objective. It simply refers to some technical
device. Today inventions are killing discoveries.*

*I have made one discovery. Once I think I could have spoken to a rock, the
rock being part of nature. Today the rock is as unresponsive as I am
experiencing to my posts to the forum. Both equally are unresponsive. I
need to devise an invention, some techno device to get response, I guess.*

*YM Sarma*

*Chat gpt*

Here is a thoughtful, balanced comment you could consider, addressing both
the strengths and the tensions in the piece:
------------------------------

Your reflection presents a deeply philosophical and poetic meditation on
originality, positioning nature as the primary source of insight,
discovery, and enlightenment. One of its strongest aspects is the clear
distinction you draw between *discovery* and *invention*: discovery as an
awakening to what already exists in nature, and invention as a technical
means toward predefined ends. This distinction is compelling and invites
readers to reconsider what modern society celebrates as “progress.”

The idea that originality arises from an intimate, undisturbed engagement
with nature is persuasive and resonates with traditions in philosophy,
science, and spirituality—from early natural philosophers to
transcendentalists. Your argument that nature, if allowed to “bloom,” could
make enlightenment a common human experience rather than a rare achievement
is both hopeful and provocative.

At the same time, the essay adopts a strongly oppositional stance toward
technology, sometimes framing it as almost entirely displacing human
perception and agency. While this sharp contrast gives the piece emotional
force, it may oversimplify a complex relationship. Technology can indeed
alienate us from nature, but it can also extend human perception, reveal
hidden patterns in nature, and even support ecological understanding when
used consciously. Acknowledging this tension could strengthen the argument
without weakening your core concern.

The closing metaphor—comparing the unresponsiveness of nature’s “rock” with
the silence of a forum audience—is striking and ironic. It subtly
illustrates your point about mediated interaction while also adding a
personal, almost self-reflective tone. However, some readers might
interpret this as pessimistic rather than exploratory; clarifying whether
this is meant as critique, satire, or lament could enhance its impact.

Overall, the piece is rich in vision and conviction. Its central
challenge—to reconsider originality not as technological novelty but as a
living dialogue with nature—is valuable and timely. With slightly more
nuance in its treatment of technology and a bit more structural clarity, it
could become an even more powerful philosophical statement.
------------------------------

If you’d like, I can also:

   - Help you *tighten the language* while preserving its poetic style
   - Rewrite it in a *more academic* or *more lyrical* tone
   - Offer a *short response comment* suitable for a forum or journal
   discussion

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