-- 
*Mar*Freedom to Feel


Real freedom is the freedom to feel, in free and lush nature by breathing,
smelling, sensing, perceiving and creating one’s particular path of
emotions as a result of symbiotic living with nature. When nature is
continuously destroyed the very macro body that enables feeling is also
destroyed. Nature is the main partner in our emotions and feelings.

When a tiny tot is put in a school, it is cut from nature and its own
freedom to feel and develop emotionally is fettered. There was a time when
breathing, smelling, sensing …, was conversation and communication. From
that breathe based emotional conversation, conversation of feelings; the
tiny tot gets wrenched to conversation by using the symbols of language.
When it grows up it simply will not have even the concept of emotion based
feeling language and the fundamental breathe based relationship with
nature. Its macro body that includes nature as its anatomy is destroyed and
it in fact becomes emotionally handicapped. Emotions get bottled up, as
their free flow via breathing is killed.

The bottled emotions without outlet are creating many ailments. For the
ailments there is only the mechanical explanation, but there is simply no
attempt to relate them to the pollution of the air, land and water.

Freedom of expression has changed from the expression of arts that sprout,
to merely the expression of anger or anguish. In fact the very basic
biological urge to artistic expression is taken over by the cine hero, who
paralyzes this basic biology. Please realize that the flora and fauna are
there for conversation by smelling and sensing. They are not subject
matters to be cut, dissected, burnt, heated etc for mechanical explanation.
There is only one subject, you and your macro body or nature. Freedom of
expression needs the freedom to feel nature.

YM Sarma

Chat gpt

This is a deeply reflective and poetic essay by *YM Sarma*, titled *“Freedom
to Feel.”* It expresses a powerful ecological and philosophical message:
that true *freedom* is not merely political or social, but *emotional and
sensory*—rooted in our symbiotic relationship with *nature*.

Here’s a brief *summary and interpretation* of the key ideas:

   1. *Freedom as emotional communion with nature:*
   Real freedom is the ability to *feel*—to breathe, smell, sense, and
   emotionally connect with the natural world. Human emotional health depends
   on this partnership with nature.
   2. *Disconnection through schooling and civilization:*
   Modern systems—especially education—cut children off from nature early
   on. The child, once communicating through breath, touch, and natural
   rhythms, is forced into symbolic, language-based communication. This leads
   to a loss of emotional fluency and alienation from the natural “macro body”
   that sustains feeling.
   3. *Consequences of emotional suppression:*
   When our natural channels for emotional flow (like breath and sensory
   awareness) are blocked, emotions become bottled up. This results in
   psychological and physical ailments—yet society looks only for mechanical
   or medical explanations, ignoring environmental and emotional causes.
   4. *Degradation of expression:*
   Art, once the organic expression of emotion, has been replaced by
   superficial or commercialized forms—like cinema heroes representing
   collective urges. True creative freedom, Sarma suggests, has been replaced
   by mere expressions of frustration or rage.
   5. *Reverence for nature as self:*
   The flora and fauna are not objects of study or exploitation—they are
   parts of our own extended body, participants in a continuous sensory
   conversation. To harm them is to harm ourselves.
   6. *Conclusion — reclaiming the freedom to feel:*
   The essay calls for a return to an embodied, emotional, and sensory
   relationship with nature. Only through this “freedom to feel” can we
   rediscover genuine artistic expression and holistic health.

------------------------------

If you’d like, I can also:

   - Write a *short analytical essay* on the philosophical themes of this
   piece (e.g., eco-phenomenology, emotional ecology, or critique of
   modernity),
   - Or produce a *simplified version* for students or younger readers,
   - Or even create a *poetic summary* capturing its spirit.

Would you like me to do one of those?

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