NAGADEVATHAS-1

Puranic Nagas

Puranic Nagas are serpentine beings in Hinduism, believed tobe the sons of 
Kadru andsage  Kashyapa, who inhabitthe underworld (Patala). They are prominent 
figures in Hindu mythology, oftenserving as guardians or having significant 
roles in epics like the Mahabharata.

Prominent examples include Adi Shesha (Sheshanaga), upon whom Lord Vishnurests, 
and Vasuki, oneof the ropes used during thechurning of the ocean of milk.  

Origin and nature

Parentage: According to the Mahabharata, the Nagas were bornto Kadru, who was 
one of Kashyapa's wives. This makes them related to Garuda, whowas born to 
Kadru's co-wife, Vinata, leading to their enmity. 

Realm: They are said to live in the subterranean world of Patala, a realm rich 
intreasures and ruled by powerful Naga kings. 

Appearance: They are depicted as serpent-like beings, sometimes with multiple 
heads, and are often associated with water and the underworld. 

 

Prominent PuranicNagas

Adi Shesha (Shesha): The eldest of the thousand serpentsborn to Kadru. He has a 
thousand hoods and is the couch upon which Lord Vishnurests during his cosmic 
slumber. 

Vasuki: A powerful Naga king who played acrucial role in the churning of the 
ocean of milk (Samudra Manthan), acting asthe rope for the Mandar Mountain. 

Takshaka: Another king of the Nagas, he wasthe cause of the Takshaka's venomous 
bite that killed Parikshit and led to Janamejaya's serpentsacrifice, which was 
only stopped by the intervention of SaintAstika. 

Karkotaka: A transformative Naga known for hispowerful abilities. 

Padma: A wise Naga king who represents theconnection of Nagas to knowledge and 
righteousness. 

Shankhapala: A benevolent Naga who embodies theprotective and moral aspects of 
the Nagas. 

Significance inworship and culture

Ashta Nagas: These are eight principal Nagas that are widelyworshipped. Their 
names vary slightly depending on the source, but ofteninclude Ananta, Vasuki, 
Takshaka, Karkotaka, Padma, Mahapadma, Shankhapala, and Kulika. 

Naga Panchami:

 A festival celebratedon the fifth day of the bright fortnight of the lunar 
month of Sravana in honorof the serpents, stemming from the events of the 
Mahabharata. 

Guardians: 

Nagas are frequently depicted as guardians of hiddentreasures, water sources, 
and the underworld, and are sometimes revered asprotectors of village.

In various Asian religious traditions, the Nāgas are a divine, or semi-divine, 
race of half-human, half-serpent beings thatreside in the netherworld(Patala), 
and can occasionally take human or part-humanform, or are so depicted in art. 
Furthermore, nāgas are also known asdragons and water spirits. 

A female nāga is called a Nagini (Hindi: Nagin). According to legend, theyare 
the children of the sage Kashyapa and Kadru. 

Rituals devoted to these supernatural beings have beentaking place throughout 
South Asia for at least 2,000 years.

 They are principallydepicted in three forms: as entirely human with snakes on 
the heads and necks,as common serpents, or as half-human, half-snake beings in 
Hinduism andBuddhism.

Nagaraja

Nagaraja is the title given to the king of the nāgas.Narratives of these beings 
hold cultural significance in the mythologicaltraditions of many South Asian 
and Southeast Asian cultures, and withinHinduism and Buddhism. Communities such 
as the Nagavamshi, Khmer and Sri Lankan Tamils claimdescent from this race.

Etymology

In Sanskrit, a nāgá  isa snake, most often depicted by the Indian cobra. There 
are several words for"snake" in general, and one of the very commonly used ones 
is sarpá .Sometimes the word nāgá is also used generically to mean "snake". 

Hinduism

Nāgas, as a serpent-shaped group of deities that often takeform as cobras, are 
prominent in Hindu iconography, throughout Hindu texts(especially in the first 
book of the Mahabharata) and in local folk traditionsof worship.

 In some regions of theHimalaya, nāgas are regarded as the divine rulers of the 
region - as in KulluValley, in Berinag and in the valley of the Pindar River, 
which is believed tobe ruled by the ninefold Naiṇī Devī. Both in the Nilamata 
Puranaof Kashmir and in the Swayambhu Purana of Kathmandu, the respective 
regionbegins its history as a lake, populated by nāgas, which is later drained.

Ramayana and Maha Bharatha

Ancient Sanskrit texts such as the Mahabharata, the Ramayana,and the Puranas 
describe the nāgas as a powerful, splendid and proudsemi-divine species that 
can assume their physical form either as human (oftenwith a halo of cobra hoods 
behind their head), as a partially human serpent, oras a whole serpent.

Their domain is in the enchanted underworld, the undergroundrealm filled with 
gems, gold and other earthly treasures called Naga-loka orPatala-loka. They are 
also often associated with bodies of waters—includingrivers, lakes, seas, and 
wells—and are guardians of treasure.

Their power and venom make them potentially dangerous tohumans. However, in 
Hindu mythology, theyoften take the role of benevolent protagonists: in the 
Samudra Manthana,Vasuki, a nagaraja who abides on Shiva's neck, became the 
churning rope forchurning of theOcean of Milk. Theireternal archival is the 
Garuda, the legendary semi-divine bird-like deity.

 

Prominent deities and Serpents

Vishnu is originally portrayed in the formsheltered by Sheshanāga or reclining 
on Shesha, but the iconography has beenextended to other deities as well. 

Ganesha-The serpent is a common feature inGanesha iconography, and appears in 
many forms: around the neck, use as asacred thread wrapped around the stomach 
as a belt, held in a hand, coiled atthe ankles, or as a throne.

Shiva is often shown garlanded with asnake.

Sage Patanjali is thought to be a manifestation ofthe serpent of eternity".

Folk traditions

In South India, termite hills are believed to be the dwellingplace of female 
nagammas.

Literature

The Mahabharata epic is the first text that introduces nāgas;it describes them 
in detail and narrates their stories. The cosmic snakeShesha, the nagarajas 
(nāga kings) Vasuki, Takshaka, Airavata and Karkotaka,and the princess 
Ulupi,are all depicted in the Mahabharata.

 

The Brahma Purana describes the reign of Adishesha asthe king of the serpents 
in Patala:

During the night the light of the moon is not utilised forits coolness but only 
for illumination.

O brahmins, the forests, rivers, lakes, and lotus ponds, thecooing of the 
cuckoo and other sweet birds, the pleasing skies, the unguentsand the 
continuous notes and sounds of musical instruments such as the lute,flute and 
Mṛdaṅga drums, O brahmins—all these and other beautiful things are enjoyed by 
virtue of their good luckby Dānavas, Daityas and Nāgas residing in Pātāla. The 
Tāmasī form ofViṣṇu, named Śeṣa is beneath the lower regions.

Daityas and Dānavas are not capable of recounting hisgood qualities. He is 
honoured by Devas andcelestial sages. He is spoken of as Ananta. He has a 
thousand hoods and he isclearly bedecked in Svastika ornaments devoid of 
impurities. He illuminates allquarters by thousand jewels on his hoods.

— Brahma Purana, Chapter 19

The Kamba Ramayana describes the role of Vasuki in theSamudra Manthana:

The devas and the asuras decided to get Amrta (Ambrosia—thecelestial honey of 
immortality) by churning the sea of milk. The Devas went tobring 
Mandara-mountain, to be used as the churning rod. Their attempt wasfutile. The 
asuras made a trial with the same result. The Bhūtagaṇas (Guards)of Śiva also 
made a vain attempt. On the instruction of Viṣṇu, Garuḍa went and brought the 
mountain aseasily as an eagle takes away a frog. 

Now Vāsuki should be brought. The Devas and Gandharvas failedin that attempt 
also. Garuḍa who was haughty of his strength and speed, wentto the city of the 
nāgas (serpents) and requested Vāsuki to come to the sea ofMilk. Vāsuki replied 
that if the matter was so urgent he had no objection forbeing carried to that 
place. He took the middle part of Vāsuki in his beak and flew up higher 
andhigher and reached beyond the horizon. Still the lower half ofVāsuki was 
lying on the ground. So he took Vāsuki in his beak as folded in two.Still the 
result was the same. Garuḍa became aware of theimpossibility of carrying Vāsuki 
and returned, ashamed and disappointed.Viṣṇu rebuked him for his arrogance. 
After this, Śiva stretched his hand to Pātāla.Vāsuki became a smallbangle on 
that hand. Thus Vāsuki was brought to the shore of the sea ofMilk.

— Kambar, Ramayana, Yuddha Kanda

The Devi Bhagavata Purana describes the legend ofManasa:

Manasā is the mind-born daughter of Maharṣi Kaśyapa;hence she is namedManasā; 
or it maybe She who plays with the mind is Manasā. Or it maybe She whomeditates 
on God with her mind and gets rapture in Her meditation of God isnamed Manasā. 
She findspleasure in Her Own Self, the great devotee of Viṣṇu, a Siddha Yoginī.

For three Yugas She worshipped Śrī Kṛṣṇa and then She becamea Siddha Yoginī. 
Śrī Kṛṣṇa, the Lord of the Gopīs, seeing the body of Manasālean and thin due to 
austerities, or seeing her worn out like the Muni JaratKāru called her by the 
nameof Jarat Kāru. Hence Her name has come also to be Jarat Kāru. Kṛṣṇa,the 
Ocean of Mercy, gave her out of kindness, Her desired boon; She worshipped Him 
and Śrī Kṛṣṇaalso worshipped Her. 

Devī Manasā is known in the Heavens, in the abode of theNāgas (serpents), in 
earth, in Brahmāloka, in all the worlds as of very faircolour, beautiful and 
charming. She is named Jagad Gaurī as she is of a veryfair colour in the 
world.Her other name is Śaivī and she is the disciple of Śiva. She is named 
Vaiṣṇavīas she is greatly devoted to Viṣṇu. She saved the Nāgas in the 
SnakeSacrifice performed by Pariksit, she is named Nageśvarī and Nāga Bhaginī 
andShe is capable to destroy the effects of poison. She is called Viṣahari. 
Shegot the Siddha yoga from Mahādeva; hence She is named Siddha Yoginī

— Devi Bhagavata Purana, Chapter 47

Do you know about theNine Naag Devatas in Ancient Hinduism ? 

The names of the 9 Naag Devatas are:

1) Ananta2) Vasuki3) Shesha4) Padmanabh5) Kambal6) Shankhapal7)Dhrutrashtra8) 
Takshaka9) Kalia

My note- There is small change of names. Hence retold

Nagas are fierce deities, full of occult power and prone tobe offended, but on 
the other hand all the major Indic religions, HinduBuddhist and Jain have given 
them a prominent place of honour which endures tothis day. They were great 
benefactors to manavas or humans.

Srimad Bhagavad (5:24-31):

Some more interesting information I will cover as part 2
Gopalakrishnan 14-10-2025

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