Is there any difference between Kerala  puja in vishnu siva temples and
other temples of kerala?

No, Kerala's local puja traditions cannot alter the Vaikhanasa Agama's core
puja procedures. The Vaikhanasa Agama provides strict, scriptural
guidelines for temple worship, and these take precedence over regional
customs for temples that follow its lineage. While minor adaptations might
exist, the foundational rituals and principles must remain unaltered.

Here’s a breakdown of why these two traditions cannot be interchanged:

Vaikhanasa Agama: A Vedic and fixed tradition

Vedic foundation: Vaikhanasa is a Vaishnava Agama considered more Vedic and
orthodox than the Pancharatra Agama. It places a great emphasis on Vedic
mantras and rituals (Yajnas), which form the basis of its worship.

Prescribed authority: The Agama texts contain detailed, prescriptive
instructions for all aspects of temple worship, including:

The construction and consecration of the temple (Kriya Pada).

The creation and installation of the idols.

The daily and seasonal rituals (Charya Pada).

Emphasis on scripture: For temples following this tradition, the Agama is
the ultimate authority. No local custom or regional practice can override
these scriptural mandates, which govern everything from the placement of
idols to the specific mantras used.

Kerala puja traditions: A Tantric and dynamic tradition

Tantric orientation: The temple rituals in Kerala are heavily influenced by
the Kerala Tantric tradition, which is a distinct school of thought. This
tradition is more flexible and can incorporate local customs, unlike the
more rigid Vaikhanasa system.

Different sources of authority: The Kerala Tantric system, while rooted in
wider Hindu traditions, draws on different texts and ritual practices than
the Vaikhanasa Agama. For instance, the Pancharatra Agama, another major
Vaishnava Agama that is less ritualistically orthodox than Vaikhanasa, is
sometimes referred to as Tantra.

Regional adaptations: Kerala's unique customs evolved over centuries and
reflect local spiritual insights. While deeply respected, these practices
are not part of the scriptural canon of the Vaikhanasa tradition and cannot
be applied to it.

What happens in practice

In a temple that follows the Vaikhanasa tradition, the priests (archakas)
are trained specifically in the Vaikhanasa lineage and its sacred texts. If
a temple has been consecrated according to Vaikhanasa principles, its daily
and periodic pujas must adhere to that specific Agamic framework. Mixing
traditions would be seen as a violation of the scriptural mandate and the
consecration (pratishta) of the deity.

In essence, the two systems are based on different scriptural authorities
and ritual methodologies. For this reason, a temple consecrated under the
strict rules of the Vaikhanasa Agama cannot replace its core rituals with
those from Kerala's local puja tradition.

Tantra – Agama –  Vaikhanasa continued

Vaikhanasa Literature-

68.1. Vaikhanasa-kalpa-sutra ascribed to Sage Vaikhanasa and the various
texts collectively called Vaikhanasa Shastra composed by his four disciples
are together taken to be the cannon of the Vaikhanasa tradition. Scholars
date these texts as being around third or fourth century.

But, the next significant reference to Vaikhanasas appears in the
inscriptions dated around ninth century (during the time of Raja Raja
Chola). The developments, if any, within the Vaikhanasa tradition between
the period of the Vaikhanasa Shastra and the ninth century are rather hazy
and virtually unknown. It was only after this period that a number of
significant texts were produced detailing temple and domestic rituals.

The authors of these texts were mostly the temple priests serving at the
major Vishnu temples following the Vaikhanasa mode of worship.

68.3. By about the 11th century, Sri Vaishnavas established themselves as
the dominant sect among the Vaishnavas. And, their way of worship
(pancharatra) took charge of most Vaishnava temples in South India, and
made it open to a larger participation by larger segments of the community.

As a result of this development, the Vaikhanasas, rooted in orthodoxy,
appeared to have been increasingly marginalized as temple priests. In order
to distinguish themselves and to assert their identity as hereditary temple
ritual-specialists following the pristine Vedic practices they interpreted
certain pre-natal rituals (say, Vishnu-Bali) to serve as the boundaries of
their group.

Those set of rituals and the texts that highlighted the superiority of
Vaikhanasa–parampara – pantha (tradition) and its  siddantha (ideology)
attempted to transform the self perception of a close knit group of
priestly class  placed in a fluid  historical and local setting.

69.1. The Vaikhanasas scholars of this period strove to define and defend
their unique identity through their highly specialized practices; and, by
means of their texts on temple worship rituals and the domestic rituals.
Among these, Nrsimha Vajapeyin, Bhatta Bhaskaracharya, Anantacharya and
above all Sreenivasa-makhin are prominent.

71.1. Among the other Vaikhanasa texts, the significant ones is,
Archana-navanita (the essence of worship) by Keshavacharya who also
prepared a gloss (vritti) on Vedanta Sutras of Badarayana, from the
standpoint of view of Lakshmi-vishitadvaita.

77.2..According to Vaikhanasa ideology, the four aspects of Vishnu :
Purusha, Satya ,Achyuta and Aniruddha – are the four stages of emanations
of Vishnu. In this scheme; Purusha is identified with Dharma (virtue);
Satya with Jnana (wisdom); Acchuta with Aishvarya (sovereignty); and
Aniruddha with vairagya (dispassion).



77.3. In the Vaikhanasa temple layout, the four aspects of Vishnu are
visualized as four deities located around the main icon of Vishnu: Purusha
to the East; Satya to the South; Acchuta to the West; and, Aniruddha to the
North (pragadi chatur – dikshu).

77.4. The four virtues or planes of Vishnu are also regarded the four
quarters (pada) of Brahman: aamoda, pramoda, sammoda and  vaikuntaloka
(sayujya)  . The highest of which is parama pada, Vaikunta the abode of
Vishnu (Vishnod paramam padam).

 Vaikhanasa –Temple context

Srinivasa PerumaL Moolavar

80.1. The earliest Vaikhanasas are projected as a group of hermits
affiliated to Krishna Yajurveda – Taittiriya Shakha, having their own
Kalpa-sutra and deeply devoted to worship of Vishnu. They are not referred
to as professional temple-priests. And, of course, there is no mention of
temples either. But, by about the ninth century (during the time of Raja
Raja Chola) they are largely identified as a community of temple priests.
Thereafter, they gain prominence not only as ritual-specialists who worship
Vishnu on behalf of others but also as administrators of temples and
managers of its estates.

80.2. But, the history of the Vaikhanasas during the intervening period
(that is, between the time of Kalpa sutra, before 3rd or 4th century, and
the time of the inscriptions) is rather hazy. Though the Vaikhanas texts of
the later period claim that they derive their   authority from the
Kalpa-sutra and also make frequent references to Vedic passages, they are
mostly temple ritual-manuals elaborating upon details of worship sequences
carried out in temples.

80.3. And, it is not clear, how the followers of a Vedic branch rooted in
Vedic rituals turned into a community of temple priests.

81.1. After they were established as temple priests, the Vaikhanasas
produced many texts on temple –rituals as also prescribed domestic rituals
for governing the conduct of their followers. Through these texts and
ritual practices they aimed to distinguish themselves from other ritual
traditions as also from other Vaishnavas.

81.2. The Vaikhanasas make a clear distinction between the worship carried
out at home (griha-archana)  and the worship carried out as a priest at a
temple (alaya-archana)  for which he gets paid. The worship at home
performed dutifully is motivated by desire for spiritual attainments
(Sakshepa); and it is for the upliftment of self (atmartha).

And, on the other hand, while he carries out worship at the temple, as a
priest, he is not seeking spiritual benefits for self, but is only
discharging his duty (nirakshepa).Here, he conveys the prayers of the
worshipping devotees to the god installed at the temple; and offers worship
on their behalf (parartha).  It is mainly for the fulfilment of the desires
of those who pray at the temple.

This distinction seems to have come about following the proliferation of
temples and with the advent of temple-worship-culture.  Rig Vedic culture
was centred on home and worship at home. And, the worship at temple appears
to have come as an of the  the practice of worship at home. The worship of
Vishnu installed at the temple was regarded  as an act of devotion and also
as duty.

The Vaikhanasa Grihya Sutra system of Vishnu worship at home closely
resembles the worship-practices described in the Bodhayana Grihya Sutra,
Apastamba Mantra Prashna, and the Mantra Brahmana of the Samaveda. Further,
the worship-system of Vishnu installed at the temple follows the
worship-practices carried out at home.

This, again, suggests that the earliest temple worship emerged within the
Vedic tradition as a mirror of the basic household system, even as the
Srauta (temple) and Grihya (household) systems mirror each other in the
older Vedic traditions.

As regards the Mantras chanted during the worship; the Vaikhanasa
mantra-prashna, contains several accented mantras of clearly Vedic nature
that are found in no other Yajush Samhita.

81.3. The Vaikhanasa treat the worship at home (atmartha) as more important
than worship at the temple. A Vaikhanasa-priest is therefore required to
worship the deities at his home, before he sets out to temple to conduct
worship there (parartha) as a priest   employed by the temple management.

81.4. There is an alternate explanation offered to the term parartha. It is
said; the term ‘parartha’ which ordinarily means worship on behalf of
others, truly is ‘parartha-yajna’, that which is concerned with what is
‘superior’ or ‘excellent’; and that which prays for the well-being of the
entire community. Worshiping divine images installed in temples is like the
sun which illumines the entire world, while worship at home is like a
domestic lamp. And, parartha worship leads to final liberation.

82.1. Having said all that, it also needs to be mentioned that the status
of temple-priests in the Indian context has always been an uncomfortable
issue and a dicey proposition. The standing of a temple priest is high
insofar as he acts as an intermediary between devotees and god; and offers
worship on behalf of the devotees.

 83.2. The Vaikhanasa worship is considered more Vedic, the various and
mantras / suktams from the Vedas are in Sanskrit and there is a greater
emphasis on details of worship rituals and yajnas. Depending on the ritual
being performed, various panca suktam or sets of five suktams are recited. For
instance; the pancha-suktams could be Vishnu, Purusha, Narayana, Sri and
Bhu suktams; or, Vishnu, Nrusimha, Sri, Bhu and Ekakshara suktams.

84.1. Although the Vaikhanasa try to distance themselves from Tantra, there
are many ritual sequences in their worship practices that derive
inspiration from Tantric ideology.  In fact, the worship sequences
conducted at the temple are a combination of several elements: Vedic
practices together with its mantra; Tantra ideology and its techniques;
Agama concept of divinity and its elaborate (Upachara) worship sequences;
and the popular festivities (janapada) and processions (Utasava) where the
entire community joins in celebration, singing, dancing, playacting,
colourful lighting, spectacular fireworks, offerings of various kinds etc.

 84.2. The tantra, practiced within the privacy of the sanctum, says that
the communication with the divine is not possible unless the worshiper
identifies himself with the worshiped (sakshath vishnu rupi). It is said;
one cannot truly worship god unless one realizes the divinity within
(naadevo bhutva devam pujayet).

 The mantra that is recited by the Vaikhanasa priest, in that context, is
the famous Atma-sukta. This a significant step based in the Tantra
ideology, where the worshiper regards his body as a Yantra in which the
deity resides; and as belonging to the deity (tasyaivaham ). He then
invokes divine presence in himself, evoking his identity with Vishnu, and
transfers the Vishnu in him to the idol to be worshiped. This is a deeply
intimate Tantric process that is special to the Vaikhanasa mode of worship.

 The priest conducts these symbolic sequences in the privacy of the
sanctum, with the notion that he and Vishnu are indeed one; and that he as
the priest has an enduring divine presence within him.

Taruna-alaya

 86.1. A unique feature of Vaikhanasa temple construction is the erection
of a Taruna-alaya. That is, before the construction of the main temple is
undertaken a mini-sized temporary temple (termed as Taruna-alaya) is built
for Vishnu on the construction site. The main temple to be constructed is
termed as Bala-alaya.  The mini temple (Taruna-alaya) is intended to gather
spiritual power while the construction is in progress.

 86.2. Vimanarchana Kalpa ascribed to Sage Marichi says that the
Taruna-alaya should be built in the north-east/north-west (Indra) direction
of the main temple site in the same premises. The symbolic temple could a
small one (say, within 100 s.ft in area).

 Vaikhanasa-alaya-nirmana -vidhi   also recommends that a Taruna-alaya
should be built first. And, if that requirement is satisfied then the
auspicious Bala-alaya   which comes up is termed ‘samurtham’.  If on the
contrary, the prescription is not followed, the Bala-alaya would be called
‘harakam’.

 86.3. The basic idea of the Vaikhanasa faith is that when Vishnu is
worshipped in a temple according to the Vaikhanasa scriptures , regularly,
at least once each day, it will ensure the prosperity (sarva-sampathkari)
of the whole world.

 Hence neither dewoswam nor Namboodiri may alter the procedures     K
Rajaram IRS  181025

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