-- 
*Mar*The piece you've shared, titled *"Discoveries and Revelations" by YM
Sarma*, is a poetic and philosophical reflection on the deep connection
between nature, emotion, and perception—juxtaposed against the
mechanization and rational reductionism of modern science and education.

Here’s a *summary and interpretation*, along with some *thoughts on its
message*:
------------------------------
🧠 *Core Themes and Ideas*

   1.

   *Theism as Emotion in Nature*:
   -

      The text redefines *theism* not as belief in a deity, but as an
      emotional resonance with pure, untainted nature.
      -

      In "totally free and healthy nature," the organism loses its ego or
      body-identity and becomes part of a living, feeling totality.
      2.

   *Language Beyond Words*:
   -

      Language here is described not as a tool for communication through
      words, but as a direct emotional and musical experience.
      -

      Words in this state are *felt*, not read or heard in the traditional
      sense. Meaning is not learned but *experienced*.
      3.

   *Rejection of Mechanization*:
   -

      Machines are blamed for limiting our perception, only allowing us to
      access a tiny sliver (0.0035%) of reality—the visible spectrum.
      -

      True understanding, according to this piece, cannot be accessed
      through microscopes, telescopes, or any mechanical means.
      4.

   *Call for a New Kind of Education*:
   -

      Modern universities are criticized for perpetuating a Cartesian,
      mechanistic worldview that alienates humans from nature.
      -

      The writer suggests that education should return to an *experiential
      model*, allowing direct, unmediated encounters with free nature.
      5.

   *Loss of Sensory and Emotional Intelligence*:
   -

      There's concern that modern humans have lost their innate capacities
      to feel through smell, sound, and subtle emotional cues.
      -

      Artistry and natural sensitivity are being dulled by modern life and
      technological mediation.

------------------------------
🔍 *Philosophical and Cultural Influences*

   -

   The writing echoes *Romanticism*, which emphasized emotion, nature, and
   the sublime over rationalism and industrialization.
   -

   It also draws on *Eastern mysticism*, especially the idea of dissolving
   the ego and becoming one with the cosmos or nature.
   -

   There’s a strong *anti-Cartesian* sentiment—criticizing the mind-body
   dualism and mechanical worldview attributed to René Descartes.
   -

   The critique of universities feels akin to *Ivan Illich*'s views in
*Deschooling
   Society*, where institutionalized education is seen as limiting rather
   than liberating.

------------------------------
🌿 *Reflections and Questions It Raises*

   -

   What does it mean to “feel” knowledge rather than think it?
   -

   Is it possible to integrate technological advancement with emotional and
   ecological wisdom?
   -

   How can modern education evolve to incorporate direct experience,
   emotional intelligence, and ecological sensitivity?

------------------------------
🧭 Final Thoughts

This is a *provocative and poetic manifesto* for rewilding our minds and
bodies—arguing that real discovery and revelation don’t come from
dissecting the world but from *being in it*, unfiltered.

It challenges us to think about:

   -

   The limits of our current tools and frameworks,
   -

   The cost of ignoring emotional and sensory knowledge,
   -

   And the need for a radical shift in how we learn, live, and connect with
   the world.

Would you like help turning this into a more formal essay, a visual poem,
or perhaps comparing it to other thinkers or movements?

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