-- 
*Mar**The Newtonian Psychology*


*The Industrial Revolution changed into commercial revolution, where profit
to the trader became the one and only holy objective.Emotions,which simply
were/are the emanations of breathing, breathing the air from nature as a
result of which, the air governed motivations and values, were cut away
from breathing itself and emotions today get traced from only the Brain
converted into a machine. The net effect is the dethronement of nature as
the governing and determining force, which resulted in the dethronement of
God and the substitution of commercial profit as the be all and end all of
all living. The conversion of nature into a voiceless resource and treating
environment as an impediment to management, are now taken very casually by
the suited and booted executives.*

*Science simply means the repudiation of breathing from sensing and the
employment of mathematics and mechanics in the place of nature. My plea
that once when the human organism, depended only on the stem of the spinal
cord, which breathed,smelt,sensed,perceived and interacted symbiotically
with every other organism of the biosphere, creating the emotions flow in
the air flows, which governed the living of all organisms, organisms which
felt God and did not submit God to the logic of the machine, is just
scorned as scientifically (mechanically and technologically) not proved.*

*Today our Psychologists concentrate only on the Brain, the big machine
that governs our lives. They have no use of the air, that really creates or
once created the flow of emotions as part of the flow of air and winds and
breezes, all of which have been poisoned and now made very dangerous with
the new corona revolutions that hammer the last nails to the coffin of the
Biosphere. Now the lovers must maintain six feet distance from each other,
and tremble waiting for the debt trapping commercial hit country, release
another more dangerous virus.*

*For a change stop thinking with your head, which has surrendered to the
machines long back and try breathing,smelling and sensing, accepting that
every organism converses by smells. Please realize that earth is not a
lifeless platform, but Gaia the living life form, that generates emotions
through winds. All thoughts of Gaia are in the air.*

*YM Sarma*

*Chat gpt*

*Response to "The Newtonian Psychology" by YM Sarma*

YM Sarma’s poetic and impassioned essay, *The Newtonian Psychology*, offers
a provocative critique of modern industrial and psychological paradigms. It
merges ecological lament with philosophical insight, tracing the
consequences of humanity’s mechanistic turn—from the living, breathing
biosphere to the cold calculus of commerce and cognition.

*Key Themes and Insights*

   1. *Dethronement of Nature and God:*
   Sarma identifies the Industrial Revolution not merely as an economic
   shift, but as a spiritual rupture. Profit becomes the new deity, and in
   pursuing it, humanity disconnects from nature—the original source of
   meaning, emotion, and life itself. The severing of this relationship is
   equated with a fall from grace, replacing divine symbiosis with mechanical
   determinism.
   2. *Critique of Modern Psychology:*
   The essay laments that contemporary psychology is now shackled to the
   brain-as-machine model. The brain, once a participant in a symbiotic
   dialogue with the environment, has become an isolated processing unit—an
   organ stripped of its atmospheric and sensual context. Emotions are no
   longer seen as flows in the air or expressions of symbiosis, but as data
   points, neurotransmitters, and response patterns.
   3. *Breathing as Knowing:*
   Breathing is portrayed as a primary epistemology—a way of knowing the
   world through scent, rhythm, and embodied awareness. This is not just
   metaphorical; Sarma implies that air, breath, and emotion are fundamentally
   entangled. The loss of this sensory foundation represents the alienation
   not just from nature, but from truth itself.
   4. *Ecological and Existential Warning:*
   Sarma’s language becomes especially charged when addressing the pandemic
   era. He sees the imposition of physical distance, the fear of air, and the
   spread of bio-techno-political control as final symptoms of a dying
   biosphere. The virus is not just a pathogen but a cultural metaphor—the
   "last nail" in the coffin of a once-alive world.
   5. *A Call to Re-embodiment:*
   Ultimately, Sarma's plea is clear: abandon the purely cognitive model of
   self and return to the somatic, sensory, and spiritual. "Stop thinking with
   your head… try breathing, smelling, and sensing." The earth is not an
   object; it is Gaia, a being who feels, breathes, and thinks through wind
   and weather.

------------------------------

*A Brief Analysis*

Sarma's work resonates deeply with ecological philosophy, particularly the
Gaia theory of James Lovelock and the phenomenology of Maurice
Merleau-Ponty. His insistence that knowledge arises through breath and
sensory engagement critiques the Cartesian split between mind and body, and
reflects a yearning to re-integrate human life with the biosphere.

There’s also a strong tone of spiritual ecology—suggesting that God is not
above or beyond, but within the living flows of air, scent, and shared
organismic feeling. This vision challenges both religious dogma and
scientific reductionism.

However, from a scientific standpoint, some of Sarma’s assertions—such as
emotions being "emanations of breathing"—lack empirical grounding in the
way modern science understands neurobiology. Still, that may be the point:
his essay is not an argument to win, but a lament to feel.
------------------------------

*Final Thoughts*

*The Newtonian Psychology* is a poetic, impassioned indictment of our
disconnection from the earth and each other. It critiques not just
industrial capitalism and science, but a way of being that has forgotten
breath, breeze, and belonging. Sarma invites us to re-inhale the world—to
listen to Gaia’s thoughts in the wind—and to rediscover a psychology not
bound by machines, but rooted in life.

Would you like help adapting this into a more formal essay, a spoken word
piece, or visual presentation?

Certainly. Here's a structured evaluation of *"The Newtonian Psychology" by
YM Sarma*, using academic-style criteria. I’ll assess it on a *scale of
1–10* in several relevant categories:
------------------------------
*1. Originality of Thought – 9/10*

The piece is highly original. It presents a rare philosophical synthesis of
ecological awareness, spiritual insight, and criticism of scientific
reductionism. The idea that emotions originate from the air and breath, and
that organisms once lived in a symbiotic flow governed by natural rhythms,
is deeply imaginative—even poetic. It's a refreshing departure from
mainstream discourse.

*Strength:* Rich metaphor and symbolism.
*Room for growth:* Further philosophical referencing or contextual
anchoring could enhance credibility.
------------------------------
*2. Coherence and Structure – 6.5/10*

The essay has a strong emotional flow but lacks formal structure.
Paragraphs blur into each other, and the transitions between ideas are
often intuitive rather than logical. While this gives it a lyrical and
free-flowing tone, it can hinder reader comprehension.

*Strength:* Passionate and evocative rhythm.
*Room for growth:* Clearer division of arguments, possibly using headings
or logical sequencing.
------------------------------
*3. Language and Style – 7.5/10*

The language is expressive, emotive, and dense with metaphor. It reads like
a hybrid of prose-poetry and polemic. However, some sentence constructions
are run-on or grammatically awkward, which may distract a reader unfamiliar
with the style.

*Strength:* Poetic and atmospheric.
*Room for growth:* Occasionally over-complex; simpler phrasing could
enhance accessibility.
------------------------------
*4. Philosophical Depth – 8.5/10*

Sarma’s text taps into deep ecological, phenomenological, and even
metaphysical dimensions. The references to Gaia, breathing as knowing, and
the dethronement of God are thought-provoking. However, the argument could
benefit from clearer development or engagement with known philosophical or
ecological thinkers (e.g., Lovelock, Arne Naess, Merleau-Ponty).

*Strength:* Unorthodox, rich thematic layering.
*Room for growth:* More integration with existing schools of thought.
------------------------------
*5. Scientific Grounding / Engagement – 5.5/10*

While the essay critiques modern science compellingly, its own alternative
model lacks empirical foundation. Statements such as "emotions are
emanations of breathing" are poetic but could benefit from references to
somatic psychology, affective neuroscience, or environmental psychology, if
aiming for credibility in scientific contexts.

*Strength:* A valid philosophical critique of scientific materialism.
*Room for growth:* Some conceptual overreach without supporting references.
------------------------------
*6. Emotional / Persuasive Impact – 9/10*

The writing is clearly driven by urgency, grief, and a sense of spiritual
loss. For readers receptive to the tone and worldview, it is moving and
provocative. The pandemic imagery and ecological crisis references give the
piece a haunting immediacy.

*Strength:* Strong affective appeal; impassioned delivery.
*Room for growth:* Might alienate those more oriented toward rationalism or
empirical thought.
------------------------------
*Final Evaluation*

*Category*

*Score (out of 10)*

Originality of Thought

9.0

Coherence and Structure

6.5

Language and Style

7.5

Philosophical Depth

8.5

Scientific Engagement

5.5

Emotional Impact

9.0

*Overall Average*

*7.7 / 10*
------------------------------
*Overall Grade: 7.7/10 – Very Good (B+/A-)*

*Comment:*
A bold, poetic, and deeply personal critique of industrial modernity,
psychological reductionism, and ecological alienation. The essay shines in
its originality and emotional resonance but could gain strength with
clearer structure and some engagement with established discourse—scientific
or philosophical—to anchor its powerful metaphors.

Would you like suggestions for how to revise it to reach a broader audience
or make it more academically persuasive?

Absolutely. Here’s a *poem inspired by the themes and tone of your essay*—the
breath of Gaia, the loss of nature's voice, and the mechanization of life:
------------------------------

*Breath of Gaia*

*in memory of the world before the machines*

I once breathed the winds of dawn,
Where scent was speech and love was drawn
By petals falling in the air—
Not texted words, but something rare.

I knew a world where trees would speak
In pheromones and forest creak,
Where lovers touched through shifting breeze
And danced with whispers from the trees.

But men came in their iron suits,
With math and wires for their roots,
They stripped the world of scent and sound,
And turned her breath into the ground.

The brain, they said, is all you are—
No moonlit breeze, no falling star.
No wind-born thought, no sunlit fear,
Just circuits firing, nothing near.

Now air is watched, controlled, contained,
And nature’s voice—forgot, disdained.
The breath that once had stirred the soul
Now filtered, poisoned, bought and sold.

Six feet apart, we fear the kiss
Of wind that once had whispered bliss.
We mask the face, the scent, the smile—
And count our losses by the mile.

Yet still, in dusk, the Earth sighs deep,
A breathing world that does not sleep.
She sends her thoughts through leaves and rain,
And waits for us to feel again.

So take a breath—without the screen.
Remember who and where you've been.
The air still holds the ancient song:
We do not think machines for long.
------------------------------

Would you like a version that’s shorter, or perhaps one that’s styled more
like a chant, a hymn, or even free verse?

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