Nandru. A few days back only I wrote about that person from the
sincity, who did not or could not distinguish, between the chekku and
sivalingam; today he revealed it; Mahabharatham spoke about it, and so it
is great; and bereft of knowhow pattis of hisplace may not know better than
chukkumilagutippili is evident. Also I wrote about the Psychological
factors of these people who behave awkwardly.  When a 98 loses his balance
where his bluffings are blown, it is natural, one can expect only such
write ups. Of Course he is a redundant recluse or a loose Lets forgive him.
Have a nice time C.M  R IRS  10225

On Mon, 10 Feb 2025 at 13:31, Narayanaswamy Iyer <[email protected]> wrote:

>
> Dear folks
>
> What is so special about "*Ganga jalam Keshava naari ketu*" being split
> into "Gangaja lamkesha vana ari ketu"?
>
> For centuries, Brahmin women living in Palakkaad have been circulating the
> joke of the mother-in-law ordering her newly-wed daughter-in-law to go to
> the provision shop nearby and buy three items.
> She wrote the items down as "*chukkumulakuthippili*".
>
> The daughter-in-law went to the shop and read out the items she needed for
> her mother-in-law as "*chukkumu, lakuthip, pili*."
>
> The shopkeeper could not make head or tail of what the young lady wanted.
> So he called his grand-daughter who was studying in Standard IV.
>
> The child took one look, and promptly translated the shopping list
> correctly.
>
> When I was in Std.IV in pre-war Malaya, the class teacher wrote on the
> blackboard the expression:-
>
> THAT THAT IS IS THAT THAT IS NOT IS NOT IS NOT THAT IT
>
> and asked us what that meant.
>
> A young Chettiar lad in the class went up boldly and punctuated it, as
> follows:-
>
> *THAT, THAT IS, IS;  THAT, THAT IS NOT, IS NOT;   IS NOT THAT IT?*
>
> We all clapped.
>
> S Narayanaswamy Iyer
>
> On Mon, Feb 10, 2025 at 11:07 AM Rajaram Krishnamurthy <
> [email protected]> wrote:
>
>> Ganga jalam Keshava naari ketu
>>
>>
>>
>>      Mahabharat is a massive work in the Sanskrit language. It is the
>> biography of the Pandava brothers. Vyasa, the composer of this work, sought
>> a scribe who could keep pace with the speed of his dictation. Ganesh, the
>> Deva of the intellect, agreed to be the scribe. However, he placed one
>> condition. Per this condition, Vyasa had to dictate at the speed of
>> Ganesh’s writing. Vyasa countered this with another condition. Ganesh could
>> scribe a verse only after fully understanding it. As a result, Vyasa
>> composed the Mahabharat in chunks of a few hundred verses. He dictated a
>> verse with a “knot, a difficult to understand verse at the end of each
>> chunk. This forced Ganesh had to pause and understand the verse. Vyasa thus
>> mentally began composing the next chunk. Surely, anyone who knows
>> Mahabharat also knows about the “knots” in the text.
>>
>>         The narrator quoted a sensible looking sentence from Vyasa’s
>> Mahabharat It reads गङ्गा जलं केशव नारि केतु (Ganga jalam Keshava naari
>> ketu).  Every word in this sentence is meaningful. The sentence makes no
>> sense despite the sentence being syntactically correct. The word boundaries
>> have to be changed to understand the meaning of the line. This knot
>> definitely forces a reader to pause.
>>
>>         Pitamaha Bhishma standing by his side responds, in Vyasa’s words:
>>
>>                          ‘Gangajalam keshava naari ketu’
>>
>> Four words totally unrelated to each other! What sense to make out of
>> them?
>>
>> Gangajalam = water of River Ganges; keshava = a name given to god Vishnu;
>> naari = woman; ketu = a planetary god.
>>
>> Of course, Vinayaka figured it out not before giving Vyasa a much-needed
>> respite. Here’s how:
>>
>> Ganga ja: One Ganges gave birth to = Bhishma;
>>
>> lam kesha = lankesha = Ravana, King of Lanka;
>>
>> vana ari = one who destroyed the vana (Ashoka vana where Sita was held
>> captive)
>>
>> ketu = flag;
>>
>> Now it reads as: Bhishma (said): It’s one who has on his flag one who
>> destroyed Ravana’s vana = It’s one who has Aanjaneya on his flag = Arjuna.
>>
>> So it was Arjuna on a chariot driven by the young prince of Virata!
>>
>>           Vyasa inserted knots in his Mahabharat to slow slow down Ganesh
>> who had the role of a scribe.
>>
>> Vyasa inserted knots in his text to make a reader pause and think
>>
>> Similarity between Vyasa and the Siddhars
>>
>> Siddhars wrote their works in the Tamil language. They borrowed the idea
>> of a knot from Vyasa’s Mahabharat and used them generously. In fact, One
>> finds very few sentences in Siddhar texts without a knot, Firstly, a
>> translator must locate meaningful word boundaries. In other words, he must
>> untie knots in the Siddhar text. Secondly, he must locate words which
>> Siddhars consider to be technical terms. Such words conventionally mean one
>> thing but something different in Siddhar texts. Siddhar texts describe a)
>> pharmacopeia preparations, b) ideas related to sorcery, and c) descriptions
>> of spiritual techniques. Therefore, many words can take a contextual
>> meaning based on the domain of knowledge. Siddhar Agasthiyar composed a
>> text which explains such idiosyncrasies in Siddhar texts.  It had fun
>> discovering a few such idiosyncrasies while translating Agasthiyars text.
>>
>> K Rajaram IRS 10225
>>
>> ---------- Forwarded message ---------
>> From: Srinivasan Sridharan <[email protected]>
>> Date: Sun, 9 Feb 2025 at 22:29
>> Subject: Fwd: Maha Bharatha (4)
>> To: Patty Thatha <[email protected]>, Gopalakrishnan V <
>> [email protected]>, Devarajan Subramaniam <[email protected]>
>>
>>
>>
>> Sent from my iPhone
>>
>> Begin forwarded message:
>>
>> *From:* Srinivasan Sridharan <[email protected]>
>> *Date:* February 9, 2025 at 8:57:52 AM PST
>> *To:* Srinivasan Sridharan <[email protected]>
>> *Subject:* *Maha Bharatha (4)*
>>
>> This is the final section! If it is required by you , i would be glad
>> to give the hidden meaning aswel!
>>    Sridharan
>> Sage Dhrona said loudly,
>>
>> GANGA. JAlAN. KESAVA NAARI  KETHU.
>> None in the Kaurava army except
>>  Pithamaha. Bheeshma understood the hidden meaning!
>>
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