y you want to play to the synth, bypassing any
note/number abstraction. The folks at linux-audio-dev list believe that
OSC should replace midi, at least for internal communication.
Toby
--
Signed/encrypted mail welcome. GPG/PGP Key-Id: 0x15C5C2EA
t;$cmd $rest"
;;
esac
done | fluidsynth "$@"
It's made to be called in place of fluidsynth itself.
Suppose the script is called fs, then you would use it like this:
fs [options] [soundfonts] [midifiles]
Toby
--
Pascal is fo
h a note. The quietest of those voices which are past the
attack phase, instead, might be a good candidate.
Toby
--
«Debugging is twice as hard as writing the code in the first place.
Therefore, if you write the code as cleverly as possible, you are,
by definition, not smart enough to debug it.»
uite plausible behaviour and quite a different matter than
'something' in the MIDI file triggering evil screeches at random.
If this were the case, we'd be looking for a sort of 'CPU leak'
somewhere in Fluidsynth or maybe in
Hi 최덕진
(I hope that's your name!)
You can render audio to a file with the option: -a file
Example:
fluidsynth -a file instrument.sf2 music.mid
This writes the file "fluidsynth.raw".
You can change the output filename with: -o audio.file.name=myname.raw
Toby
ly that.
But the big companies have powerful legal departments, they actively
seek infringements on their copyrighted sounds, they are protected by
the Sound Recording Copyright Act in the US and similar laws in other
countries and they have regularly stopped anyone selling sample CDs of
their intrum
