Hi Michael,
I have responded to your individual questions below:
On 09/19/2011 04:20 PM, Michael Geis wrote:
We were under the (probably naive) impression that all a sampler needs
to do is loop over wave tables and apply envelopes. Seeing that the
soundfont specification actually allows for gr
> On Mon, 19 Sep 2011 14:20:38 -0700 (PDT) Michael Geis
> wrote:
>
> I posted a question on using fluidsynth to extract .sf2
> sounds to .wav files a few weeks ago. The answers I received
> indicated I had to get a better grasp of the subject matter
> and as a consequence I had to think over wh
>Also note that the strength of the note-on often affects the output, e g
>on a piano sound, a weak note has less treble than a strong one.
>
>> My apologies if I am somewhat lacking coherence here, I am still trying
>> to get a decent grasp on the subject matter.
>
>I'm not exactly sure what woul
On 09/18/2011 06:55 PM, Pedro Lopez-Cabanillas wrote:
On Sunday 18 September 2011, Peter Hanappe wrote:
Second draft. I'd like an ok from both Pedro's and Peter before I put it
up as an "official project standpoint".
You've got my ok.
Cheers,
P
Mine too.
Glad we finally got to something
>
> So the question is what to do about the SET_TEMPO event? I think the most
> reasonable at this point would be to both handle it and pass it on to the
> callback, even if that would disable the callback's possibility to
> override/handle the set_tempo event itself.
>
Yes, but a more general que
On 09/19/2011 11:20 PM, Michael Geis wrote:
Greetings,
I posted a question on using fluidsynth to extract .sf2 sounds to .wav
files a few weeks ago. The answers I received indicated I had to get a
better grasp of the subject matter and as a consequence I had to think
over what I am doing.
Sorry
On 09/20/2011 02:31 AM, Matt Giuca wrote:
Please do send all events (including meta events). Perhaps you
don't need them with your Midi files, but I have work with Midi
segments that changes tempo (perhaps even time signature 3/4 <->
4/4) on the fly. So looping back will need t
