So in my new home here in Arizona I found a well-stocked camera store
just a mile from the plant. Went there, and to my surprise they had
plenty of Nikon D100's in stock. So I thought I'd give it a spin.

First thing I noticed was that Nikon puts the lens release button on
the wrong side of the camera. Sales guy says they've been doing it
that way for years. Sheesh - good way to make ya drop a lens!

Next thing I noticed was the slow autofocus. Sure, I was only using a
genuine Nikon 300/4 brand new lens, so maybe it lacks some hypersonic
something or other. Nevertheless, my antique 1996 PZ1p focuses
noticeably faster than the brand new year 2002 Nikon D100. 

Later I read this camera has something called CAM900 AF, which is
slower than the CAM1300 AF on their better film cameras. Let's see -
you're gonna charge a grand more than your film camera, then give your
customers slower AF? Sounds like something straight out of the Pentax
marketing book. Shame on you, Nikon - crippling an expensive camera
with second-rate AF when you could have done better.

Then I noticed the Nikon D100 has only 1/180 flash sync. Rats again.
Another hard pill to swallow when thinking of buying a two grand
camera. If I needed to downgrade to 1/180 flash sync, I could always
buy an MZ-S, fer crying out loud!

But in it's favor, the D100 is a pretty good looking camera, because
it looks almost exactly like a PZ1p. It's just got a little more heft
on the bottom and a few extra buttons. At least they got the shape and
grip right. Even has a nice PZ1p-style thumb wheel to change aperture
- just my cup of tea.

Like I said, I tried out the Nikon 300/4. It nearly whirred out of my
hand - the dang focus collar spins crazily if you have the lens in MF
and the body shooting AF! Whoof! They should put a warning label on
that thing!

So my small foray into DSLR-land was a little revealing. It let me
know I would have to be crazy to spend two grand for a DSLR from
Nikon, at least until they get their feature set straight. Even then
I'd have to learn to live with that idiot lens release location and
those ugly barbecue-grill-paint black lenses.

Oh, and I also got to test out the Sigma 50-500 lens. It's about the
size and weight of my Tokina 300/2.8 - in other words, it's just plain
huge and heavy. Just imagine lugging around the weight of a 300/2.8 to
take a photo at 50mm! Guess this one is influenced by the longevity of
the Canon 35-350 L. Here's a hint, Sigma - send this puppy to Weight
Watchers. Give me a good ol' Pentax 300/4.5 instead any day.

Enough rambling on the digital front. I told my wife I could wait
another few months on a Pentax DSLR, if such an animal every
materializes. Even if the feature set is no better than the
competition, at least with Pentax I'll get a lens release button on
the right side of the camera!!!

--
John Mustarde
www.photolin.com

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