I agree that Poe's chair is a great photograph.

My personal favorite, however, is John Coyle's "Refracted, not Reflected."
It has a overall simplicity blended with sublte complexity in the details.
The concept is powerful, and the esxecution, IMHO, flawless.  I even love
the title, both for the James Bond reference and for the purported "evasion"
of the theme of the month.

frank theriault wrote:

> Hi,
>
> As always, I had the best of intentions at the beginning of the month.
> I wanted to, right off the mark, indicate my favourite, then, later in
> the month, at my leisure, mention a few "honourable mentions".  Of
> course, the road to hell...
>
> Well, looks like I'll only have time to mention my absolute favourite.
> I won't say that I may not come back in the next week with a few more,
> but I at least want to give a "number one prize", which is (drum roll,
> please):
>
> "Chair" by Bob Poe
>
> It hit me as I was going through the thumbnails, and the more I looked
> at the larger image, the more I loved it.
>
> "It's so simple", I thought, "but then why the hell can't I do stuff
> like this?"  I think it's this deceptive simplicity that got me.  What
> it really is, though, is amazing composition.  I'm a sucker for taking a
> different look at everyday objects, and what could be more ordinary and
> mundane than this well used chair?
>
> But, the beautiful angles of the chair itself, the lovely soft shadow in
> the background, the shadows off the right leg, all come together to form
> an almost abstract form.  And, it could only work in b&w (and HP5+ is a
> perfect choice here, imho).
>
> As always, my words fail to express my feelings here, but suffice to say
> that I'm blown away by this one, Bob.  Not to mention that it's up
> against some pretty stiff "competition" (as always).
>
> thanks, Bob,
> frank
>
> --
> "The optimist thinks this is the best of all possible worlds. The
> pessimist fears it is true." -J. Robert
> Oppenheimer

--
Daniel J. Matyola                  mailto:[EMAIL PROTECTED]
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