> On Feb 2, 2016, at 4:53 PM, John <[email protected]> wrote:
> 
> At my camera club meeting last night the main speaker gave a
> presentation on wet-plate collodion process photography. He's doing both
> tin-type & glass negatives. He said most people who try it only last
> about 6 months and never touch it again. He's been doing it as a
> professional portrait photographer for 4 years now.

On my recent travels, in Valparaiso Chile I was taking pictures of some of the 
street art when a passer-by noticed the 645Z, stopped to ask what it was, etc. 
He then introduced himself as a professional photographer doing portraiture 
using exclusively wet-plate collodion process. Such persons provide a nice 
counter-balance to those who think that photography is all about the newest and 
best toys.
> 
> I found it really interesting, and his images were quite good, but I
> don't think I'm going to try it myself.
> 
> I also got a lead for some part-time work I might be able to handle.
> 

That sounds good!

stan


> 
> 
> On 2/2/2016 7:15 AM, Collin Brendemuehl wrote:
>> The camera is nice.
>> 
>> Get a good focusing loupe.  You'll really come to appreciate it.
>> And a really good focusing cloth.
>> And a changing tent. A bag is ok, but a tent is wonderful.
>> 
>> And a good lens.  The 135/235 is fine for b&w but that's it's limit. (I had
>> one.)
>> A modern NIkkor or Rodenstock makes a fine lens and these days the prices
>> are quite modest.
>> If you can dig up a Rodenstock Ysarex *135mm*, that's a keeper.  It's among
>> the last of the series and performs beautifully.
>> If you happen to be rich, a Super Symmar ...
>> Or camera bling ...
>> http://static.photo.net/attachments/bboard/00F/00FHx2-28225684.jpg
>> 
>> A few shots with a plasmat or a Tessar and you will soon see the image
>> formation difference over and above the Gaussian design.
>> 
>> 
> 
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> Religion - Answers we must never question.
> 
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