LOL, " I will offer an additional photographers
position to a peer " should read more like "I will often offer peer
photographers a position to shoot with me" not quite sure how I stuff
that up so badly.

On 16 March 2014 13:36, Rob Studdert <[email protected]> wrote:
> I'm setting up my own shoots now, I have a slew of great models to
> choose from and in some cases I will offer an additional photographers
> position to a peer or engage less competent photographers as
> assistants so that they can get some experience in studio.
>
> Definitely not interested in shooting fashion, there's only so much
> surly I can stand in one day ;) The workshops are really well priced,
> generally it's of more benefit to the photographers as a quick folio
> building exercise so long as that's that way that you chose to work,
> and some do make very good use of these types of events.
>
> The downside of TFP is as soon as a model actually gets good at being
> a model they tend to want to get paid, and that's fair enough. So
> generally it's far more laborious to shoot with someone TFP than it is
> with paid models as they engage in workshop events. Swings and
> roundabouts.
>
> Time and engagement though is generally the key to securing great
> images, sometimes I guess it's just not a practical route.
>
> Cheers,
>
>
>
>
>
> On 16 March 2014 12:37, Bruce Walker <[email protected]> wrote:
>> On Sat, Mar 15, 2014 at 1:37 AM, Rob Studdert <[email protected]> 
>> wrote:
>>> It's a good article in that it stresses the importance of connection
>>> with the subject, however I don't think that the technicalities and
>>> the interpersonal relationship between the subject and photographer
>>> are mutually exclusive, depending on the shooting environment of
>>> course.
>>
>> Most certainly the technical issues are still important else we'd all
>> just use crappy smartphone cams and leave it at that. His point is, as
>> I get it, that we need to not stop at "it's technically perfect" like
>> so many of us gadget fanatics do. And in fact it's the soft gooey
>> people issues that get you a better portrait than merely perfecting
>> the image capturing process.
>>
>>
>>> The worst shoots I have been involved in were at studio workshops
>>> where the lighting was pre-set and near to perfect but the models came
>>> thick and fast. It's like a sausage factory, one model after another,
>>> one set then the next. I found that the quality of my images suffer
>>> terribly if I have no time to connect with the models, technically
>>> they may be flawless but they lack emotion and substance.
>>
>> That could be a special case though. Fashion photography -- if this is
>> what it is -- is all about the _clothes_ and the not the models. The
>> models are quite literally mannequins (which is what mannequin means
>> in French: model) or clothes horses and they are expected to look
>> blank, not engaging with the audience.
>>
>> Wait, I just re-read your paragraph: studio workshops. I see the
>> problem here. :-) These are not designed for good photography, they
>> are designed to optimize monetary returns to the organizers. That's my
>> cynical take. If you want to get good shots, hire or trade with your
>> own model and take your time. Forget these overcrowded workshops.
>> Workshops I have attended were closer to 1-on-1. Three students, one
>> teacher and an assistant, two models (plus MUA and hair). Total time
>> in workshop: 6 hours. Lots of time to engage with the models, and
>> everyone else in the session too. Got great expression from models.
>>
>>
>>> On 15 March 2014 01:14, Bruce Walker <[email protected]> wrote:
>>>> An important lesson to learn ...
>>>>
>>>> http://fstoppers.com/subject-matters-kicking-technicalities-for-content
>>>>
>>
>> --
>> -bmw
>>
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>
>
>
> --
> Rob Studdert (Digital  Image Studio)
> Tel: +61-418-166-870 UTC +10 Hours
> Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio



-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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