I don't think that magazine editors select which photographer's work
they are going to use based upon which one had the most "fun". It is
based upon who got "The Shot" and (if more than one to choose from)
then from the best angle, etc.

As to the "skill" part, was this an argument against motor drives when
they came out, as well? (Maybe so, but I'm guessing that a lot of
photogs that needed to capture action used them anyway.)

On Mon, Aug 27, 2012 at 11:21 AM, Tom C <[email protected]> wrote:
>> This thread has (predictably) wandered from my original point, which
>> was not Video vs Still but
>> Video as 30fps motor drive to GET to Still. The quality for this is
>> already here, I think it is more of a question as to whether autofocus
>> can keep up.
>>
>> Think fashion photog with supermodel and fan blowing on hair as she
>> sets her "looks". Burst of 30 fps video can be used rather than 6 fps
>> motor drives to multiply the number of "shots" to choose from by a
>> factor of 5. I see the same thing for sporting events when the moment
>> of "The Shot" is even more critical. As the football touches the
>> fingertips or the defensive end hits the QB causing a fumble, you will
>> have 30 frames per sec (or whatever 4x video is doing by then) to
>> choose the perfect shot for the cover of SI.
>
> Possibly, but what fun or skill is there in in that? The camera
> captures the decisive moment and the photographer simply chooses?
>
> Tom C.
>
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