There are many reasons. At least a couple of them has to do with the
optics in the 645 system. The sensor is not alone. :-)

For example at Svalbard I brought my K-7 with a DA*300/4 in addition
to the 645 system, and 100% comparisons of shots with the DA*300/4 and
the 645A*300/4 showed me there's more information in the 645D
recording at the pixel level. I believe the sensor design (eg. lack of
anti-aliasing filter) contributes to the perceived sharpness too.
Either way, when I crop out 1000x1000 pixels from a 645D file and a
K-7 file, obtained with equivalent focal lengths, I'm left with more
detail in the 645D shot. And I used to think the DA*300/4 was pretty
good.

I do not own the K-5.

Jostein

2011/4/21 Tim Bray <[email protected]>:
> Really, Jostein?  I was also pretty convinced that the main reason one
> would get a 645D was for large-format prints.   I've seen your
> pictures and they're incredibly beautiful, but for on-screen
> presentation, I don't think I saw anything that couldn't be captured
> with a K-5.  I'd like to hear your opinion as someone with hands-on
> experience.  -Tim
>
> On Thu, Apr 21, 2011 at 8:00 AM, AlunFoto <[email protected]> wrote:
>> 2011/4/21 Darren Addy <[email protected]>:
>>> I suspect that, like the film cameras of old,
>>> you don't really see a big advantage for the 645D  until you make a
>>> print of a certain size, when the 645D's 40MP images shine over a
>>> lesser MP image.
>>
>> I suspect your suspicion to be misguided. Based on humble experience.
>>
>> Jostein
>>
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