I have to say whenever I give talks at camera clubs and the debate
between RAW vs. JPEG pops up I turn to my film experience days as a
reference.

Shooting in b/w with my own darkroom where I could push-pull the
film's sensitivity and dodge and burn in the printing process was
similar to shooting RAW.

Shooting in color (print) where I had no control in the
developing/printing meant I had to get it right (including reading the
mind of the local lab technician) in the camera the first time
around--that sounds very much like shooting JPEG.

... yeah, I can be sentimental about film days but I don't want to go
back there again 'seriously' (I still shoot film for fun and as a
creative exercise, but nothing life threatening)...

On Wed, Feb 4, 2009 at 11:30 AM, Stan Halpin
<[email protected]> wrote:
> I was in Grad School when I first started doing "real" photography. The
> University had a camera club (automatic free membership to any student who
> wanted it) with fully equipped studio space, several dark rooms, storage
> lockers to keep your chemicals and paper if you didn't want to use the
> club's. My first job site had a darkroom which was hardly ever used by
> anyone but me. Then I moved to another job without such amenities, but had a
> friend with darkroom. Then I built my own in a walk-in closet. Then I moved
> to my present house (25 years ago). Never did get around to building another
> darkroom. When I make my next transition it will be to the house my
> father-in-law built 40 years ago. With full darkroom. I will probably
> convert it to space for the laundry. I miss the dodging/burning, I miss the
> magic of seeing the image emerge in the developing tray, I even miss the
> smell of the chemicals and the brown stains on my lab apron. But the whole
> business was very solitary, asocial.  I don't miss that.
>
> stan
>
> On Feb 3, 2009, at 9:06 PM, Paul Stenquist wrote:
>
>> Ironically, I'm scanning some film tonight. Probably the first time in a
>> couple of years. I was looking through some negative envelopes earlier
>> today, and I ran across my trailer park shots. Looking at them now, I
>> realize I missed some of the better shots first time through. So I'm having
>> a bit of fun. I need a break from work.
>> Paul
>> On Feb 3, 2009, at 11:58 AM, Charles Robinson wrote:
>>
>>> On Feb 3, 2009, at 10:42, Bruce Dayton wrote:
>>>
>>>> Hmmmm....I don't miss dealing with proof books, I don't miss dealing
>>>> with wedding orders (massive amount of time), I don't miss the
>>>> inability to shoot on speculation (cost of goods prohibitive), I
>>>> don't miss wondering if I got the metering right in tricky
>>>> situations, I don't miss shelling out lots of money to buy film and
>>>> pay for processing (on my 67 it was about $1.35 per shot for film,
>>>> develop, proof), I don't miss wishing I had a different speed film in
>>>> the camera at a given moment, I don't miss trying to decide if I
>>>> should 'burn' the roll out to get it in for processing because I
>>>> wanted some of the pictures on it, I don't miss laboriously scanning
>>>> negatives and slides.
>>>>
>>>> I do miss the fleeting feeling of handing the film over to the lab
>>>> (thinking all my work was done - NOT).
>>>>
>>>> I guess I don't really miss film all that much.
>>>>
>>>
>>> Amen!
>>>
>>> I miss film in a tactile way.. just like I miss that feeling of picking
>>> up an LP from the turntable and deftly flipping it over to side two..
>>> setting it down, cleaning it with the Discwasher, zapping it with the
>>> Zerostat, and setting the needle down on it.
>>>
>>> I miss how it FEELS, but it was a pain to deal with in comparison to now.
>>>   Film and vinyl... same thing.  Nostalgic about some aspects but there is a
>>> lot I do NOT miss.
>>>
>>> -Charles
>>>
>>> --
>>> Charles Robinson - [email protected]
>>> Minneapolis, MN
>>> http://charles.robinsontwins.org
>>>
>>>
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-- 
Bong Manayon
http://www.bong.uni.cc

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