Thanks for the post- it looks like another project. I poked around a little, so I'll reserve comment until I have a better grasp of it all.
One point- how was he was able to get color film during WWII? How did he rate, with rationing and all? Kodachrome seems like it would have been reserved for war use. It sounds like he was "just this guy with a camera", not a big time artist or combat photographer. Nothing against him, just curious. Cheers Mike Beacom On Feb 11, 2008, at 1:24 PM, [EMAIL PROTECTED] wrote: > I've made it through 118 pages of the Chicago pics with no end in > sight. This has taken me from some of his first work in 1937 all > the way to 1958. It's fascinating to see how he progressed in terms > of composition and creative perspective. I also noticed that his > camera developed a sticky shutter in 1958 or thereabouts. Seems he > had it fixed fairly soon. It's also interesting that he threw very > little away -- end of roll shots, sticky shutter shots, overexposed > and underexposed shots -- they're all here. > > The Chicago area pics start here: http://tinyurl.com/2lsrlo > Paul > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above > and follow the directions. -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
