There's some really strong stuff there. It would be strengthened even more with some judicious editing into a set of very powerful portraits.
Here's my suggestion: 1, 10, 12, 17, 21, A bit of smoke. Do some more like that. What really works is the closeness, the direct contact and relationship between the photographer and the subject, which seems to on an equal footing (although it isn't - you're the one with the cigarettes). -- Bob > -----Original Message----- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On > Behalf Of Timber > Sent: 04 February 2008 04:19 > To: Pentax-Discuss Mail List > Subject: GESO: Homeless people... > > Earlier I've post a portrait of a homeless guy and I promised to > continue this work. Last night me and my journalist friend > was out and > walked a few underpasses of Budapest. So as I promised, here's part 2 > > http://www.pbase.com/timbercode/homeless > > .timber > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly > above and follow the directions. > > -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
