By the way, this success is due in large measure to Godders sharing his 
workflow. 
Paul
 -------------- Original message ----------------------
From: [EMAIL PROTECTED]
> I can match my monitor almost exactly, allowing for some difference in 
> backlit 
> conrast vs. a print. My monitor is calibrated, and I use the Epson ICC 
> profiles 
> with the recommended paper on an R2400. I can almost always nail it with one 
> print. I used to struggle with a printer and monitor whose calibrations 
> didn't 
> match. Now, I can't imagine working that way.
> Paul
>  -------------- Original message ----------------------
> From: Doug Franklin <[EMAIL PROTECTED]>
> > William Robb wrote:
> > 
> > > I've never worried overly if my prints match my screen, I don't think it 
> > > is 
> > > possible. I've seen screens that the photographer swears is a match for 
> > > his 
> > > output, and just chucled at how far away it is in reality.
> > 
> > Well, you'd probably chuckle at mine, then. :-)  Honestly, though, mine 
> > has been close enough just using Adobe Gamma to get the monitor 
> > somewhere in the right continent and the Epson-provided Stylus Photo 820 
> > profiles with Epson papers and inks.
> > 
> > Before Gamma and the profiles, getting a decent print that was even 
> > close to the screen image was basically pointless.  After them, it's 
> > been a no brainer.  At least to my untrained eye.
> > 
> > -- 
> > Thanks,
> > DougF (KG4LMZ)
> > 
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