Tim,
I agree with Christian and Marnie that the original is better than
your present attempt. The highlights look blown on my screen as well.
Besides, I think the dark areas in the original adds to the feeling of
gloominess, even if it mutes the visibility of the sleet.

Since you are looking into painting dodge/burn effects into a separate
layer, maybe this technique can be the next step:
http://www.digitalscrapbookplace.com/university/tutorials/PSE_MaskBlendEP.shtml
The beauty of it is that you can use it with any kind of adjustment
layer. Credits to Godfrey who explained this to me six months ago. :-)

Jostein

2007/5/29, Tim Øsleby <[EMAIL PROTECTED]>:
> Still working on my PS skills, and are in need of some more feedback.
>
> Both are at my bad site.
> Origenal http://www.photosight.org/photo.php?photoid=58978&ref=author
> The main problem here is lack of seperation between birds and rocks.
>
> The improved version:
> http://www.photosight.org/photo.php?photoid=60124&ref=author
> Basically I have dodged the rocks, and burned the birds. Used a technique by
> Scott Kelby that lets med paint the d/b at a 50% gray layer.
> Also altered the saturation. Encreaced a bit at the problem birds, and
> decreaced at the rocks. And I've toned down red to lessen the beaks of the
> background birds..
> Also used Levels in two separate operations. Mainly boosted shadows to give
> the background birds a bit more punch.
> Thats about it. Exept some light USM.
> Almost forgot. Toned down green to lessen green CA in the oystercatchers
> chests, and cloned away some purple fringe in the foreground birds.
>
>
> What do you think? Worth the effort?
> Suggestions for better approaches?
>
> Please be honest in a gentle way.
> PS'ing is one of my soft spots. But I definately do need honest and
> construktive feedback.
>
> Tim Typo
> Mostly Harmless
>
>
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