Hi Alex,

Sorry to hear you had such a bad experience with the DA40, I'm on the
opposite side, I love that lens, I didn't think about selling that
lens even having way too many lenses covering that FL: DA18-55,
DA16-45, FA24-90, FA35, FA50/1.4 and A50/1.7 (yes, I'm a gearhead but
at least I'm no longer proud of it...), not only I like the size
factor (main reason for this lens) but also I like it's rendering
qualities and I've never experienced any focus problem.
In the end there is always a subjective factor involved in keeping a
lens, and that's why it's only you who can decide what works better
for you, right?

Anyway I would buy that da40 from you if I wouldn't have one already ;-).

The way things are shapping up, I'm pretty sure you'll end up buying
that 43 and hopefully you'll find the so called 3D effect (comming
from a guy that has an order for a 31Ltd on Henry's).

This is one of the photos that I like from the DA40, that's my wife
expressing her feelings about my excitement on the K10D purchase ;-)

http://www.flickr.com/photo_zoom.gne?id=369460334&context=set-72157594500202302&size=o


Cheers








On 5/27/07, AlexG <[EMAIL PROTECTED]> wrote:
> Hi Boris, thanks for taking the time to respond. (same for Godfrey,
> Rob and Bob ;) )
>
> I know the equipment doesn't make the man, believe me. I'm not a
> better athlete because my bike is nice, I don't lift more because the
> bar is nicely chrome-plated... etc
>
> What bothers me about the 40 is that it's so variable. It will give me
> a super-nice pic once and again, other times the pics will be slightly
> off. Some sligt misfocus (this is with AF, never happens on the 50),
> or slightly strange contrast, slightly faded colors. I think it's more
> aperture dependent than anything else, it has to be because my
> technique doesn't change shot to shot.
>
> In my opinion, the 50 can do no wrong, and it rules for marginal
> lighing. But the 43's pics have a perceptibly different quality to
> them. I just can't tell if it's Photoshop (there are a gazillion
> varibles if so) or the lens itself. I suspect it was much the same in
> the film day. An old photography book I have says you could really
> change the picture in the darkroom if you knew what you were doing.
>
> The whole two eye open thing, I haven't been able to do it with the
> digitals yet, neither with the 40 or the 50. The only camera that has
> allowed comfortable two-eye shooting was the Minolta SRT-201. I don't
> know what vf magnification it had, but it's a big ol' prism. The lens
> was a small 43mm which should be equal to a 28 on a DSLR. I will be
> playing with the kit lens in that range for a bit.
>
> The Engineering side of me really likes Rob's answer. There are simply
> too many variables to tell. And it satisfies the cheapskate side of me
> too....
>
> I guess I'll be spending a bit more time with my existing gear before
> taking the plunge. It's the smartest thing to do. The 40 was the same
> kind of impulse buy this is shaping up to be and so far..... meh.
>
> Bob, where have the two of you gone for the honeymoon?
>
> Alex
>
> On 5/26/07, Boris Liberman <[EMAIL PROTECTED]> wrote:
> >
> > As for keeper's percentage. I am sorry, but I don't buy your argument.
> > More expensive and theoretically better lens does not make one better
> > photographer, no offense intended here.
> >
> > I do admit that if I was *forced* to choose just one normal lens, I'd go
> > for 43 ltd, but that's my *personal* preference.
> >
> > Notice also, that you may be able to shoot with your FA 50/1.4 with
> > *both* eyes opened, which probably will not be possible with 43 ltd...
> > You seem to like optical experiments ;-), so perhaps it is time you
> > performed some more.
> >
> > Boris
> >
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> >
>
>
> --
> Wanna get in shape?
> Set a goal, snap a pic of youself, and join the PDML Traineo group!
>
> http://pdml.groups.traineo.com/
>
> "Because only Nikonians should be fatsos!"
>
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-- 

http://www.flickr.com/photos/ferand/

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