I generally don't comment on photos I don't like. That's why my responses 
weight heavily on the plus side. And if you're paying attention, you'll notice 
that when I do comment, I frequently offer a suggestion. If someone really 
wants a thumbs up or thumbs down, I always reply  honestly. I gave Tim's three 
birds a thumbs down the other day, and I was probably the only list member who 
didn't like Ken's Cardinal. And I consider Ken a personal friend. If I was 
tossing bouquets, he would surely get one. Yes, I am entitled to my own tastes 
and opinions. But that doesn't stop you from critiquing them. How rude. Go back 
to worrying about Pentax finances. 

No, wait. Don't.
Paul
 -------------- Original message ----------------------
From: "Tom C" <[EMAIL PROTECTED]>
> Paul,
> 
> I'll speak my mind and hope you don't take offense, because none is 
> intended.  You and Frank seem to like almost every single photo that's 
> shown. Maybe you're just two terrifically positive individuals. :-)
> 
> To some though, it may come across as undiscriminating.  When my son was 2 
> or 3 years old and brought me a crayon-scribbled mess on a sheet of paper 
> and said "Look Daddy. Isn't this a pretty picture?", I said yes and praised 
> it unconditionally, as I knew he was doing his best.  I'd likely not praise 
> that same picture if he just produced it at age 10, and likely he wouldn't 
> have the same emotions about a picture he drew when he was 3 either.
> 
> If my 16 year old showed me some artwork and I praised all equally, and 
> especially if I praised what he clearly perceived was inferior as much as 
> the work that excelled, my praise would quickly start to lose it's value.
> 
> Personally, when I comment on a photo here, I must really like it to give it 
> praise.  If I see something that could make it better, I'll sometimes offer 
> that.  More likely than not, if I don't like it or think it's just average, 
> the lack of feedback will be my implicit comment.
> 
> You of course, are entitled to your own tastes and opinions.
> 
> Tom C.
> 
> 
> >From: [EMAIL PROTECTED]
> >Reply-To: Pentax-Discuss Mail List <[email protected]>
> >To: Pentax-Discuss Mail List <[email protected]>
> >Subject: Re: Re:
> >Date: Tue, 08 May 2007 17:44:19 +0000
> >
> >At least two viewers. Frank and I both said we liked it. I find it quite 
> >fascinating. The juxtaposition of the person and the dog adds interest. The 
> >jacket that separates the two is sharply in focus, as the head and the dog 
> >become slightly softer background and foreground elements. Social 
> >commentary is irrelevant. The pic is good because it's compelling and 
> >unique. BTW, I frequently cut off the tops of heads on purpose. If this 
> >shot wasn't packed tightly into the frame, it wouldn't be nearly as good.
> >Paul
> >
> >
> >  -------------- Original message ----------------------
> >From: Jack Davis <[EMAIL PROTECTED]>
> > > The was, in some unique way, especially meaningful to one viewer. That
> > > doesn't, necessarily, validate it to anyone else.
> > > I think that's what every photographer and viewer has to realize.
> > >
> > > Jack
> > >
> > > --- Tom C <[EMAIL PROTECTED]> wrote:
> > >
> > > > What?  Is Godfrey in a 3rd grade photography?  :-) Sorry to appear
> > > > rude.
> > > >
> > > > What is good about this picture?  I don't find anything appealing
> > > > about it.
> > > > I don't see that it took any more effort than haphazardly raising the
> > > > camera
> > > > to one's eye and pressing the shutter release, maybe not even looking
> > > >
> > > > through the viewfinder.
> > > >
> > > > Not only  is the main subject not in clear focus, the secondary
> > > > subject is
> > > > not either, and both are cut off.  I'm not a believer that some sort
> > > > of
> > > > unspoken social commentary, makes a photograph a good photograph.
> > > >
> > > > If this is the kind of image that constitutes an incredible
> > > > photograph, then
> > > > by God, every person that ever picked up a camera and pressed the
> > > > shutter
> > > > release a half dozen times is a good photographer, and we should all
> > > > stop
> > > > trying.
> > > >
> > > > Tom C.
> > > >
> > > >  >On 08/05/07, Paul Stenquist <[EMAIL PROTECTED]> wrote:
> > > > >>I missed this as well. Beautifully captured. Very moving.
> > > > >>Paul
> > > > >>On May 7, 2007, at 5:50 PM, frank theriault wrote:
> > > > >>
> > > > >> > On 5/5/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> > > > >> >>>>   http://homepage.mac.com/ramarren/photo/PAW7/22.htm
> > > > >> >
> > > > >> > I missed this first time 'round.
> > > > >> >
> > > > >> > In incredible photograph.
> > > > >> >
> > > > >> > Just incredible...
> > > > >> >
> > > > >> > cheers,
> > > > >> > frank
> > > > >> >
> > > > >> > --
> > > > >> > "Sharpness is a bourgeois concept."  -Henri Cartier-Bresson
> > > > >> >
> > > > >> > --
> > > > >> > PDML Pentax-Discuss Mail List
> > > > >> > [email protected]
> > > > >> > http://pdml.net/mailman/listinfo/pdml_pdml.net
> > > > >>
> > > > >>
> > > >
> > > >
> > > >
> > > > --
> > > > PDML Pentax-Discuss Mail List
> > > > [email protected]
> > > > http://pdml.net/mailman/listinfo/pdml_pdml.net
> > > >
> > >
> > >
> > >
> > >
> > > 
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> 
> 
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