>If you are an highfalutin artist, then only you can judge your work, but if >you are a commerical artist >only your customers can.
Then I guess the solution is to keep/show all you take. Also please define highfalutin & commercial artist. Kenneth Waller ----- Original Message ----- From: "graywolf" <[EMAIL PROTECTED]> Subject: Re: Cutthroat editing (was - Image file blah blah blah) > But I do not want to improve my photography. The photos that have made > me money are usually the lousy ones (in my opinion) if I had tossed them > I would not have made the money. If you are an highfalutin artist, then > only you can judge your work, but if you are a commerical artist only > your customers can. > > -graywolf > > > Kenneth Waller wrote: >>> So what's your method for culling the crap? >> >> Be absolutely ruthless in your editing/sorting. If you have several >> similar >> images, only retain one. Try to position yourself as some one invited to >> see >> the images & how you would respond to all you keep. >> >> A critical edit is one of the best ways to improve your photography. >> >> Kenneth Waller >> >> ----- Original Message ----- >> From: "Scott Loveless" <[EMAIL PROTECTED]> >> Subject: Cutthroat editing (was - Image file blah blah blah) >> >> >>> Since obtaining 2 (count 'em, 2) DSLRs, we've started generating a lot >>> of images. It's not uncommon for me to fill a 2GB card in 30 minutes >>> with photos of the girls playing in the backyard. Thus far, we've been >>> keeping everything, but this is quickly becoming unmanageable. So >>> what's your method for culling the crap? >>> >>> -- >>> Scott Loveless >>> www.twosixteen.com >> >> > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
